Southern California's Best Ghost Towns

Southern California's Best Ghost Towns

Author: Philip Varney

Publisher: University of Oklahoma Press

Published: 1994-03-01

Total Pages: 170

ISBN-13: 9780806126081

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The ghost towns of Southern California-some dramatic and nearly intact, others devastated-are well worth visiting. Most are remnants of once-colorful mining towns, though there are also railroad towns, a World War II relocation center, a promoter's swindle, and a failed socialist colony. Some excellent attractions remain. One of the best-preserved stamp mills in the West is in Skidoo. Smelters, homes, stores, and the remarkable wooden American Hotel can be found in Cerro Gordo, which the author calls "California's best true ghost town." Seasoned back-roads traveler Philip Varney, who has visited nearly a hundred ghost towns in the area, provides a down-to-earth and helpful guide to more than sixty of the best in Southern California and nearby Inyo and Kern counties. He defines a ghost town as a town with a population markedly decreased from its peak, one whose initial reason for settlement no longer keeps people there. It can be completely deserted, have a resident or two, or retain genuine signs of vitality, but Varney has eliminated those towns he considers either too populated or too empty of significant remains. The sites are grouped in four chapters in Inyo County, Death Valley, the Mojave Desert and Kern River, and the regions surrounding Los Angeles and San Diego. Each chapter provides a map of the region, a ranking of sites as "major," "secondary," and "minor," information on road conditions, trip suggestions, and tips on the use of particular topographic maps for readers interested in more detailed exploration. Each entry includes directions to a town, a brief history of that town, and notes on its special points of interest. Current photographs provide a valuable record of the sometimes fragile sites. Southern California's Best Ghost Towns will be welcomed both by those who enjoy traveling off the beaten path and by those who enjoy the history of the American West.


Report

Report

Author: American Geological Institute

Publisher:

Published: 1950

Total Pages: 448

ISBN-13:

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Death Valley to Deadwood; Kennecott to Cripple Creek

Death Valley to Deadwood; Kennecott to Cripple Creek

Author: United States. National Park Service. Division of National Register Programs

Publisher:

Published: 1990

Total Pages: 268

ISBN-13:

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Papers address concerns by contractors and agencies in how to survey and nominate properties to the National Register of Historic Places and how to mitigate adverse actions on significant resources, management concerns related to historic mining sites on public lands, and interpretation and display of mining sites and materials. The focus is on the western United States, but other parts of the U.S. and western Canada are covered.


Mines and Geology of the Randsburg Area

Mines and Geology of the Randsburg Area

Author: D. D. Trent

Publisher: San Diego Geological Society

Published: 2006

Total Pages: 52

ISBN-13:

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The western Mojave Desert region takes its rightful place in the storied history of major Old West mining camps in this volume by geology professor Dee Trent. The Randsburg area experienced 5 mining booms from 1893 into the 21st century, with riches from the earth that included gold, silver, and tungsten. Historic maps and photos. Randsburg is 50 miles northeast of Mojave.


Alkali

Alkali

Author: Craig Dworkin

Publisher: Counterpath

Published: 2015-03-18

Total Pages: 141

ISBN-13: 1933996471

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Alkali collects six works, including two desert pastorals describing the sonic and luminescent landscape surrounding the Great Salt Lake, two minimalist geometrical exercises exhausting the typographic limits of two particular oulippean constraints, a restaging of Clark Coolidge’s The Crystal Text, and a long lyric essay on the rhetoric of falling in French modernism. Working from the linguistic toward the literary (in Paul de Man’s sense of the terms), each of these poems attempts to construct a text of sonic density and impassioned argument from the entirely impersonal, inexpressive, chance motivations of the signifier. Together, they propose a mode of non-expressive poetics that seeks to evade the already clichéd styles and tones that have come to characterize the rhetoric of our present-day Conceptualism.