How to DVJ is THE manual for the new generation of DJ's incorporating all the modern advances in digital technology- vinyl decks are replace by digital decks, and sound is combined with visual imagery. Covering all the basics of scratch, blending and mixing as well as explaining image manipulation such as wipes, layering and fades the book is set to unleash creativity and take DJ's from the bedroom to Ibiza. The accompanying DVD includes tutorial material from the 'pioneer' of DVJing as well as essential information for connecting DVJX1's to mixers, operation of the system, digital scratch technique and most importantly how to use pre-made video material to make a DVJ-style music video in fifteen minutes.
"Everything you need to know, including: Gear, digital DJ basics, music theory 101, beat-match mixing, scratch basics, digital DJs only, DJ advances, advanced scratches. Plus: Two CDs by DJ Gerald "World Wide" Webb, the world's first digital turntablist!"--Cover.
DJ like a pro—without skipping a beat The bestselling guide to spinning and scratching is back! If you've ever spent hours in your bedroom with two turntables and an earful of tracks that sound off-beat or out of key, DJing For Dummies is the go-to guide for taking your skills to the next level. Inside, John Steventon, a successful club DJ, walks you through the basics of mixing, the techniques and tricks you need to create your own DJ style and how to make DJing work for you. Covering both digital and old-school vinyl-based instruction, this guide covers all the latest DJ technology, equipment and software so you can get mixing and stay one step ahead of the crowd. Brimming with expert advice and easy-to-follow explanations, the information in DJing For Dummies gives you everything you need to build a foolproof set and play to a live crowd. Nail down the basics and build on existing skills Sort through the latest equipment and technology Have a go at crossfading, beatmatching and scratching Mix tracks seamlessly to sound like a pro If you're new to the game or looking to step up your skills and graduate to club work, DJing For Dummies has you covered.
DJing is probably the coolest way to make music, right? Now you can learn how with How to Be a DJ in 10 Easy Lessons! Do you think you have what it takes to be a superstar DJ? Do you daydream about making the hottest mixes behind the turn tables? Well, now is your chance to learn how to be a shredder on the tables with How to Be a DJ in 10 Easy Lessons, a simple guide to DJing! Learn the ins and outs of mixing, scratching, and blending and prepare to play in front of a live audience! With easy-to-follow instructions, colorful graphics, and helpful tips from an experienced professional DJ, this handy book breaks down everything you need to know into 10 simple lessons. How to Be a DJ in 10 Easy Lessons covers everything from equipment and software, to basic music theory and tips on performance, this is the perfect introduction to music mixing for aspiring DJs.
The team behind Mixed In Key software explores the art of professional DJing to answer one simple question: What can you do to become a better DJ? Beyond Beatmatching will show you how to: Use harmonic mixing in your DJ sets Mix with energy levels in mind Dig for the most unique tracks and define your sound Build a perfect DJ laptop Mix a flawless DJ set Create your own mashups Get gigs at nightclubs and festivals Build your brand with a logo design, publicity shots and press kit Use Facebook and social media to expand your audience The book also features in-depth interviews with key DJs, innovators and executives, including Markus Schulz, DJ Sasha, A-list manager Ash Pournouri, talent booker Biz Martinez, marketing guru Karl Detken, and many more. Written in a user-friendly, straightforward tone and rife with valuable insights about the history (and future) of modern DJing, Beyond Beatmatching covers ground that no guide to DJing has attempted to date. Get this book today and discover a wealth of advanced techniques already known to the world's best DJs.
From hip-hop and house music to trance and techno, DJs are stars - the people who match beats, create sonic textures and effects, and keep the crowds dancing. This fun and easy guide gives novice DJs the know-how they need to start mixing, create a personal style, put together mix tapes, and land gigs at parties and clubs. It covers basic and better-than-basic equipment (from turntables and headphones to amplifiers and mixers), mixing techniques for vinyl and CDs, the art of matching musical keys and tempos, and special effects like scratching.· Catching DJ Fever · Starting Off with the Bare Bones · Retro Chic or PC Geek? Buying Records, CDs, and MP3s · Shopping for Equipment· Getting Decked Out with Turntables · Perfecting Your Decks: Slipmats and Needles · Keeping Up with the Techno-Revolution · Stirring It Up With Mixers · Ear-Splitting Advice about Not Splitting Your Ears: Headphones · Letting Your Neighbours Know That You're a DJ: Amplifiers· Plugging In, Turning On: Set-up and Connections · Grasping the Basics of Mixing · Picking Up on the Beat: Song Structure · Mixing Like the Pros · Mixing with CDs · Scratching Lyrical · Building a Foolproof Set · Making a Great Demo · Getting Busy With It: Working as a DJ · Facing the Music: Playing to a Live Crowd · Ten Resources fro Expanding Your Skills and Fan Base · Ten Answers to DJ Questions You're Too Afraid to Ask · Ten DJing Mistakes to Avoid · Ten Items to Take with You When DJing · Ten Great Influences on Me
DJ like a pro—without skipping a beat The bestselling guide to spinning and scratching is back! If you've ever spent hours in your bedroom with two turntables and an earful of tracks that sound off-beat or out of key, DJing For Dummies is the go-to guide for taking your skills to the next level. Inside, John Steventon, a successful club DJ, walks you through the basics of mixing, the techniques and tricks you need to create your own DJ style and how to make DJing work for you. Covering both digital and old-school vinyl-based instruction, this guide covers all the latest DJ technology, equipment and software so you can get mixing and stay one step ahead of the crowd. Brimming with expert advice and easy-to-follow explanations, the information in DJing For Dummies gives you everything you need to build a foolproof set and play to a live crowd. Nail down the basics and build on existing skills Sort through the latest equipment and technology Have a go at crossfading, beatmatching and scratching Mix tracks seamlessly to sound like a pro If you're new to the game or looking to step up your skills and graduate to club work, DJing For Dummies has you covered.
The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 2 investigates the ramifications of mobile music technologies on musical/sonic performance and aesthetics. Two core arguments are that "mobility" is not the same thing as actual "movement" and that artistic production cannot be absolutely sundered from the performances of quotidian life. The volume's chapters investigate the mobilization of frequency range by sirens and miniature speakers; sound vehicles such as boom cars, ice cream trucks, and trains; the gestural choreographies of soundwalk pieces and mundane interactions with digital media; dance music practices in laptop and iPod DJing; the imagery of iPod commercials; production practices in Turkish political music and black popular music; the aesthetics of handheld video games and chiptune music; and the mobile device as a new musical instrument and resource for musical ensembles.
