Descriptive Programs
Author: Los Angeles Philharmonic Orchestra
Publisher:
Published: 1926
Total Pages: 604
ISBN-13:
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Author: Los Angeles Philharmonic Orchestra
Publisher:
Published: 1926
Total Pages: 604
ISBN-13:
DOWNLOAD EBOOKAuthor: Amichai Kronfeld
Publisher: Cambridge University Press
Published: 1990-08-31
Total Pages: 212
ISBN-13: 9780521399821
DOWNLOAD EBOOKOn scrutinising how we refer to things in conversation, we find that we rarely state explicitly what object we mean, although we expect an interlocutor to discern it. Dr Kronfield provides an answer to the two questions; how do we successfully refer; and how can a computer be programmed to achieve this?.
Author: Anne Shaw (Faulkner) Oberndorfer
Publisher:
Published: 1928
Total Pages: 648
ISBN-13:
DOWNLOAD EBOOKAuthor: United States
Publisher:
Published: 1977
Total Pages: 166
ISBN-13:
DOWNLOAD EBOOKAuthor: Cornelia M. Ashby
Publisher: DIANE Publishing
Published: 2011-08
Total Pages: 54
ISBN-13: 1437943799
DOWNLOAD EBOOKAuthor: Lawrence Johnson & Associates
Publisher:
Published: 1976
Total Pages: 265
ISBN-13:
DOWNLOAD EBOOKAuthor: United States. Navy Mathematical Computing Advisory Panel
Publisher:
Published: 1956
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOKAuthor: United States. Congress. Senate. Committee on Governmental Affairs. Permanent Subcommittee on Investigations
Publisher:
Published: 1990
Total Pages: 520
ISBN-13:
DOWNLOAD EBOOKAuthor: Lois Hamill
Publisher: Rowman & Littlefield
Published: 2017-07-08
Total Pages: 215
ISBN-13: 1442279176
DOWNLOAD EBOOKArchival Arrangement and Description: Analog to Digital teaches the core functions of arrangement and description. A historical summary grounds new archivists to assess proposed changes for digital files. After presenting the basics of arrangement and description (processing) for analog materials, the text segues to digital materials incorporating the OAIS preservation model into a detailed, sample workflow. Although accessioning and technical appraisal precede processing, they are discussed because they are performed differently for digital materials and create a different starting point for processing digital files. Description is external to the OAIS model but linked to it. Recent advances in description and its delivery are presented along with concerns for the ability of smaller archives to participate in envisioned future developments that are technology reliant. New specialties like digital curation and data curation show the continued relevance of archival expertise for the digital future. Rich with extras, the text includes and points to many readily web accessible additional resources.
Author: Brian W. Ogilvie
Publisher: University of Chicago Press
Published: 2008-09-15
Total Pages: 402
ISBN-13: 0226620867
DOWNLOAD EBOOKOut of the diverse traditions of medical humanism, classical philology, and natural philosophy, Renaissance naturalists created a new science devoted to discovering and describing plants and animals. Drawing on published natural histories, manuscript correspondence, garden plans, travelogues, watercolors, and drawings, The Science of Describing reconstructs the evolution of this discipline of description through four generations of naturalists. In the late fifteenth and early sixteenth centuries, naturalists focused on understanding ancient and medieval descriptions of the natural world, but by the mid-sixteenth century naturalists turned toward distinguishing and cataloguing new plant and animal species. To do so, they developed new techniques of observing and recording, created botanical gardens and herbaria, and exchanged correspondence and specimens within an international community. By the early seventeenth century, naturalists began the daunting task of sorting through the wealth of information they had accumulated, putting a new emphasis on taxonomy and classification. Illustrated with woodcuts, engravings, and photographs, The Science of Describing is the first broad interpretation of Renaissance natural history in more than a generation and will appeal widely to an interdisciplinary audience.