Diatonic Major and Minor Scales by Andr�s Segovia was published in 1953 and consisted of 24 scales, 12 major and 12 minor, for which he applied his own unique fingerings. Here in this book, those scales are re-illustrated using a combination of standard notation, tablature, and fretboard diagrams. This makes them easier to read, quicker to learn, and accessible to more people. Also included in the material is an explanation of how Segovia organized the scales, a reference page displaying the 8 finger patterns used to play all of the scales, and practice tips for increasing speed and accuracy.
(Musicians Institute Press). Navigate the guitar neck better than ever before with this easy-to-use book! Designed from Musicians Institute core curriculum programs, it covers essential concepts for players of every level, acoustic or electric. A hands-on guide to theory, it will help you learn to build any scale or chord on your own and unleash creativity. No music reading is required.
"Melodic Improvising" is a systematic, detailed method to help the intermediate to advanced guitarist create melodies over harmony. Using techniques developed through his 15 years of teaching improvisation at the world-renowned Berklee College of Music, Bruce Saunders' book teaches guitarists the same techniques used by pianists and brass and woodwind players to create melodic solos; a necessary book for any guitarist wishing to play outside the box.
If you ask anyone who's been playing guitar for a while how to turn scales into solos, you'll likely get a variety of answers. They'll tell you to learn licks, work on your arpeggios, even learn your favorite players' solos note for note. While this is all good advice, I've had some particularly stubborn students that wanted to go beyond that; they wanted to be able to improvise using any scale up and down the fretboard, but at the same time break free from those deeply-ingrained scalar lines and patterns. It was then that I suggested the zonal approach to improvisation; by working in reduced areas of the neck with specifically designed patterns, they were soon able to create melodic, flowing lines that didn't sound at all like scales--they sounded like real music! This is the approach you'll find in this book. We dissect 15 of the most common scales, beyond the pentatonics, and break them down into zones which can be practiced either by scale, or for any particular scale across the fretboard. The objective of this book then is to provide a structured reference to make the transition from playing scales to playing, improvising and creating musical lines when soloing. It’s aimed at the intermediate to advanced guitarist looking to be able to improvise confidently and freely on the instrument in a wide variety of styles. It is also aimed at guitarists that want to move beyond rote pentatonic/blues soloing and incorporate other scales and modes into their playing, as well as building up a vocabulary to solo fluently over chord changes.
This exhaustive study of scales is a must-own for any improvising guitarist. Published in collaboration with one of America's leading guitar schools, it provides the practical information you need to use each scale in a solo. With each scale, you get an explanation of the scale and its uses, a fingering on one string, six-string fingerings in all keys in a cycle of fourths, three-note per string fingerings, and a chord vamp to practice the scale over. Give your playing a unique edge with exotic scales from all over the world. This easy-to-use book even includes a section on how to practice scales. The Ultimate Guitar Scale Bible should be part of every guitarist's library.
These studies constitute an irreplaceable part of the standard study material for classical guitar. They are designed to aid in maximum development of right-hand technique.
