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How did those enormous dinosaur skeletons get inside the museum? Long ago, dinosaurs ruled the Earth. Then, suddenly, they died out. For thousands of years, no one knew these giant creatures had ever existed. Then people began finding fossils -- bones and teeth and footprints that had turned to stone. Today, teams of experts work together to dig dinosaur fossils out of the ground, bone by fragile bone. Then they put the skeletons together again inside museums, to look just like the dinosaurs of millions of years ago.
The study of dinosaurs has been experiencing a remarkable renaissance over the past few decades. Scientific understanding of dinosaur anatomy, biology, and evolution has advanced to such a degree that paleontologists often know more about 100-million-year-old dinosaurs than many species of living organisms. This book provides a contemporary review of dinosaur science intended for students, researchers, and dinosaur enthusiasts. It reviews the latest knowledge on dinosaur anatomy and phylogeny, how dinosaurs functioned as living animals, and the grand narrative of dinosaur evolution across the Mesozoic. A particular focus is on the fossil evidence and explicit methods that allow paleontologists to study dinosaurs in rigorous detail. Scientific knowledge of dinosaur biology and evolution is shifting fast, and this book aims to summarize current understanding of dinosaur science in a technical, but accessible, style, supplemented with vivid photographs and illustrations. The Topics in Paleobiology Series is published in collaboration with the Palaeontological Association, and is edited by Professor Mike Benton, University of Bristol. Books in the series provide a summary of the current state of knowledge, a trusted route into the primary literature, and will act as pointers for future directions for research. As well as volumes on individual groups, the series will also deal with topics that have a cross-cutting relevance, such as the evolution of significant ecosystems, particular key times and events in the history of life, climate change, and the application of a new techniques such as molecular palaeontology. The books are written by leading international experts and will be pitched at a level suitable for advanced undergraduates, postgraduates, and researchers in both the paleontological and biological sciences. Additional resources for this book can be found at: http://www.wiley.com/go/brusatte/dinosaurpaleobiology.
When it comes to dinosaurs and other fascinating fossils, the U.S. has it all, from Tyrannosaurus rex and Triceratops to Stegosaurus and Brachiosaurus. Dinosaur Destinations, by Jon Kramer, Julie Martinez, and Vernon Morris, will help you find the best dinosaur sites near you and across the country. Visit a dinosaur dig site or a famous dinosaur track site--and even make your own cast of fossilized tracks! With details about the nation's best dinosaur-related locales, you'll learn what fossils have been found at or near each place, what kids will enjoy about each site, contact information and more. Plus, this field guide to extinct creatures introduces each species and includes their former range maps and fun facts. Dinosaur Destinations features: The most famous dinosaur dig sites, track sites and fossil locales in the U.S., including a few that allow visitors to participate in real dinosaur digs Locations with unique opportunities for dinosaur fans, such as venues that allow you to touch real dinosaur fossils Fascinating facts about the most famous dinosaurs and other prehistoric creatures Notable non-dinosaur fossil sites and species, such as pteranodons, plesiosaurs, mammoths, and more
What kind of dinosaur had a bony ridge that rose up from the back of its skull and three horns poking up from the front? A triceratops! This lively picture book will keep readers guessing as they find out what they might look like if they were a variety of different dinosaur species. Full color.
In this 2018 New York Times Notable Book,Paige Williams "does for fossils what Susan Orlean did for orchids" (Book Riot) in her account of one Florida man's attempt to sell a dinosaur skeleton from Mongolia--a story "steeped in natural history, human nature, commerce, crime, science, and politics" (Rebecca Skloot). In 2012, a New York auction catalogue boasted an unusual offering: "a superb Tyrannosaurus skeleton." In fact, Lot 49135 consisted of a nearly complete T. bataar, a close cousin to the most famous animal that ever lived. The fossils now on display in a Manhattan event space had been unearthed in Mongolia, more than 6,000 miles away. At eight-feet high and 24 feet long, the specimen was spectacular, and when the gavel sounded the winning bid was over $1 million. Eric Prokopi, a thirty-eight-year-old Floridian, was the man who had brought this extraordinary skeleton to market. A onetime swimmer who spent his teenage years diving for shark teeth, Prokopi's singular obsession with fossils fueled a thriving business hunting, preparing, and selling specimens, to clients ranging from natural history museums to avid private collectors like actor Leonardo DiCaprio. But there was a problem. This time, facing financial strain, had Prokopi gone too far? As the T. bataar went to auction, a network of paleontologists alerted the government of Mongolia to the eye-catching lot. As an international custody battle ensued, Prokopi watched as his own world unraveled. In the tradition of The Orchid Thief, The Dinosaur Artist is a stunning work of narrative journalism about humans' relationship with natural history and a seemingly intractable conflict between science and commerce. A story that stretches from Florida's Land O' Lakes to the Gobi Desert, The Dinosaur Artist illuminates the history of fossil collecting--a murky, sometimes risky business, populated by eccentrics and obsessives, where the lines between poacher and hunter, collector and smuggler, enthusiast and opportunist, can easily blur. In her first book, Paige Williams has given readers an irresistible story that spans continents, cultures, and millennia as she examines the question of who, ultimately, owns the past.