Digital Culture & Society (DCS)

Digital Culture & Society (DCS)

Author: Ramón Reichert

Publisher: transcript Verlag

Published: 2015-10-31

Total Pages: 243

ISBN-13: 3839431530

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»Digital Culture & Society« is a refereed, international journal, fostering discussion about the ways in which digital technologies, platforms and applications reconfigure daily lives and practices. It offers a forum for critical analysis and inquiry into digital media theory. The journal provides a venue for publication for interdisciplinary research approaches, contemporary theory developments and methodological innovation in digital media studies. It invites reflection on how culture unfolds through the use of digital technology, and how it conversely influences the development of digital technology itself. The inaugural issue »Digital Material/ism« presents methodological and theoretical insights into digital materiality and materialism.


Digital Culture & Society (DCS)

Digital Culture & Society (DCS)

Author: Pablo Abend

Publisher: transcript Verlag

Published: 2022-03-31

Total Pages: 167

ISBN-13: 3839453879

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This double issue of Digital Culture & Society addresses the dialectics of play and labour, taking a closer look at the problem of play and work from two overlapping, albeit not mutually exclusive, perspectives. After the first issue explored the notion of laborious play, this second one studies the concept of playful work. The contributions feature critical inquiries into various phenomena of playful work - ranging from interfaces of play and work in the BDSM subculture over labour in digital gaming to high frequency trading. Alongside the articles, the issue features an interview with Fred Turner, Chair of the Department of Communication at Stanford University. He talks about the Bauhaus in the US, countercultural cybernetics, technology and consciousness, and work in the Silicon Valley.


Digital Culture and Society (DCS)

Digital Culture and Society (DCS)

Author: Karin Wenz

Publisher: Transcript Publishing

Published: 2021-10-19

Total Pages: 200

ISBN-13: 9783837653878

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Technocultural histories of digital making are often oversimplified.This issue brings together contributions from cultural-historical perspectives as well as technology and design histories and historiographies and alternative histories related to postcolonial resistance.


Digital Culture & Society (DCS)

Digital Culture & Society (DCS)

Author: Cindy Kohtala

Publisher: transcript Verlag

Published: 2021-02-28

Total Pages: 215

ISBN-13: 3839449553

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As DIY digital maker culture proliferates globally, research on these practices is also maturing. Still, particular terminologies dominate beyond their Western contexts, and technocultural histories of making are often rendered as over-simplified technomyths that render invisible diverse local practices. This special issue brings together contributions that highlight how historicising plays a role in mythmaking and the creation of social imaginaries. The peer-reviewed articles present cultural-historical perspectives, technology and design histories and historiographies, and alternative histories related to postcolonial resistance. The contributions illustrate the relevance of craft to making as a reparative practice after the Salvadoran Civil War and as a leisure activity to spark »innovation« in mid-century corporate culture; the political-economic background to the diffusion and differentiation of community workshops in contemporary Spain and post-war Germany; and the various aesthetics and politics of technology culture manifestos over the years. The issue features an interview with Peter Harper of the Alternative Technology movement by Simon Sadler, as well as an interview with Felix Holm and Suné Stassen on the antecedents of making and design in South Africa. The special issue is rounded off with six short alternative (hi)stories of DIY making including multiple practices, geographies and temporalities.


Digital Culture & Society (DCS)

Digital Culture & Society (DCS)

Author: Ramón Reichert

Publisher: transcript Verlag

Published: 2018-08-31

Total Pages: 243

ISBN-13: 3839442664

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Digital Culture & Society is a refereed, international journal, fostering discussion about the ways in which digital technologies, platforms and applications reconfigure daily lives and practices. It offers a forum for inquiries into digital media theory, methodologies, and socio-technological developments. This issue shows: The meaning of AI has undergone drastic changes during the last 60 years of AI discourse(s). What we talk about when saying AI is not what it meant in 1958, when John McCarthy, Marvin Minsky and their colleagues started using the term. Biological information processing is now firmly embedded in commercial applications like the intelligent personal Google Assistant, Facebook's facial recognition algorithm, Deep Face, Amazon's device Alexa or Apple's software feature Siri to mention just a few.


Digital Culture & Society (DCS)

Digital Culture & Society (DCS)

Author: Pablo Abend

Publisher: transcript Verlag

Published: 2016-03-31

Total Pages: 197

ISBN-13: 3839432103

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Digital Culture & Society is a refereed, international journal, fostering discussion about the ways in which digital technologies, platforms and applications reconfigure daily lives and practices. It offers a forum for critical analysis and inquiries into digital media theory and provides a publication environment for interdisciplinary research approaches, contemporary theory developments and methodological innovation. The second issue »Quantified Selves | Statistical Bodies« provides methodological and theoretical reflections on technologically generated knowledge about the body and socio-cultural practices that are subsumed, discussed, and criticized using the key concept »Quantified Self«.


Digital Culture & Society (DCS)

Digital Culture & Society (DCS)

Author: Mathias Fuchs

Publisher: transcript Verlag

Published: 2023-08-31

Total Pages: 157

ISBN-13: 3839459044

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What happened to the 1960s ideas of machine art, cybernetic art, »algorithmic revolution«, and the hopes for a democratization of the art market? How do contemporary art practitioners cope with the political situation and with the attempts of the Silicon Valley giants to appropriate algorithmic generation of art-like artefacts? This issue aims to discuss how the early concept of computer art is now being reframed as digital, post-digital or algorithmic art under the prevailing conditions of big data, smart AI, an almost all-encompassing surveillance technology and the political state of neo-liberalism.


Digital Culture & Society (DCS)

Digital Culture & Society (DCS)

Author: Annika Richterich

Publisher: transcript Verlag

Published: 2017-06-30

Total Pages: 199

ISBN-13: 3839438209

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Digital Culture & Society is a refereed, international journal, fostering discussion about the ways in which digital technologies, platforms and applications reconfigure daily lives and practices. It offers a forum for inquiries into digital media theory, methodologies, and socio-technological developments. The fourth issue "Making and Hacking" sheds light on the communities and spaces of hackers, makers, DIY enthusiasts, and 'fabbers'. Academics, artists, and hackerspace members examine the meanings and entanglements of maker and hacker cultures - from conceptual, methodological as well as empirical perspectives. With contributions by Sabine Hielscher, Jeremy Hunsinger, Kat Braybrooke, Tim Jordan, among others, and an interview with Sebastian Kubitschko.


Digital Culture & Society (DCS)

Digital Culture & Society (DCS)

Author: Julia Ramírez-Blanco

Publisher: transcript Verlag

Published: 2023-05-31

Total Pages: 145

ISBN-13: 3839459036

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Code is intended both as a computer-based language to program software and as a functional and visual language for organizing administrative processes, visualizing information, performing behaviour control, and reinforcing shared imaginaries based on surveillance and dread. This special issue of Digital Culture & Society deals with the concept of code in relation to the Covid-19 crisis. The contributions depart from the idea that both forms of coding have become dramatically intertwined during the pandemic and are structuring a new way of being in and seeing reality. They explore the new forms of data-driven surveillance and representation of the pandemic evolution at the level of real-time epidemiology, sensor technologies, science policies, push media, and the heterogeneous counter-discourses that try to subvert them.