Dionysus Since 69

Dionysus Since 69

Author: Edith Hall

Publisher: OUP Oxford

Published: 2004-01-08

Total Pages: 500

ISBN-13: 019155541X

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Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization.


The Oxford Handbook of Greek Drama in the Americas

The Oxford Handbook of Greek Drama in the Americas

Author: Kathryn Bosher

Publisher: Oxford University Press

Published: 2015-11-05

Total Pages: 1047

ISBN-13: 0191637335

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The Oxford Handbook of Greek Drama in the Americas is the first edited collection to discuss the performance of Greek drama across the continents and archipelagos of the Americas from the beginning of the nineteenth century to the present. The study and interpretation of the classics have never been restricted by geographical or linguistic boundaries but, in the case of the Americas, long colonial histories have often imposed such boundaries arbitrarily. This volume tracks networks across continents and oceans and uncovers the ways in which the shared histories and practices in the performance arts in the Americas have routinely defied national boundaries. With contributions from classicists, Latin American specialists, theatre and performance theorists, and historians, the Handbook also includes interviews with key writers, including Nobel Laureate Derek Walcott, Charles Mee, and Anne Carson, and leading theatre directors such as Peter Sellars, Carey Perloff, H?ctor Daniel-Levy, and Heron Coelho. This richly illustrated volume seeks to define the complex contours of the reception of Greek drama in the Americas, and to articulate how these different engagements - at local, national, or trans-continental levels, as well as across borders - have been distinct both from each other, and from those of Europe and Asia.


Dionysus Resurrected

Dionysus Resurrected

Author: Erika Fischer-Lichte

Publisher: John Wiley & Sons

Published: 2014-01-07

Total Pages: 256

ISBN-13: 1405175788

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Dionysus Resurrected analyzes the global resurgence since the late 1960s of Euripides’ The Bacchae. By analyzing and contextualizing these modern day performances, the author reveals striking parallels between transformational events taking place during the era of the play’s revival and events within the play itself. Puts forward a lively discussion of the parallels between transformational eventsduring the era of the play’s revival and events within the play itself The first comparative study to analyse and contextualize performances of The Bacchae that took place between 1968 and 2009 from the United States, Africa, Latin America, Europe and Asia Argues that presentations of the play not only represent liminal states but also transfer the spectators into such states Contends that the play’s reflection on various stages of globalization render the tragedy a contemporary play Establishes the importance of The Bacchae within Euripides’ work as the only extant tragedy in which the god Dionysus himself appears, not just as a character but as the protagonist


Environmental Theater

Environmental Theater

Author: Richard Schechner

Publisher: Hal Leonard Corporation

Published: 1994

Total Pages: 404

ISBN-13: 9781557831781

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"There is an actual, living relationship between the spaces of the body and the spaces the body moves through; human living tissue does not abruptly stop at the skin, exercises with space are built on the assumption that human beings and space are both alive." Here are the exercises which began as radical departures from standard actor training etiquette and which stand now as classic means through which the performer discovers his or her true power of transformation. Available for the first time in fifteen years, the new expanded edition of Environmental Theater offers a new generation of theater artists the gospel according to Richard Schechner, the guru whose principles and influence have survived a quarter-century of reaction and debate.


The Future of Ritual

The Future of Ritual

Author: Richard Schechner

Publisher: Routledge

Published: 2003-09-02

Total Pages: 306

ISBN-13: 1134946929

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In The Future of Ritual, Richard Schechner explores the nature of ritualised behaviour and its relationship to performance and politics. A brilliant and uncontainable examination of cultural expression and communal action, The Future of Ritual asks pertinent questions about art, theatre and the changing meaning of 'culture' in today's intercultural world. An exciting new work by the author of Performance Theory.


Euripides' Bacchae

Euripides' Bacchae

Author: Hans Oranje

Publisher: BRILL

Published: 2018-07-17

Total Pages: 208

ISBN-13: 900432805X

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The purpose of this book is to investigate what it was Euripides intended to convey to the theatre-going public of his day when he wrote his most exciting and most gruesome play, the Bacchae. The meanings which are to be attached to the action of a play are woven by an audience, both during and after the performance, into a single dramatic experience, labelled in this book as 'audience response'. After some introductory chapters dealing with the history of the interpretation of the Bacchae and with the theory of audience response, the main part of the book is devoted to a detailed analysis of the action of the play (chapters 4 and 5), and to a study of Dionysus in his various apects in Athenian life and in his appearances in earlier literature and on the tragic stage. The discussion of the choruses concentrates on the choruses' repeated utterances about cleverness and wisdom, which form the core of the Dionysian propaganda of the play. The most immediate results of this new interpretation of the Bacchae are that the widely-accepted view of Pentheus as a dark puritan, a man possessed by the Dionysian qualities of his divine opponent, proves to be untenable, and that that which in the past has been rightly called the overriding theme of the play - the god's epiphany - also contains the poet's most serious and ironical discussion of divinity and of man's treatment of it. The problems of the Greek text are given full discussion, mainly in the nots and appendices. In many cases new solutions are proposed; some new problems are however added.


Are Snakes Necessary?

Are Snakes Necessary?

Author: Brian De Palma

Publisher: Titan Books (US, CA)

Published: 2020-03-17

Total Pages: 224

ISBN-13: 1789091217

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"It's like having a new Brian De Palma picture." - Martin Scorsese, Academy Award-winning director FROM THE DIRECTOR OF SCARFACE AND DRESSED TO KILL -- A FEMALE REVENGE STORY When the beautiful young videographer offered to join his campaign, Senator Lee Rogers should've known better. But saying no would have taken a stronger man than Rogers, with his ailing wife and his robust libido. Enter Barton Brock, the senator's fixer. He's already gotten rid of one troublesome young woman -- how hard could this new one turn out to be? Pursued from Washington D.C. to the streets of Paris, 18-year-old Fanny Cours knows her reputation and budding career are on the line. But what she doesn't realize is that her life might be as well...


Between Theater and Anthropology

Between Theater and Anthropology

Author: Richard Schechner

Publisher: University of Pennsylvania Press

Published: 2010-08-03

Total Pages: 357

ISBN-13: 0812200926

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In performances by Euro-Americans, Afro-Americans, Native Americans, and Asians, Richard Schechner has examined carefully the details of performative behavior and has developed models of the performance process useful not only to persons in the arts but to anthropologists, play theorists, and others fascinated (but perhaps terrified) by the multichannel realities of the postmodern world. Schechner argues that in failing to see the structure of the whole theatrical process, anthropologists in particular have neglected close analogies between performance behavior and ritual. The way performances are created—in training, workshops, and rehearsals—is the key paradigm for social process.