Der große Bestseller – erstmals komplett in Farbe bei Lesegeräten mit Farbdisplay Ein Blaubär, wie ihn keiner kennt, entführt in eine Welt, in der Phantasie und Humor auf abenteuerliche Weise außer Kontrolle geraten sind: Auf dem Kontinent Zamonien sind Sandstürme viereckig und Intelligenz ist eine übertragbare Krankheit, hinter jeder Idylle lauert eine tödliche Gefahr und es hausen dort all jene Wesen, die aus dem normalen Leben verbannt sind. In dreizehneinhalb Lebensabschnitten kämpft sich der blaue Bär durch ein märchenhaftes Reich, in dem alles möglich ist – außer Langeweile.
Käptn Blaubär ist eine Institution. Eine ganze Generation Kinder, Eltern, Großeltern kennen ihn aus dem Fernsehen, kennen seine doppelbödigen Geschichten, die er den drei Kleinen Bärchen und Hein Blöd erzählt. Aber wer kennt die Biographie des berühmten Seemanns? Außer ihm keiner. Weil er seine Lebenserinnerungen stets für sich behalten hat, genauso wie seine köstlichsten Rezepte. Jetzt hält der Käptn die Zeit für gekommen, seine Geheimnisse zu lüften, wenn auch längst nicht alle. Aber allein die, die er preisgibt, reichen für dreizehneinhalb Leben aus. Er charakterisiert seinen Blaubär-Roman selbst 'als ein kühnes Unterfangen von epischen Ausmaß' und erklärt dies damit, dass 'früher alles viel größer war - natürlich auch die Abenteuer'.
A delightfully illustrated cult novel, literary satire and epic adventure. 'Within the first 15 pages I was carried away by the sheer craziness of it all. Some Minipirates find a baby bear with blue fur inside a walnut shell floating on the ocean towards a giant whirlpool. They rescue him and teach him about knots and waves, and that a good white lie is often considerably more exciting than the truth. Then, when he outgrows their ship to such an extent that he is in danger of sinking it, they abandon him on an island with a bottle of seaweed juice and a loaf of seaweed bread. Thus Bluebear comes to the end of his first life and embarks on his second. By the end of the book, he has expended exactly half of his 27 lives. Again and again, Moers confounds our expectations as the narrative twists and turns, travels backwards and forwards in time. Part science fiction, part fairy tale, part myth, part epic, the book is a satire on all these genres and so constantly satirises itself. Very amusing' - Daily Telegraph
It has been more than two hundred years since Bookholm was destroyed by a devastating fire, as told in Moers's The City of Dreaming Books. Hildegunst von Mythenmetz, hailed as Zamonia's greatest writer, is on vacation in Lindworm Castle when a disturbing message reaches him, and he must return to Bookholm to investigate a mystery. The magnificently rebuilt city has once again become a metropolis of storytelling and the book trade. Mythenmetz encounters old friends and new denizens of the city - and the shadowy "Invisible Theater." Astonishingly inventive, amusing, and engrossing, this is a captivating story from the wild imagination of Walter Moers.
This book addresses the processes related to mine abandonment from a hydrogeological perspective and provides a comprehensive presentation of water management and innovative tracer techniques for flooded mines. After an introduction to the relevant hydrogeochemical processes the book gives detailed information about mine closure procedures. The book also includes case studies and hints, and some new methodologies for conducting tracer tests in flooded mines.
From an author who is “equal parts J.K. Rowling, Douglas Adams, and Shel Silverstein,” the zany illustrated adventures of a sea-faring blue bear. —The Washington Post Captain Bluebear is a bear with blue fur, a creature as unique as the fantastic adventures he undergoes. Unlike cats, which have only nine lives, bluebears have twenty-seven. This is fortunate, because our hero is forever avoiding disaster by a paw's breadth. In this remarkable book, Captain Bluebear tells the story of his first thirteen-and-a-half lives spent on the mysterious continent of Zamonia, where intelligence is an infectious disease and water flows uphill, where headless giants roam deserts made of sugar, and where only Captain Bluebear's courage and ingenuity enable him to escape the dangers that lie in wait for him around every corner. In company with our indomitable hero, we enter a land of imaginative lunacy and supreme adventure, wicked satire and epic fantasy, all mixed together, turned on its head, and lavishly illustrated by the author. Praise for Walter Moers: “Sheer craziness . . . very amusing.” —Daily Telegraph “Moers's great strength, as evidenced by the multitude of characters he presents, is his creativity. Less a text and more an imagination on paper.” —Philadelphia Enquirer “Moers’ creative mind is like J.K. Rowling on ecstasy.” —Detroit News
In Crossover Fiction, Sandra L. Beckett explores the global trend of crossover literature and explains how it is transforming literary canons, concepts of readership, the status of authors, the publishing industry, and bookselling practices. This study will have significant relevance across disciplines, as scholars in literary studies, media and cultural studies, visual arts, education, psychology, and sociology examine the increasingly blurred borderlines between adults and young people in contemporary society, notably with regard to their consumption of popular culture.
The boundary between ‘high’ culture and ‘popular’ culture is neither hermetic nor stable. A wide-spread mechanism of a reception strongly influenced by structuralism and post-modernism has led to the amplification and acceleration of cultural production between these two poles. Relying on a decidedly theoretical approach, this volume offers a broad perspective transgressing linguistic, cultural, temporal, and media borders. Reflections and perspectives on the relationship between ‘high’ and ‘popular’ culture are the subject of the thirteen articles collected here. Side by side with theoretical approaches, case studies covering classical and Heavy Metal music, TV series and pornographic films, zombies and ‘Creature Features’, philosophically infused comics and popular lexicography, professional wrestling and hypertext literature pave the way to a contemporary aesthetics.
Using twenty-one drawings from the work of Gustave Dor-, the most successful illustrator of the 19th century, Walter Moers has created a wondrous and utterly delightful tale. In a world between legend and dream, in a time between childhood and adulthood, A Wild Ride Through the Night describes the exhilarating and comic adventures of 12-year-old Gustave, a boy who aspires one day to be a great artist. But before he can achieve this, Gustave must first tackle Mysterious Giants and a Siamese Twins Tornado; he also finds himself encountering the Greatest Monster of All, freeing a maiden from the claws of a dragon, riding through a forest full of ghosts, navigating a Galactic Gully and meeting a dream princess, a talking horse, scantily-clad Amazons and even his own self. Having made a wager with death for nothing less than his life and his soul, he must travel from the earth to the moon and back in a single night.
