Deterritorializing the New German Cinema
Author: John E. Davidson
Publisher: U of Minnesota Press
Published: 1993
Total Pages: 224
ISBN-13: 9781452903460
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New German Cinema
Author: Thomas Elsaesser
Publisher:
Published: 1989
Total Pages: 456
ISBN-13:
DOWNLOAD EBOOKThe simultaneous international success in the 1970s of such filmmakers as Rainer Werner Fassbinder, Werner Herzog and Wim Wenders led critics to talk of a 'New German Cinema'. Thomas Elsaesser's book is the most comprehensive and illuminating study yet produced about this major movement in world cinema.
New German Cinema
Author: Julia Knight
Publisher: Wallflower Press
Published: 2004
Total Pages: 148
ISBN-13: 9781903364284
DOWNLOAD EBOOKComprising a discussion of 'Alice in the Cities', 'The Bitter Tears of Petra von Kant', 'Heimat' and 'The American Friend', Julia Knight's study examines the American dominance of German film, the framework of European art cinema and how German cinema engages with contemporary German reality.
New German Film
Author: Timothy Corrigan
Publisher: Austin : University of Texas Press
Published: 1983
Total Pages: 262
ISBN-13:
DOWNLOAD EBOOKNation and Identity in the New German Cinema
Author: Inga Scharf
Publisher: Routledge
Published: 2008-06-30
Total Pages: 440
ISBN-13: 1135895317
DOWNLOAD EBOOKIn this original study, Scharf investigates issues of national identity in films of the New German Cinema. Using a cultural studies analysis, Scharf argues that the conflict between this generation of critical filmmakers and their ‘German-ness’ translate into feature films that construct, and are pervaded by, a sense of "homelessness" at home. As the first cultural studies investigation of this cinematic movement, the book challenges existing film studies accounts by analyzing the New German Cinema within its social, temporal, and spatial contexts. Furthermore, with its broad concerns for the West German production context, the New German Cinema’s reception both nationally and internationally, as well as issues of representation, narration, and ‘Othering,’ Nation and Identity in the New German Cinema offers an interdisciplinary contribution to the ongoing debate on national cinema.
Framing the Fifties
Author: John Davidson
Publisher: Berghahn Books
Published: 2009
Total Pages: 256
ISBN-13: 1845455363
DOWNLOAD EBOOKThis anthology offers an account of German cinema in the fifties, focusing on popular genres, famous stars and dominant practices, taking into account the complicated relationships between East and West Germany, and by paying attention to the economic and political conditions of film production and reception during this period.
New German Cinema
Author: James C. Franklin
Publisher:
Published: 1986
Total Pages: 228
ISBN-13:
DOWNLOAD EBOOKThe New German Cinema
Author: John Sandford
Publisher: Da Capo Press, Incorporated
Published: 1982-08-21
Total Pages: 186
ISBN-13:
DOWNLOAD EBOOKExamining the New German Cinema as a whole, Sandford provides a film-by-film study of seven directors, locating their achievements within a frame of developments in television, drama, documentaries, and the political history of contemporary Germany itself. He also surveys the thematic concerns that dominate--or are notably absent from--these films. --From publisher description.
The New German Cinema
Author: Caryl Flinn
Publisher:
Published: 2004
Total Pages: 323
ISBN-13:
DOWNLOAD EBOOKA Companion to German Cinema
Author: Terri Ginsberg
Publisher: John Wiley & Sons
Published: 2012-02-13
Total Pages: 618
ISBN-13: 1405194367
DOWNLOAD EBOOKA Companion to German Cinema A Companion to German Cinema regards the shifting terrain of German filmmaking and film studies against their larger social contexts with twenty-two newly commissioned essays by well-established and younger scholars in the field. While several of these focus on classic topics such as Weimar cinema, Fifties cinema, New German Cinema and its legacy, and Holocaust film, the collection is distinguished by its focus on new developments and the innovative light they may shed on earlier practices. A Companion to German Cinema includes essays on Berlin Film, Neue Heimat Film, New Comedy, post-Wall documentaries, the post-Wende RAF genre, and Rabenmutter imagery, as well as on the persistently overlooked and under-theorized Indianerfilme, post-AIDS documentaries, sexploitation films, and new multicultural and transnational films produced in Germany under the auspices of the European Union. Organized into three “movements” representing the significance of these developments for their aesthetic theorization, A Companion to German Cinema challenges its readers to address critical gaps in the field with the aim of opening it further onto new terrains of intellectual engagement.
