This original and innovative book challenges many of our long-held assumptions about traditional Balinese religion. Drawing on data from visual art, mythology, esoteric texts, and public rituals, Michele Stephen identifies a core of important mystical themes at the heart of Balinese religion and demonstrates the striking parallels between these and Indian Tantric thought. Desire, Divine and Demonic begins with an introduction to the problems of defining mysticism in Bali, a discussion of prevailing scholarly views concerning the nature of Balinese religion, and a brief description of the link between art and religion in Balinese culture. What follows is an intriguing analysis of two series of paintings by contemporary Balinese artists I Ketut Budiana and I Gusti Nyoman Mirdiana, who specialize in mystical and mythological scenes.
Nathaniel Berman’s Divine and Demonic in the Poetic Mythology of the Zohar: The “Other Side” of Kabbalah offers a new approach to the central work of Jewish mysticism, the Sefer Ha-Zohar (“Book of Radiance”). Berman explicates the literary techniques through which the Zohar constructs a mythology of intricately related divine and demonic personae. Drawing on classical and modern rhetorical paradigms, as well as psychoanalytical theories of the formation of subjectivity, Berman reinterprets the meaning of the Zohar’s divine and demonic personae, exploring their shared origins and their ongoing antagonisms and intimacies. Finally, he shows how the Zoharic portrayal of the demonic, the “Other Side,” contributes to reflecting on alterity of all kinds.
"A variety of Chinese writings-medical texts, religious treatises, fiction, and anecdotes-from the Song period (960-1279) depict women who were considered peculiar because their sexual bodies did not belong to men. These were women who refused to marry, were considered unmarriageable, or were married but denied their husbands sexual access, thereby removing themselves from social constructs of female sexuality defined in relation to men. As elite male authors attempted to make sense of these incomprehensible women whose sexual bodies were unavailable to them, they were forced to contemplate the purpose of women's bodies and lives apart from wifehood and motherhood. This raised troubling new questions about normalcy, desire, sexuality, and identity. In Divine, Demonic, and Disordered Hsiao-wen Cheng considers accounts of "manless women," many of which depict women who suffered from "enchantment disorder" or who engaged in "intercourse with ghosts"-conditions with specific symptoms and behavioral patterns. Through her questioning of conventional binary gender analyses and heteronormative assumptions, she shifts attention away from women's reproductive bodies and familial roles and offers historians of China and readers interested in women, gender, sexuality, medicine, and religion a fresh look at the unstable meanings attached to women's behaviors and lives even in a time of codified patriarchy"--
A variety of Chinese writings from the Song period (960–1279)—medical texts, religious treatises, fiction, and anecdotes—depict women who were considered peculiar because their sexual bodies did not belong to men. These were women who refused to marry, were considered unmarriageable, or were married but denied their husbands sexual access, thereby removing themselves from social constructs of female sexuality defined in relation to men. As elite male authors attempted to make sense of these women whose sexual bodies were unavailable to them, they were forced to contemplate the purpose of women’s bodies and lives apart from wifehood and motherhood. This raised troubling new questions about normalcy, desire, sexuality, and identity. In Divine, Demonic, and Disordered, Hsiao-wen Cheng considers accounts of “manless women,” many of which depict women who suffered from “enchantment disorder” or who engaged in “intercourse with ghosts”—conditions with specific symptoms and behavioral patterns. Cheng questions conventional binary gender analyses and shifts attention away from women’s reproductive bodies and familial roles. Her innovative study offers historians of China and readers interested in women, gender, sexuality, medicine, and religion a fresh look at the unstable meanings attached to women’s behaviors and lives even in a time of codified patriarchy.
Fifteen years after its original publication comes a thoroughly revised edition of the Evangelical Dictionary of Theology. Every article from the original edition has been revisited. With some articles being removed, others revised, and many new articles added, the result is a completely new dictionary covering systematic, historical, and philosophical theology as well as theological ethics.
Cover -- Title -- Copyright -- Contents -- Introduction -- PART I Demons in Christianity -- 1 Augustine and Aquinas on the Demonic -- 2 The Demonic Body: Demonic Ontology and the Domicile of the Demons in Apuleius and Augustine -- 3 Christian Demonology: A New Philosophical Perspective -- 4 Women as "the Devil's Gateway": A Feminist Critique of Christian Demonology -- PART II Non-Christian Conceptions of Demons -- 5 Socrates's Demonic Sign (Daimonion Sēmeion) -- 6 The Ecological Demon: Silent Running and Interstellar -- 7 Demons of Seduction in Early Jewish Literature -- 8 The Jinn and the Shayātīn -- 9 Māra: Devā and Demon -- PART III Demons and Epistemological Issues -- 10 Justified Belief in the Existence of Demons Is Impossible -- 11 Esoteric Spirituality, Devils, and Demons: Introducing the Gnostic Vision of Modernity -- 12 Re-Enchantment and Contemporary Demonology -- PART IV Demons in Moral and Social Philosophy -- 13 Whedon's Demons: The Immorality of Moral Clarity and the Ethics of Moral Complexity -- 14 Modern Representations of Evil: Kant, Arendt, and the Devil in Goethe's Faust and Bulgakov's The Master and Margarita -- 15 The Politics of Possession: Reading King James's Daemonologie through the Lens of Mimetic Realism -- Notes on Contributors -- Bibliography -- Index
An exciting, wide-ranging exploration of the power and diversity of female figures of worship in world cultures and belief systems, from the ancient world to today.
In Demonic Desires, Ishay Rosen-Zvi examines the concept of yetzer hara, or evil inclination, and its evolution in biblical and rabbinic literature. Contrary to existing scholarship, which reads the term under the rubric of destructive sexual desire, Rosen-Zvi contends that in late antiquity the yetzer represents a general tendency toward evil. Rather than the lower bodily part of a human, the rabbinic yetzer is a wicked, sophisticated inciter, attempting to snare humans to sin. The rabbinic yetzer should therefore not be read in the tradition of the Hellenistic quest for control over the lower parts of the psyche, writes Rosen-Zvi, but rather in the tradition of ancient Jewish and Christian demonology. Rosen-Zvi conducts a systematic and comprehensive analysis of the some one hundred and fifty appearances of the evil yetzer in classical rabbinic literature to explore the biblical and postbiblical search for the sources of human sinfulness. By examining the yetzer within a specific demonological tradition, Demonic Desires places the yetzer discourse in the larger context of a move toward psychologization in late antiquity, in which evil—and even demons—became internalized within the human psyche. The book discusses various manifestations of this move in patristic and monastic material, from Clement and Origin to Antony, Athanasius, and Evagrius. It concludes with a consideration of the broader implications of the yetzer discourse in rabbinic anthropology.
Started in 1958, Sanathana Sarathi is a monthly magazine devoted to Sathya (Truth), Dharma (Righteousness), Shanti (Peace) and Prema (Love) - the four cardinal principles of Bhagawan Baba's philosophy. It is published from Prasanthi Nilayam (the Abode of Highest Peace) and acts as a mouthpiece of Baba's Ashram as it speaks of the important events that take place in His sacred Abode, besides carrying Divine Messages conveyed through Divine Discourses of Bhagawan Sri Sathya Sai Baba. The word meaning of Sanathana Sarathi is the 'Eternal Charioteer'. It signifies the presence of the Lord in every being as the atma guiding their lives like a charioteer. It implies that he who places his life, the body being likened to a chariot, in an attitude of surrender in the hands of the Lord, will be taken care of by the Lord even as a charioteer would take the occupant of his chariot safely to its destination. The magazine is an instrument to disseminate spiritual knowledge for the moral, physical and mental uplift of humanity without any discrimination as the subject matter discussed therein is always of common interest and of universal appeal. The fifteen Vahinis - streams of sacredness - known as the Vahini Series comprising annotation and interpretation of the Upanishads and other scriptures, Itihasas like the Ramayana, the Bhagavatha and the Mahabharata, and authentic explanations on Dhyana, Dharma, Prema, etc., have been serially published in this magazine as and when they emanated from the Divine pen of Bhagawan Baba. This magazine is published in almost all Indian languages, English and Telugu from Prasanthi Nilayam and others from respective regions. Every year Sanathana Sarathi comes out with a special issue in November commemorating the Divine Birthday. The English and Telugu magazines are posted on the 10th and 23rd respectively, of every month, from Prasanthi Nilayam. This magazine has wide, ever increasing circulation in India as well as abroad, as the study of it brings the reader closer to the philosophy of the Avatar in simple understandable language THUS SPAKE SAI... Discoursing during the launch of Sanathana Sarathi... From this day, our Sanathana Sarathi will lead to victory the cohorts of truth - the Vedas, the Sastras and similar scriptures of all faiths, against the forces of the ego such as injustice, falsehood, immorality and cruelty. This is the reason why it has emerged. This Sarathi will fight in order to establish world prosperity. It is bound to sound the paean of triumph when universal Ananda is achieved.
