I'm a man of control, focused on the business of power and money, in whatever way I see an opportunity. What I never expected was one tiny little fireball of a woman, pulling the rug out from underneath me and setting my world on fire. It all started, or so I thought, when my sister talked me into a charity bachelor auction. A beautiful woman had eyes for only me and I was all in, and all about her finding her way to my hotel room that night. Imagine my pleasure when she didn't just bid on me, she bid a million dollars. But this woman had a surprise waiting on me and it was not what I expected. She can't deny the sparks between us anymore than I can, but she has an agenda, and that agenda is revenge. Which is where the handcuffs came into play. Only it's her who is my captive. Her family is indebted to my family and this game is about to get interesting... Previously published as the Dirty Rich Obsession duet
Going Dirty is a history of negative campaigning in American politics and an examination of how candidates and political consultants have employed this often-controversial technique. The book includes case studies on notable races throughout the television era in which new negative campaign strategies were introduced, or existing tactics were refined and amplified upon. Strategies have included labeling opponents from non-traditional political backgrounds as dumb or lightweight, an approach that got upended when a veteran actor and rookie candidate named Ronald Reagan won the California governorship in 1966, setting him on a path to the White House. The negative tone of campaigns has also been ratcheted up dramatically since the terrorist attacks of September 11, 2001: Campaign commercials now routinely run pictures of international villains and suggest, sometimes overtly, at other times more subtly, that political opponents are less than resolute in prosecuting the war on terror. The book also outlines a series of races in which negative campaigning has backfired, because the charges were not credible or the candidate on the attack did not understand the political sentiments of the local electorate they were trying to persuade. The effect of newer technologies on negative campaigning is also examined, including blogs and Web video, in addition to tried and true methods like direct mail.
They call me the sugar whisperer. Anything your tongue desires, I can bake it. Scones? Child's play. Cupcakes? I'll frost them so good you won't know what hit you. Donuts? Please. You're talking to a master baker. But there's one egg I've never been able to crack. My best friend. Correction: my former best friend. She's the apple in my pie. The whip in my cream. The lemon in my meringue. The wish in my bone. She's the one who got away. After ten years in the military, she's back. She's bruised and battered by life, but she's back. Except she's not my second chance. She's gone to the dark side. Running a rival bakery in a town not big enough for two. So now I have to decide--which do I want more? My bakery? Or the woman I never should've let go in the first place? Master Baker is a deliciously fun friends-to-enemies-to-lovers romantic comedy featuring a smooth-talking baker, the one who got away, and a goat with more matchmaking tendencies than a nosy old grandpa. It stands alone with no cheating or cliffhangers.
When Brandi Marsing approaches billionaire Zach Wilder, she thinks her job is simple: gain the trust of her father’s greatest rival, and find the dirt to bring him down. Brandi is shocked to learn that the handsome Zach is a better man then she thought, despite forcing her into a fake relationship one day after meeting. Will Brandi remain loyal…or will she fall in love with the enemy? “I don’t need to force anyone into my bed, Miss Marsing.” He straightened. “This will be far more public. Probably painful for you and deliciously so for your father also.” She wanted to gag at his ego. Jail was looking better and better. “Just call the cops.” “You don’t want to hear my proposal?” he asked. “Tell me what I’m choosing between,” she demanded. “You either go to jail. Or...” He let the word hang in the air and she resisted leaning forward in anticipation. “Or, you pretend to be my fiancé.” His Rival's Daughter is created by Chris Redding, an EGlobal Creative Publishing signed author.
Learn the slang words, modern phrases, and curses they definitely never taught you in Spanish class with this super-handy and hilariously improper English-Spanish phrasebook. You already know enough Spanish to get by, but you want to be able to tell those inside jokes, greet your friends in a laid-back manner, and casually pick someone up at a bar. From “What’s up?” to “Wanna go home with me?” Dirty Spanish will teach you how to speak like you're a regular on the streets of Madrid or Buenos Aires. But you’ll also discover material that goes beyond a traditional phrasebook, including: Hilarious insults Provocative facts Explicit swear words Themed Spanish cocktails And more! Next time you’re traveling to Spain, Mexico, or Argentina, pick up this book, drop the textbook formality, and get dirty!
Gold Medal (tie) in the 2022 Independent Publisher Book Awards (IPPYs) - History (U.S.) Category. A rich account of 1920s to 1950s New York City, starring an eclectic mix of icons like James Joyce, Margaret Sanger, and Alfred Kinsey—all led by an unsung hero of free expression and reproductive rights: Morris L. Ernst. At the turn of the twentieth century, the United States was experiencing an awakening. Victorian-era morality was being challenged by the introduction of sexual modernism and women's rights into popular culture, the arts, and science. Set during this first sexual revolution, when civil libertarian-minded lawyers overthrew the yoke of obscenity laws, Dirty Works focuses on a series of significant courtroom cases that were all represented by the same lawyer: Morris L. Ernst. Ernst's clients included a who's who of European and American literati and sexual activists, among them Margaret Sanger, James Joyce, and Alfred Kinsey. They, along with a colorful cast of burlesque-theater owners and bookstore clerks, had run afoul of stiff obscenity laws, and became actors in Ernst's legal theater that ultimately forced the law to recognize people's right to freely consume media. In this book, Brett Gary recovers the critically neglected Ernst as the most important legal defender of literary expression and reproductive rights by the mid-twentieth century. Each chapter centers on one or more key trials from Ernst's remarkable career battling censorship and obscenity laws, using them to tell a broader story of cultural changes and conflicts around sex, morality, and free speech ideals. Dirty Works sets the stage, legally and culturally, for the sexual revolution of the 1960s and beyond. In the latter half of the century, the courts had a powerful body of precedents, many owing to Ernst's courtroom successes, that recognized adult interests in sexuality, women's needs for reproductive control, and the legitimacy of sexual inquiry. The legacy of this important, but largely unrecognized, moment in American history must be reckoned with in our contentious present, as many of the issues Ernst and his colleagues defended are still under attack eight decades later.
