An empowering handbook for teachers on how to support their students to recognise fake news and false information found in the online environment Do you check the sources of what you read online? Would you be able to recognise fake news? Information found online should be assessed and evaluated before it can be considered valuable. This handbook, developed within the framework of the European Union-Council of Europe Joint Programme Democratic and Inclusive School Culture in Operation (DISCO), provides key information for teachers and their students on how to recognise fake news and false information found in the online environment.
Cultural Writing. "Required reading for any one concerned with disrupting authoritarian power in all its hideous forms. Once again CAE has produced an essential kit for the intelligent cultural hacker, artist, and hacktivist. Read this book for smart tactics to fight the encroaching giant of corporate culture and other antihuman forces vying to control in the 21st century" - Natalie Bookchin. "In this latest volume CAE brings to a climax a series of brilliantly illuminating texts, in which, over the last decade, they have succeeded in forging one of the few lexicons powerful enough to theorize the issues and technologies at the heart of today's activist cultures" - David Garcia, organizer, Next Five Minutes.
This book explains strategies, techniques, legal issues and the relationships between digital resistance activities, information warfare actions, liberation technology and human rights. It studies the concept of authority in the digital era and focuses in particular on the actions of so-called digital dissidents. Moving from the difference between hacking and computer crimes, the book explains concepts of hacktivism, the information war between states, a new form of politics (such as open data movements, radical transparency, crowd sourcing and “Twitter Revolutions”), and the hacking of political systems and of state technologies. The book focuses on the protection of human rights in countries with oppressive regimes.
Where racism and sexism meet—an understanding of anti-Black misogyny When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous—and, most importantly, effective—ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.
This book argues that Internet diffusion and use in the Middle East enables meaningful micro-changes in citizens' lives, even in states where no Arab Spring revolution occurred. Using ethnographic evidence and taking a comparative perspective, it presents a grass roots look at how new media use fits into the practice of everyday life. It explores why citizens use social media to digitally route around state and other forms of power at work in their lives. This increase in citizen civic engagement, supported by new media use, offers the possibility of a new order of things, from redefining patriarchal power relations at home, to reconfigurations of citizens' relationships with the state, broadly defined. The author argues that new media channels offer pathways to empowerment widely and cheaply in the Middle East.
This book explains strategies, techniques, legal issues and the relationships between digital resistance activities, information warfare actions, liberation technology and human rights. It studies the concept of authority in the digital era and focuses in particular on the actions of so-called digital dissidents. Moving from the difference between hacking and computer crimes, the book explains concepts of hacktivism, the information war between states, a new form of politics (such as open data movements, radical transparency, crowd sourcing and “Twitter Revolutions”), and the hacking of political systems and of state technologies. The book focuses on the protection of human rights in countries with oppressive regimes.
This book examines social movements, the mainstream news media and public policy to expose the realities of trillion-dollar valued conglomerates, the pandemic and the presidency of Donald Trump.The author places his analysis within an international context which further develops a critical paradigm, called the Media Dependence Model.
From the emergence of digital protest as part of the Zapatista rebellion, to the use of disturbance tactics against governments and commercial institutions, there is no doubt that digital technology and networks have become the standard features of 21st century social mobilisation. Yet, little is known about the historical and socio-cultural developments that have transformed the virtual sphere into a key site of political confrontation. This book provides a critical analysis of the developments of digital direct action since the 1990s. It examines the praxis of electronic protest by focussing on the discourses and narratives provided by the activists and artists involved. The study covers the work of activist groups, including Critical Art Ensemble, Electronic Disturbance Theater and the electrohippies, as well as Anonymous, and proposes a new analytical framework centred on the performative and aesthetic features of contemporary digital activism.
Spatial Resistance: Literary and Digital Challenges to Neoliberalism utilizes various literary and digital artifacts to show the potential and possibility of changing the ways we consider the spaces we inhabit. As many spaces become increasingly privatized and policed, it is necessary to contemplate ways in which corporate and state-controlled spaces can not only be subverted but fundamentally changed to embrace the diverse lived experiences of all peoples. Through an analysis of fictional and virtual spaces, readers will be able to identify new ways to institute spatial change in everyday spatial lives in an effort to promote more democratic and equal experiences. While this book uses primarily the philosophy of Gilles Deleuze and Félix Guattari to engender change, it also provides practical examples to amend, change, or update the actions to suit particular needs and spaces. This book shows that radical politics and the possibility of significant change can reside in just about any object or narrative; it is the responsibility of the individual to take up the task of creating social change premised on equality, liberty, and solidarity.
