Readers will gain even more appreciation for their Bible when they see how God directed its development, from the original authors through today’s translations. How Did We Get the Bible? provides an easy-to-read historical overview, covering the Holy Spirit’s inspiration of the writers, the preservation of the documents, the compilation of the canon, and the efforts to bring the Bible to people in their own language. This fascinating story, populated by intriguing characters, will encourage readers with God’s faithfulness—to His own Word, and to those of us who read it. It’s a fantastic, value-priced resource for individuals and ministries!
Sharon Moughtin-Mumby considers the often unrecognised impact of different approaches to metaphor on readings of the prophtic sexual and marital metaphorical language. She outlines a practical and consciously simplified approach to metaphor, placing strong emphasis on the influence of literary context on metaphorical meaning. Drawing on this approach, she read Hosea 4-14, Jeremiah 2:1-4:4, Isaiah, Ezekiel 16 and 23, and Hosea 1-3 with fresh eyes. Her lucid new readings reveal the way in which scholarship has repeatedly stifled the prophetic metaphorical language by reading it within the 'default contexts' of 'the marriage metaphor' and 'cultic prostitution', which for so many years have been simply assumed. Readers are encouraged instead to read these diverse metaphors and similes within their distinctive literary contexts in which they have the potential to rise vividly to life, provoking the question: how are we to respond to these disquieting, powerful texts in the midst of the Hebrew Bible?
Can we know for sure that the Bible is God's Word? Absolutely!! After 2,500 years, the Bible remains the most-read book of all time. No other book has withstood the test of time like this book, which claims to be the very Word of God. But, can we take the Bible’s claim to divine authority seriously? Dan Hayden addresses this question often posed by skeptics and provides forthright, honest answers. In addition, he answers other basic questions as well: Why did God decide to write a book? When God wrote a book, how did He do it? Who decided which manuscripts should be included? How do we know that what we have is authentic? What about all those translations and versions? Here is a valuable resource that validates the Bible’s claim to divine authority. As you read this book, you will be enticed to take a closer look at THE Book – the Bible – and to respond personally to what it says about life and life after death.
To some, the concept of having faith in a higher power or a set of religious beliefs is nonsensical. Indeed, many view religion in general, and Christianity in particular, as unfounded and unreasonable. Norman Geisler and Frank Turek argue, however, that Christianity is not only more reasonable than all other belief systems, but is indeed more rational than unbelief itself. With conviction and clear thinking, Geisler and Turek guide readers through some of the traditional, tested arguments for the existence of a creator God. They move into an examination of the source of morality and the reliability of the New Testament accounts concerning Jesus. The final section of the book deals with a detailed investigation of the claims of Christ. This volume will be an interesting read for those skeptical about Christianity, as well as a helpful resource for Christians seeking to articulate a more sophisticated defense of their faith.
The Jefferson Bible, or The Life and Morals of Jesus of Nazareth as it is formally titled, was a book constructed by Thomas Jefferson in the latter years of his life by cutting and pasting numerous sections from various Bibles as extractions of the doctrine of Jesus. Jefferson's composition excluded sections of the New Testament containing supernatural aspects as well as perceived misinterpretations he believed had been added by the Four Evangelists. In 1895, the Smithsonian Institution under the leadership of librarian Cyrus Adler purchased the original Jefferson Bible from Jefferson's great-granddaughter Carolina Randolph for $400. A conservation effort commencing in 2009, in partnership with the museum's Political History department, allowed for a public unveiling in an exhibit open from November 11, 2011, through May 28, 2012, at the National Museum of American History.
A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.
In Did Jesus Exist? historian and Bible expert Bart Ehrman confronts the question, "Did Jesus exist at all?" Ehrman vigorously defends the historical Jesus, identifies the most historically reliable sources for best understanding Jesus’ mission and message, and offers a compelling portrait of the person at the heart of the Christian tradition. Known as a master explainer with deep knowledge of the field, Bart Ehrman methodically demolishes both the scholarly and popular “mythicist” arguments against the existence of Jesus. Marshaling evidence from within the Bible and the wider historical record of the ancient world, Ehrman tackles the key issues that surround the mythologies associated with Jesus and the early Christian movement. In Did Jesus Exist?: The Historical Argument for Jesus of Nazareth, Ehrman establishes the criterion for any genuine historical investigation and provides a robust defense of the methods required to discover the Jesus of history.
What if God is better than you think and hell isn't an eternal torture chamber? Many Christians are unaware that Universal Reconciliation was the dominant view of the church for the first 500 years, with Annihilation and Eternal Torment as minority positions. Jesus Undefeated is an eye-opening examination of all three views of the afterlife and a God who is even more loving than we dare imagine. Discover the Gospel that is not merely "Good News," but fantastically "Great News."
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
A magical story about a gifted but vulnerable girl who is both saved and damned by an angel who falls in love with her music and claims it as his own in a Faustian pact. With Mary in his thrall, he ruthlessly kills those who threaten his plan to bring Mary to Carnegie Hall where her talent will be hailed supreme. Sunday Express, March 2017: 'Catch the Moon, Mary is one of my six favourite books' - Amanda Redman, actress/director/arts patron/head of ATS, New Tricks, The Good Karma Hospital, Sexy Beast 'Beyond beautiful' - Simon Egerton, singer-songwriter, composer, lyricist 'Original and scintillating, tantalising and thought-provoking. A novel about the transformative powers of music and beauty' - Hazel Philips OAM, Gold Logie winner, author of Black River, Bright Star 'Weaves a singular spell mesmerising the reader on several levels like a fugue. Wendy Waters and her characters believe deeply in the power of music, which pours lyrically from her sentences' - Joshua Rosenblum, composer, conductor, music critic 'A rare and ingenious glimpse into the real and the surreal. Waters interfaces these twin realities with ease and dexterity, reminding us of the profound yet often neglected depth of imagination. A brave and unique journey' - Gerry Taylor-Wood, international lecturer on Esoteric Sciences and author of The Journey to the Sacred Well
