This work adopts a very refreshing new way of looking at the life of this most brilliant of artist, by following in his footsteps around all the locations which meant the most to him and which most influenced his work.
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Continue to explore the geography of genius in Desperately Seeking Frida, a pocket-sized hardcover guide that catalogs and explores the most important locations in Frida Kahlos life. Detailed maps show her movements around the world, while archival photographs of the artist and the spaces she inhabited bring her international journey to life. Quotes from contemporaries and Frida herself accompany historical and biographical details that give context to the maps and images. Fans will be thrilled by this in depth, lifetime-spanning tour of her global trajectory, from La Casa Azul in Coyoacn, Mexico, to New York City, San Francisco and Paris. Like the other titles in the series, Desperately Seeking Frida looks at a major cultural icon from a brand-new angle, providing context for her life, work, and legacy.
This volume brings together some of the papers presented by leading scholars, artists and psychoanalysts at an annual Creativity Seminar organised by the Erikson Institute of the Austen Riggs Center. Looking at creativity through a psychoanalytic lens - and very importantly, vice versa - the authors examine great works, such as Nathaniel Hawthorne's The Scarlet Letter, Mahler's Eighth Symphony, and William Gibson's The Miracle Worker; as well as great artists, such as Van Gogh and Lennon and McCartney, for what we might learn about the creative process itself. Deepening this conversation are a number of clinical studies and other reflections on the creative process - in sickness and in health, so to speak. A central theme is that of "deep play", the level at which the artist may be unconsciously playing out, on behalf of all of us, the deepest dynamics of human emotion in order that we may leave the encounter not only emotionally spent, but profoundly informed as well.
But he was lying there beside her, waiting for her answer. A stranger. They were strangers. She turned slowly away from him, towards the window. And against the bright blue sky, she saw the storks flying away in formation, an arrow in the sky. They’d started their long journey at last, back to their other home. They’d dared to dream again. And roam the skies for something they’d loved and lost, perhaps. ‘Perhaps,’ she said turning back. In poetic vignettes set against the fascinating exotics of Australia and France, Chandani Lokugé weaves a haunting and meditative story on the spectral gains and losses of travel, the nature of its transience. Through it, she dignifies with grace and tenderness, our unassuageable yearning, when we have lost everything and even ourselves, to anchor to something, someone, somewhere, and the unexpected moment of our arrival. ‘A haunting mystical reading experience, suffused with history, art, and recovery from trauma. An inspired travelogue … the damaged genius of Van Gogh brooding over the narrative, with hints of both joy and anguish.’ Chris Ringrose
When Nana answers an ad in the local newspaper, she arrives at the police department just in time to investigate the theft of an entire case of delicious Yumdums candy. Can one little old lady find a way to save the day and stop the candy thief from striking again?
“An extraordinary record of a great artist in his studio, it also describes what it feels like to be transformed into a work of art.” —ARTnews Lucian Freud (1922-2011), widely regarded as the greatest figurative painter of our time, spent seven months painting a portrait of the art critic Martin Gayford. The daily narrative of their encounters takes the reader into that most private place, the artist’s studio, and to the heart of the working methods of this modern master—both technical and subtly psychological. From this emerges an understanding of what a portrait is, but something else is also created: a portrait, in words, of Freud himself. This is not a biography, but a series of close-ups: the artist at work and in conversation at restaurants, in taxis, and in his studio. It takes one into the company of the painter for whom Picasso, Giacometti, and Francis Bacon were friends and contemporaries, as were writers such as George Orwell and W. H. Auden. The book is illustrated with many of Lucian Freud’s other works, telling photographs taken by David Dawson of Freud in his studio, and images by such great artists of the past as van Gogh and Titian who are discussed by Freud and Gayford. Full of wry observations, the book reveals the inside story of how it feels to pose for a remarkable artist and become a work of art.
When Vincent van Gogh's Portrait of Monsieur Trabuc turns up unexpectedly at the Metropolitan Museum of Art—a $50 million painting shipped from Argentina via UPS, like an ordinary package—the case goes to Clay Ryder, the NYPD Major Case Squad detective assigned to art theft. Ryder discovers that in Paris, late 1944, a Jewish widow accused a German SS officer of stealing the painting. The officer was reported to have died in a car crash at the war's end, and the whereabouts of the Trabuc between then and now remain a mystery. Ryder's search for the widow's heirs leads him to Rachel Meredith, who teaches at NYU. The museum presents the painting to her in a spectacular public ceremony that winds up on the front page of newspapers around the world. Though the case is closed, Ryder can't seem to shake it. When Rachel Meredith is attacked, she calls on him; what might be a simple assault doesn't quite add up. And he still wonders who sent the van Gogh from Argentina. One of his most reliable contacts in the art world floats a theory that ties the van Gogh portrait to a black market auction in the 70's that might have involved a Swiss art dealer and an international crime kingpin with unlimited cash. Then Israel's Mossad pays Ryder a clandestine visit; the news splash about the van Gogh is the first link they've had to the SS officer in decades. Meanwhile, art dealers, auction houses, and museums vie to buy the van Gogh from Rachel Meredith. When she refuses to sell, the situation goes from predatory to violent. Ryder has to race against time to outmaneuver a cunning mastermind who will resort to as many murders as it takes to get hold of the Trabuc. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Barrington Barber presents this inspiring introduction to, and revelation of, the works of Vincent Van Gogh. You can trace his artistic development from his early beginnings to the myriad of later paintings produced when Van Gogh suffered repeated hallucinations and depression.
Including unpublished material recorded from Henri Nouwen's lectures, this book comes at the request of the Henri Nouwen's literary estate from someone who knew him as a teacher and friend. Carol Berry brings her own experience in both ministry and art education to bear as she unpacks the much misunderstood spiritual context of Vincent van Gogh's work, and reinterprets van Gogh's art in light of Nouwen's lectures.