Everyone dies. For thousands of years, uncountable millions of corpses have been given funerals, and the living have always been faced with the problems of valedictory ceremonials for the dead and what to do with the corpses. Most of them have been buried, burnt, preserved, put in the sea, or exposed to the air. Quicklime, acids, eating and shrinking are more rare, and on the whole the overtly scientific methods go with unnatural death, so that earth, air, fire, and water are the most common agents of disposal.--pg. 9.
Emergencies—landing a malfunctioning plane, resuscitating a heart attack victim, or avoiding a head-on car crash—all require split-second decisions that can mean life or death. Fortunately, designers of life-saving products have leveraged research and brain science to help users reduce panic and harness their best instincts. Life and Death Design brings these techniques to everyday designers who want to help their users think clearly and act safely.
How can otherwise normal, moral persons - as citizens, voters, and jurors - participate in a process that is designed to take the life of another? In DEATH BY DESIGN, research psychologist Craig Haney argues that capital punishment, and particularly the sequence of events that lead to death sentencing itself, is maintained through a complex and elaborate social psychological system that distances and disengages us from the true nature of the task. Relying heavily on his own research and that of other social scientists, Haney suggests that these social psychological forces enable persons to engage in behavior from which many of them otherwise would refrain. However, by facilitating death sentencing in these ways, this inter-related set of social psychological forces also undermines the reliability and authenticity of the process, and compromises the fairness of its outcomes. Because these social psychological forces are systemic in nature - built into the very system of death sentencing itself - Haney concludes by suggesting a number of inter-locking reforms, derived directly from empirical research on capital punishment, that are needed to increase the fairness and reliability of the process. The historic and ongoing public debate over the death penalty takes place not only in courtrooms, but also in classrooms, offices, and living rooms. This timely book offers stimulating insights into capital punishment for professionals and students working in psychology, law, criminology, sociology, and cultural area studies. As capital punishment receives continued attention in the media, it is also a necessary and provocative guide that empowers all readers to come to their own conclusions about the death penalty.
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As Gotham City undergoes a massive architectural boom, a series of unexplained construction accidents begin to cause casualties across the city and it is up to Batman to discover who is behind the string of catastrophes.
This delightfully intriguing pair of full-length mysteries by award-winning author Carolyn G. Hart delivers a novel approach to murder that is sure to enthrall you until the last killer is caught.. . . Death on Demand At Annie Laurance’s Death on Demand bookstore in Broward’s Rock, South Carolina (“the finest mystery bookstore north of Miami”), murder suddenly isn’t confined to the shelves. An author’s abrupt demise during a gathering of famous mystery writers is proof positive that a bloody sword is sometimes mightier than a brilliant pen. But now Annie is in the unenviable position of prime suspect, which means that she and her wealthy paramour, Max Darling, must unmask a brutal and ingenious killer. For Annie, failing could mean prison . . . while success could mean her death. Design for Murder When Annie stages a Mystery Night for Chastain, South Carolina’s annual antebellum house tour, she finds herself the lead in a deadly drama wherein the curtain falls on a mean-spirited grande dame. But while fingers point at Annie as the murderer, the perpetrator lurks within the cast of Murder-Most-Make-Believe. Guilty until proven innocent, Annie hopes to clear her name with Max’s help—until her chief witness is killed. Now it will take all of Annie’s sleuthing skills to unmask the evil in the hearts of Chastain’s Beautiful People.
Tricky Design responds to the burgeoning of scholarly interest in the cultural meanings of objects, by addressing the moral complexity of certain designed objects and systems. The volume brings together leading international designers, scholars and critics to explore some of the ways in which the practice of design and its outcomes can have a dark side, even when the intention is to design for the public good. Considering a range of designed objects and relationships, including guns, eyewear, assisted suicide kits, anti-rape devices, passports and prisons, the contributors offer a view of design as both progressive and problematic, able to propose new material and human relationships, yet also constrained by social norms and ideology. This contradictory, tricky quality of design is explored in the editors' introduction, which positions the objects, systems, services and 'things' discussed in the book in relation to the idea of the trickster that occurs in anthropological literature, as well as in classical thought, discussing design interventions that have positive and negative ethical consequences. These will include objects, both material and 'immaterial', systems with both local and global scope, and also different processes of designing. This important new volume brings a fresh perspective to the complex nature of 'things', and makes a truly original contribution to debates in design ethics, design philosophy and material culture.
This two-volume set LNCS 11592 and 11593 constitutes the refereed proceedings of the 5th International Conference on Human Aspects of IT for the Aged Population, ITAP 2019, held in July 2019 as part of HCI International 2019 in Orlando, FL, USA. HCII 2019 received a total of 5029 submissions, of which 1275 papers and 209 posters were accepted for publication after a careful reviewing process. The 86 papers presented in these two volumes are organized in topical sections named: Design with and for the Elderly, Aging and Technology Acceptance, Aging and the User Experience, Elderly-Specific Web Design, Aging and Social Media, Games and Exergames for the Elderly, Ambient Assisted Living, Aging, Motion, Cognition, Emotion and Learning.
Written in 1954 but unpublished in his lifetime, Robert Friedmann’s Design for Living asks that pertinent existential question: how should we live? Drawing on literary, philosophical, and theological sources, Friedmann’s answer begins with a critique of utilitarian ethics and popular apathy, and proceeds through an existential preparation that ascends in confessional style to the question of the meaning of human life, culminating in a fourfold set of principles: regard, concern, service, and love. Along the way, Friedmann’s critical eye remains clearly fixed on his object of study—lived experience, and not abstract principles detached from day-to-day life—and he intentionally guides his reader step by step up the mountain of spiritual and ethical inquiry in a deliberate and serious attempt to educate the heart, mind, and soul. At once accessible and scholarly, while troubling our contemporary divide between religion and the secular, Design for Living presents a rare vision of human meaning and purpose that will appeal to scholarly and public readers alike.
