This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book is a practical guide for gardeners and botanists who wish to import seeds and plants from distant countries. It includes detailed instructions for transporting these items in a way that ensures their survival, as well as a catalog of foreign plants that are suitable for cultivation in the American colonies. This is an invaluable resource for anyone interested in horticulture or plant exploration. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The story of a nineteenth-century invention (essentially a tiny greenhouse) that allowed for the first time the movement of plants around the world, feeding new agricultural industries, the commercial nursery trade, botanic and private gardens, invasive species, imperialism, and more. Roses, jasmine, fuchsia, chrysanthemums, and rhododendrons bloom in gardens across the world, and yet many of the most common varieties have roots in Asia. How is this global flowering possible? In 1829, surgeon and amateur naturalist Nathaniel Bagshaw Ward placed soil, dried leaves, and the pupa of a sphinx moth into a sealed glass bottle, intending to observe the moth hatch. But when a fern and meadow grass sprouted from the soil, he accidentally discovered that plants enclosed in glass containers could survive for long periods without watering. After four years of experimentation in his London home, Ward created traveling glazed cases that would be able to transport plants around the world. Following a test run from London to Sydney, Ward was proven correct: the Wardian case was born, and the botanical makeup of the world’s flora was forever changed. In our technologically advanced and globalized contemporary world, it is easy to forget that not long ago it was extremely difficult to transfer plants from place to place, as they often died from mishandling, cold weather, and ocean salt spray. In this first book on the Wardian case, Luke Keogh leads us across centuries and seas to show that Ward’s invention spurred a revolution in the movement of plants—and that many of the repercussions of that revolution are still with us, from new industries to invasive plant species. From the early days of rubber, banana, tea, and cinchona cultivation—the last used in the production of the malaria drug quinine—to the collecting of beautiful and exotic flora like orchids in the first great greenhouses of the United States Botanic Garden in Washington, DC, and England’s Royal Botanic Gardens, Kew, the Wardian case transformed the world’s plant communities, fueled the commercial nursery trade and late nineteenth-century imperialism, and forever altered the global environment.
A fascinating history of Britain's plant biodiversity and a unique account of how our garden landscape has been transformed over 1000 years, from 200 species of plant in the year 1000 to the astonishing variety of plants we can all see today. Thousands of plants have been introduced into Britain since 1066 by travellers, warriors, explorers and plant hunters - plants that we now take for granted such as rhododendron from the Far East, gladiolus from Africa and exotic plants like the monkey puzzle tree from Chile. Both a plant history and a useful reference book, Maggie Campbell-Culver has researched the provenance and often strange histories of many of the thousands of plants, exploring the quirky and sometimes rude nature of the plants, giving them a personality all of their own and setting them in their social context. The text is supported by beautiful contemporary paintings and modern photographs in 2 x 8 pp colour sections.
An exploration of the science and cultural significance of carnivorous plants, now in paperback. Carnivorous plants are a unique botanical group, possessing modified leaves to trap, kill, and consume small creatures. As a result, they are often depicted as killers in films and literature—from Audrey in Little Shop of Horrors to the world-dominating plants of The Day of the Triffids—yet many people regard carnivorous plants as exotic and beautiful specimens to collect and display. In this abundantly illustrated and highly entertaining book, Dan Torre describes the evolution, structure, and scientific background of carnivorous plants. Examining their cultural and social history, he also shows how they have inspired our imagination and been represented in art, literature, cinema, animation, and popular culture. From the Venus flytrap—a species endemic to the Carolinas—to pitcher plants, this fascinating history of these singular, arresting, beautiful, yet deadly plants is certain to be devoured.
The Curatorial Department of the American Philosophical Society presents a catalogue of the exhibition held in Philosophical Hall from June 2003 through December 2004. The exhibit focuses on the blending of art and science in the study of natural history in North America. It explores the cultural assumptions that governed the practice of natural history on the North American continent in the 18th and early 19th centuries. Focusing on the study of living things -- plants, animals, and indigenous peoples -- it looks at how and why Euro-Americans of the Enlightenment and post-Enlightenment periods went about explaining the world the way they did. Exhibit items include historical specimens, manuscript materials, first-edition books, and art work.
