A third in a series of Diane Franklin books, "Excellent Comedy" is a tribute memoir about the 1985, cult-classic, comedy film "Better Off Dead." Anyone who knows the film will treasure this book for it's behind the scenes stories, never before seen photographs and hilarious contributions from writer/director, Savage Steve Holland! Fun, factual and full of 80s nostalgia! Ages 13+
Nicknamed the Blonde Borgia, Anna Marie Hahn was a cold-blooded serial killer who preyed on the elderly in Cincinnati's Over-the-Rhine district in the 1930s. When the State of Ohio strapped its first woman into the electric chair, Hahn gained a place in the annals of crime as the nation's first female serial killer to be executed in the chair. Told here for the first time in riveting detail is Anna Marie's gripping story, an almost unbelievable tale of multiple murders, deceit, and greed. Born in Bavaria in 1906, Anna Marie brought shame to her pious family when, as a teenager, she gave birth to an illegitimate son, Oscar. She was shipped off to America in 1929 where she initially lived with elderly relatives in Cincinnati. A year later, she married Philip Hahn, a Western Union telegrapher, with whom she bought a new house and opened a delicatessen/bakery. Pressed economically by the Great Depression, the ever-resourceful, Anna Marie found other ways to get the money to support her passionate pasttime - betting on horses. She tried burning down the house, then the deli, for the insurance; and she tried killing her husband, also for the insurance. life savings before feeding them arsenic with deadly results. For weeks, her Cincinnati trial for the greatest mass murder in the history of the country was a front-page sensation across the nation. A thousand or more curiosity seekers came daily to the court-house to try to get just a glimpse of her. Nearly 100 witnesses gave damning testimony against her, and the jury's guilty verdict put her on the path to the electric chair. Finally, after a year, all appeals were exhausted, and Anna Marie, age 32, was executed on December 7, 1938, at the state penitentiary in Columbus. True crime buffs, historians, legal professionals, and others seeking an extraordinary story will find The Goodbye Door a compelling addition to true crime literature.
Ben Franklin was the scientist who, with the help of a kite, discovered that lightning is electricity. He was also a statesman, an inventor, a printer, and an author-a man of such amazingly varied talents that some people claimed he had magical powers! Full of all the details kids will want to know, the true story of Benjamin Franklin is by turns sad and funny, but always honest and awe-inspiring.
Franklin County is situated in the northeastern Piedmont region of North Carolina. Known for its fruitful soil, rolling hills, and bountiful streams, it has a rich agricultural heritage. Franklin County was created in 1779, with its founders honoring statesman Benjamin Franklin as the countys namesake. Built along the Tar River, Louisburg, the county seat, has an impressive historic district lined with majestic homes and churches from the turn of the 20th century. Steeped in education, Franklin County is home to Louisburg College, which was established in 1787, and once boasted as many as 100 one-room schoolhouses. Franklin County showcases the architectural heritage, long-standing communities, and citizens who have lived and worked here.
Semi, Miranda, and Arnie are part of a group of 50 British Young Conservationists on their way to a wildlife conservation station deep in the rain forests of Ecuador. After a terrifying mid-air disaster and subsequent crash, these three are the sole survivors, stranded together on a deserted tropical island. Or so they think. Semi, Miranda, and Arnie stumble into the hands of Dr. Franklin, a mad scientist who’s been waiting for them, eager to use them as specimens for his experiments in genetic engineering.
In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memory—conveyed in gestures, the spoken word, movement, dance, song, and other performances—offers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice. Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña’s show Two Undiscovered Amerindians Visit . . . , Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas. The Archive and the Repertoire is a compelling demonstration of the many ways that the study of performance enables a deeper understanding of the past and present, of ourselves and others.
A picture book for magical yet imperfect children everywhere, written by debut author Ashley Franklin and perfect for fans of such titles as Matthew A. Cherry's Hair Love, Grace Byers's I Am Enough, and Lupita Nyong'o's Sulwe. Tameika is a girl who belongs on the stage. She loves to act, sing, and dance—and she’s pretty good at it, too. So when her school announces their Snow White musical, Tameika auditions for the lead princess role. But the other kids think she’s “not quite” right to play the role. They whisper, they snicker, and they glare. Will Tameika let their harsh words be her final curtain call? Not Quite Snow White is a delightful and inspiring picture book that highlights the importance of self-confidence while taking an earnest look at what happens when that confidence is shaken or lost. Tameika encourages us all to let our magic shine.
Emily Franklin's Tell Me How You Got Here is rich with the objects of this world-a stray sneaker on the highway, a garage-sale skillet, "damp frogs small as grapes"-ordinary things and situations revealed as extraordinary, thanks to her original vision and precise language. That most overworked and least understood muscle, the human heart, is the great filter through which these objects pass and accrue their startling beauty. At the end of the book, Franklin returns us to the world, and returns the world to us, redeemed. What more could we ask for from poetry? -Beth Ann Fennelly, Poet Laureate of Mississippi, 2016-2020
