The internationally renowned Jungian analyst Lopez-Pedraza diagnoses the psychological illness at the core of modern society--the loss of embodied soulfulness in people's lives. In this study of the Greek god Dionysus, he offers insight for a cure. This book may be worth several years in psychotherapy, if one takes its message to heart. Dismemberment and cannibalism, Prometheus and Titanic nature, mystical experience, the communal aspect of Dionysiac worship, jazz, flamenco, and bullfighting are among the many twists and turns taken in this essay that wends its way through issues of the body and emotion to open hidden doors for psychotherapy and to cast new light on post-modern humanity.
Women and Dionysus links repression of the Dionysian spirit in Western culture with the rise of the patriarchy over the course of two millennia. It effectively draws aconnection between Dionysus and women throughout history, with examples from cultures both past and present, and the author’s own experiences. Maggy Anthony explores Dionysus’ role as god of the vine, creativity and passion, and his impact on art and literature. The book examines the Dionysian influence on creative older women, including Georgia O’Keeffe, Martha Graham and Marguerite Duras; examines Dionysus in mythology, history and religion; and considers connections to mysticism and the Renaissance. Anthony goes on to explore how women’s expressions of creativity through healing, wine-drinking and dancing were condemned in history, and how modern African and Latin American rites contrast with Western traditions. Finally, the book looks at ‘outbreaks’ of modern Dionysian spirit - from Haight-Ashbury to the Burning Man festival - and speculates on its future. This unique study will be essential reading for academics and scholars of Jungian and post-Jungian studies, and for analytical and depth psychologists, particularly those with an interest in female individuation, creativity, and spirituality.
‘No one in this city has believed in me for two thousand years. I’m unknown and unloved. And I’m very, very ill.’ He sighed, and the sound chilled her blood. ‘Give me your hand.’ Dionysus, god of wine and divine ecstasy, is reborn in modern Rome. He doesn’t understand how or why he’s come to be here – a pagan god in a city where he has no believers. But when he meets fifteen-year-old Grace during a chance encounter in the Ghetto, he realises he has found his first new follower. This is the beginning of Grace’s secret life, as she and her friends overcome scepticism and fear to become his worshippers, drinking his wine and taking part in bacchanals across the city. As the melancholy god lives out his exile, his teenage followers find they have everything to lose. And after the first bloodshed, they know that there’s no turning back...
On September 23 and 24, 2011, a group of scholars and practitioners from different fields and parts of the world assembled at the Greek Cultural Foundation in Berlin to discuss aspects of Terzopoulos'theatre related to its Dionysian qualities. Scholars of theatre studies, classical studies, psychoanalysis, psycho- and neurolinguistics met with writers, dramaturges, directors, and actors to share their views on the particularity of Terzopoulos' theatre. The symposium was held in his honor. With contributions from: Etel Adnan | Konstantinos I. Arvanitakis | Penelope Chatzidimitriou | Alexander Chepurov | Freddy Decreus | Matthias Dreyer | Erika Fischer-Lichte | Gonia Jarema | Kerem Karaboga | Frank M. Raddatz | Georgios Sampatakakis | Savvas Stroumpos | Dimitris Tsatsoulis | David Wiles
In Dionysus on the Other Shore, Letizia Fusini argues that throughout his early exile years (late 1980s-1990s), Gao Xingjian gradually moved away from Absurdist Drama to develop a dramaturgical system with tragic characteristics. Drawing on a range of contemporary theories of tragedy, this book reconfigures some of the key tropes of Gao’s post-1987 theater as varied articulations of the Dionysian sparagmos mechanism. They are the dismemberment of the dramatic self, the usage of constricted spaces, the divisive nature of gender relations, and the agony of verbal language. Through a text-based analysis of seven plays, the author ultimately aims to show that in Gao’s theater, tragedy is an ongoing and mostly subtextual dynamism generated by an interplay of psychic forces concurrently cohesive and divisive.
Dionysos, one of the most misunderstood of the gods, is a masculine energy that brings us back to life and vitality in a way that includes deep partnership with the feminine. Through the exploration of the love story of Ariadne and Dionysos, Alchemy of the Heart takes us on an archetypal adventure into an ancient world where the dance of masculine and feminine ignites fullness of being in both men and women. From the shadowy labyrinth of Minos to the sacred Initiation Chamber at Pompeii, Alchemy of the Heart travels the landscape of both the outer world and the inner psyche as it points the way past contemporary hedonism and pornography addiction into a Dionysian world of joy, vibrant sexuality, and spiritual transcendence. “A solid and important work of scholarship that is a must-read for those doing depth psychological work. Aguilar mines the myth of Dionysos and Ariadne for its insights into expanding Jungian notions about the animus and a woman’s journey to wholeness. In the process, she updates Jungian thought to match emerging ways of seeing gender, the feminine, and the masculine in our time.” —Carol S. Pearson, Ph.D., Author of Persephone Rising, The Hero Within and Awakening the Heroes Within. Former President of Pacifica Graduate Institute. “Joseph Campbell showed us the mythic mysteries, now Marina Aguilar unlocks the secrets of ecstatic teachings. Alchemy of the Heart is a breakthrough work on our divine connection to nature and the playful wisdom of the body.” —Jonathan Young, Ph.D., Psychologist, Founding Curator, Joseph Campbell Archives. “A superb study of the myth of Dionysos through the lens of Jung’s spiritual alchemy. Focusing on the sacred marriage of Dionysos and Ariadne, the author illuminates the journey to wholeness, both horizontal and vertical, revealing a power to heal not only a broken psyche but a broken world. Aguilar’s ‘meditative exegesis’ on the Dionysian initiation chamber in the Villa of Mysteries at Pompeii is a model of transcendence at the heart of Plato’s noetic philosophy. This is a penetrating reading bringing to life an ancient, yet timeless, myth.” —Michael P. Morrissey, Ph.D., Author of Consciousness and Transcendence: The Theology of Eric Voegelin. Marina Aguilar received her master’s degree in Counseling Psychology at Pacifica Graduate Institute, Santa Barbara, and has been a practicing depth psychotherapist and educator since 1990. She specializes in individuation as a spiritual, as well as soul process. Her expertise in mythology, comparative religion, spiritual alchemy and the ancient mystery school teachings serves as a valuable tool in working with archetypal themes as they emerge in day to day life, imagination, art and dreams. Having lived in the United States, Mexico and Europe, her work bridges cultures, continents and spiritual modalities and focuses on increasing consciousness and wholeness within the individual and society as a whole.
A highly entertaining novel set in North London, where the Greek gods have been living in obscurity since the seventeenth century. Being immortal isn’t all it’s cracked up to be. Life’s hard for a Greek god in the twenty-first century: nobody believes in you any more, even your own family doesn’t respect you, and you’re stuck in a dilapidated hovel in North London with too many siblings and not enough hot water. But for Artemis (goddess of hunting, professional dog walker), Aphrodite (goddess of beauty, telephone sex operator) and Apollo (god of the sun, TV psychic) there’s no way out... until a meek cleaner and her would-be boyfriend come into their lives and turn the world upside down. Gods Behaving Badly is that rare thing, a charming, funny, utterly original novel that satisfies the head and the heart.
A deep exploration of the regenerative and magical secrets of sacred masculinity hidden in familiar myths both ancient and modern • Reveals the restorative fungi archetype of Osiris, the Orphic mysteries as an underground mycelium linking forests and people, how Dionysus teaches us about invasive species and playful sexuality, and the ecology of Jesus as depicted in his nature-focused parables • Liberates Tristan, Merlin, and the Grail legends from the bounds of Campbell’s hero’s journey and invites the masculine into more nuanced, complex ways of dealing with trauma, growth, and self-knowledge Long before the sword-wielding heroes of legend readily cut down forests, slaughtered the old deities, and vanquished their enemies, there were playful gods, animal-headed kings, mischievous lovers, trickster harpists, and vegetal magicians with flowering wands. As eco-feminist scholar Sophie Strand discovered, these wilder, more magical modes of the masculine have always been hidden in plain sight. Sharing the culmination of eight years of research into myth, folklore, and the history of religion, Strand leads us back into the forgotten landscapes and hidden secrets of familiar myths, revealing the beautiful range of the divine masculine, including expressions of male friendship, male intimacy, and male creative collaboration. In discussing Dionysus and Osiris, Strand encourages us to think like an ecosystem instead of like an individual. She connects dying, vegetal gods to the virtuous cycle of composting and decay, highlighting the ways in which mushrooms can restore soil and heal polluted landscapes. Exploring esoteric Christianity, the author celebrates the Gnostic Jesus of the Gospel of Thomas, imagining the ecology that the Rabbi Yeshua would have actually been referencing in his nature-focused parables. Strand frees Tristan, Merlin, and the Grail legends from the bounds of Campbell’s hero’s journey and invites the masculine into more nuanced, complex ways of dealing with trauma, growth, and self-knowledge. Strand reseeds our minds with new visions of male identity and shows how each of us, regardless of gender, can develop a matured ecological empathy and witness a blossoming of sacred masculine powers that are soft, curious, connective, and celebratory.
A fascinatingly diverse anthology of the literature of exile, from the myths of Ancient Egypt to contemporary poetry Exile lies at the root of our earliest stories. Charting varied experiences of people forced to leave their homes from the ancient world to the present day, The Heart of a Stranger is an anthology of poetry, fiction and non-fiction that journeys through six continents, with over a hundred contributors drawn from twenty-four languages. Highlights include the wisdom of the 5th century Desert Fathers and Mothers, the Swahili Song of Liyongo, The Flight of the Irish Earls, Emma Goldman's travails in the wake of the First Red Scare, the Syrian poet Nizar Qabbani's ode to the lost world of Andalusia and the work of contemporary Eritrean fabulist Ribka Sibhatu. Edited by poet and translator André Naffis-Sahely, The Heart of a Stranger offers a uniquely varied look at a theme both ancient and urgently contemporary.
Explore the Book is not a commentary with verse-by-verse annotations. Neither is it just a series of analyses and outlines. Rather, it is a complete Bible survey course. No one can finish this series of studies and remain unchanged. The reader will receive lifelong benefit and be enriched by these practical and understandable studies. Exposition, commentary, and practical application of the meaning and message of the Bible will be found throughout this giant volume. Bible students without any background in Bible study will find this book of immense help as will those who have spent much time studying the Scriptures, including pastors and teachers. Explore the Book is the result and culmination of a lifetime of dedicated Bible study and exposition on the part of Dr. Baxter. It shows throughout a deep awareness and appreciation of the grand themes of the gospel, as found from the opening book of the Bible through Revelation.
