Dinosaurs
Dinosaurs

Author: William Diller Matthew

Publisher:

Published: 2010-03

Total Pages: 0

ISBN-13: 9781770453784

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Dinosaurs with Special Reference to the American Museum Collections
Dinosaurs with Special Reference to the American Museum Collections

Author: William Matthew

Publisher:

Published: 2018-02-02

Total Pages: 120

ISBN-13: 9781984348654

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William Diller Matthew (1871 -1930) was a vertebrate paleontologist and curator of the American Museum of Natural History from the mid-1890s to 1927, and director of the University of California Museum of Paleontology from 1927 to 1930. In 1915, Matthew published "Dinosaurs with special reference to the American museum" which he described as a consecutive and intelligible account of the Dinosaur collections in the American Museum. Contents: I. THE AGE OF REPTILES: ITS ANTIQUITY, DURATION AND SIGNIFICANCE IN GEOLOGIC HISTORY. II. NORTH AMERICA IN THE AGE OF REPTILES, ITS GEOGRAPHIC AND CLIMATIC CHANGES. III. KINDS OF DINOSAURS: COMMON CHARACTERS AND DIFFERENCES BETWEEN THE VARIOUS GROUPS. IV. THE CARNIVOROUS DINOSAURS, ALLOSAURUS, TYRANNOSAURUS, ORNITHOLESTES, ETC.SUB-ORDER THEROPODA. V. THE AMPHIBIOUS DINOSAURS, BRONTOSAURUS, DIPLODOCUS, ETC. SUB-ORDER OPISTHOCOELIA (CETIOSAURIA OR SAUROPODA). VI. THE BEAKED DINOSAURS. ORDER ORTHOPODA (ORNITHISCHIA OR PREDENTATA.) VII. THE BEAKED DINOSAURS (Continued). VIII. THE BEAKED DINOSAURS (Continued.) IX. THE BEAKED DINOSAURS (Concluded.) X. GEOGRAPHICAL DISTRIBUTION OF DINOSAURS. XI. COLLECTING DINOSAURS. HOW AND WHERE THEY ARE FOUND. Other works by this author include: Fossil mammals of the Tertiary of northeastern Colorado: American Museum collection of 1898. 1901. The evolution of the horse. 1903. The Carnivora and Insectivora of the Bridger Basin, Middle Eocene. 1909.

Assembling the Dinosaur
Assembling the Dinosaur

Author: Lukas Rieppel

Publisher: Harvard University Press

Published: 2019-06-24

Total Pages: 337

ISBN-13: 067473758X

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A lively account of how dinosaurs became a symbol of American power and prosperity and gripped the popular imagination during the Gilded Age, when their fossil remains were collected and displayed in museums financed by North America’s wealthiest business tycoons. Although dinosaur fossils were first found in England, a series of dramatic discoveries during the late 1800s turned North America into a world center for vertebrate paleontology. At the same time, the United States emerged as the world’s largest industrial economy, and creatures like Tyrannosaurus, Brontosaurus, and Triceratops became emblems of American capitalism. Large, fierce, and spectacular, American dinosaurs dominated the popular imagination, making front-page headlines and appearing in feature films. Assembling the Dinosaur follows dinosaur fossils from the field to the museum and into the commercial culture of North America’s Gilded Age. Business tycoons like Andrew Carnegie and J. P. Morgan made common cause with vertebrate paleontologists to capitalize on the widespread appeal of dinosaurs, using them to project American exceptionalism back into prehistory. Learning from the show-stopping techniques of P. T. Barnum, museums exhibited dinosaurs to attract, entertain, and educate the public. By assembling the skeletons of dinosaurs into eye-catching displays, wealthy industrialists sought to cement their own reputations as generous benefactors of science, showing that modern capitalism could produce public goods in addition to profits. Behind the scenes, museums adopted corporate management practices to control the movement of dinosaur bones, restricting their circulation to influence their meaning and value in popular culture. Tracing the entwined relationship of dinosaurs, capitalism, and culture during the Gilded Age, Lukas Rieppel reveals the outsized role these giant reptiles played during one of the most consequential periods in American history.