READERS BEWARE You are about to set foot on a bizarre adventure, a funny fantastical one filled with demonic animals. The first few stories are light, more about the giggles, but be warned. As you read further, the dark creepy side will sneak up on you. Within this entertaining tome you will find spiders, snakes, sheep, wolves, manatees, hummingbirds, squirrels, and many more!
Readers Beware of these twisted literary pieces! Everyone knows the classics such as Peter Pan, Huckleberry Finn, and The Wizard of Oz. Have you ever thought about what would happen in those stories if they were written just a little differently... More wickedly... What if Tinkerbell defended her love for Peter Pan, at any costs including her soul? What if Huck’s adventure took him down a more dangerous side of the river? What if The Wizard of Oz was nothing more than a surreal nightmare? The authors within this tome have brought your classic and timeless books back to life with a demonic twist only found in the Demonic Anthology collection. Expect a very different impression of the stories everyone grew up to love, written in such a way they just might be changed in unforgettable ways.
READERS BEWARE of the bunnies in the woods... You are about to set foot on a bizarre adventure, a funny fantastical one filled with demonic animals. The first few stories are light, more about the giggles, but be warned. As you read further, the dark creepy side will sneak up on you. Within this entertaining tome you will find spiders, snakes, sheep, wolves, manatees, hummingbirds, squirrels, and many more! Some will have you laughing while others may have you looking at your pet and wondering what is really happening when the cat is attacking the curtains. At the end of the day, don't take advice from your pet snake nor the manatee at the aquarium. It may lead you down a dark path!
This book begins with the assumption that the presence of non-human creatures causes an always-already uncanny rift in human assumptions about reality. Exploring the dark side of animal nature and the ‘otherness’ of animals as viewed by humans, and employing cutting-edge theory on non-human animals, eco-criticism, literary and cultural theory, this book takes the Gothic genre into new territory. After the dissemination of Darwin’s theories of evolution, nineteenth-century fiction quickly picked up on the idea of the ‘animal within’. Here, the fear explored was of an unruly, defiant, degenerate and entirely amoral animality lying (mostly) dormant within all of us. However, non-humans and humans have other sorts of encounters, too, and even before Darwin, humans have often had an uneasy relationship with animals, which, as Donna Haraway puts it, have a way of ‘looking back’ at us. In this book, the focus is not on the ‘animal within’ but rather on the animal ‘with-out’: other and entirely incomprehensible.
Readers beware the rides may take your arms! You are traveling into a dark and humorous place. We start you off with light, soft stories, but be warned. You will find yourself falling into the ever darker, gorier, and more demonic stories with each passing story. From heartwarming endings to feeling like you just walked out of the Carnival Port-a-potty into another dimension - this collection will leave your mind spinning. The Fried Food stall, the Ferris Wheel, and even that carnival themed hotel in Vegas... all of it will never be the same for you after your visit to the Demonic Carnival. Remember... First Ticket’s Free...
Animals, Animality, and Literature offers readers a one-volume survey of the field of literary animal studies in both its theoretical and applied dimensions. Focusing on English literary history, with scrupulous attention to the interplay between English and foreign influences, this collection gathers together the work of nineteen internationally noted specialists in this growing discipline. Offering discussion of English literary works from Beowulf to Virginia Woolf and beyond, this book explores the ways human/animal difference has been historically activated within the literary context: in devotional works, in philosophical and zoological treatises, in plays and poems and novels, and more recently within emerging narrative genres such as cinema and animation. With an introductory overview of the historical development of animal studies and afterword looking to the field's future possibilities, Animals, Animality, and Literature provides a wide-ranging survey of where this discipline currently stands.
In the 1980s, America was gripped by widespread panics about Satanic cults. Conspiracy theories abounded about groups who were allegedly abusing children in day-care centers, impregnating girls for infant sacrifice, brainwashing adults, and even controlling the highest levels of government. As historian of religions David Frankfurter listened to these sinister theories, it occurred to him how strikingly similar they were to those that swept parts of the early Christian world, early modern Europe, and postcolonial Africa. He began to investigate the social and psychological patterns that give rise to these myths. Thus was born Evil Incarnate, a riveting analysis of the mythology of evilconspiracy. The first work to provide an in-depth analysis of the topic, the book uses anthropology, the history of religion, sociology, and psychoanalytic theory, to answer the questions "What causes people collectively to envision evil and seek to exterminate it?" and "Why does the representation of evil recur in such typical patterns?" Frankfurter guides the reader through such diverse subjects as witch-hunting, the origins of demonology, cannibalism, and the rumors of Jewish ritual murder, demonstrating how societies have long expanded upon their fears of such atrocities to address a collective anxiety. Thus, he maintains, panics over modern-day infant sacrifice are really not so different from rumors about early Christians engaging in infant feasts during the second and third centuries in Rome. In Evil Incarnate, Frankfurter deepens historical awareness that stories of Satanic atrocities are both inventions of the mind and perennial phenomena, not authentic criminal events. True evil, as he so artfully demonstrates, is not something organized and corrupting, but rather a social construction that inspires people to brutal acts in the name of moral order.
All eyes are set on Mt. Parnassus where the Oracle is protected by Delphyne, the mother of all dragons and beasts. 2018 FAPA PRESIDENT'S BOOK AWARD SILVER MEDALIST "Rich fully fleshed out characters jump off the pages and into your imagination..." Reader, 5-Star Review With Angeline back in Cedric’s arms and the Eye of Gaea in Romasanta’s grip, the next step in their journey begins. All eyes are set on Mt. Parnassus where the Oracle is protected by Delphyne, the mother of all dragons and beasts. Assembling a group of willing patrons, Romasanta leads them to Delphi, Greece where they will cross into a realm void of technology. Only brute strength and magic reign in a place where packs of Mimick dogs, Wyverns and Jaculus still run wild. Meanwhile, back home, Lillith takes on a mysterious curse cast on Tony who will have to make a life changing choice. The question weighing on all their minds is if two werewolves, the Incubus King, and a demonized sorceress will live to fight their way into Gaea’s Gate to enter the Otherworld. "Romance, action, and fiction all in one book..." Shawn Walker, Reader "As usual this story artfully combines tales and myths with a new twist and point of view on everything in the world." Glückskind from 3 Degrees of Fiction Blog
A Choice Outstanding Academic Title, 2008 A Cultural History of Animals in the Medieval Age investigates the changing roles of animals in medieval culture, economy and society in the period 1000 to 1400. The period saw significant changes in scientific and philosophical approaches to animals as well as their representation in art. Animals were omnipresent in medieval everyday life. They had enormous importance for medieval agriculture and trade and were also hunted for food and used in popular entertainments. At the same time, animals were kept as pets and used to display their owner's status, whilst medieval religion attributed complex symbolic meanings to animals. A Cultural History of Animals in the Medieval Age presents an overview of the period and continues with essays on the position of animals in contemporary symbolism, hunting, domestication, sports and entertainment, science, philosophy, and art.
Ashton’s world is crumbling and he refuses to let anyone come between him and his self-hatred, even his latest fling Lord Raphael Traibon. Ashton Le Denys Thompson is in line to be the next clan chief, but after Grandemere was attacked by invaders, what does that matter anymore? A young noble from the Old Continent comes waltzing in and changes everything. Fueled by desire and intrigue, Ashton finds himself infatuated with the man that just might be the key to saving what’s left of his family and even Grandemere. That’s if the Fates don’t have other plans for one of their most devoted followers. Lord Raphael Kristr de’Traibon left the Old Continent years ago in an attempt to save his family and allies, but it failed. Fallen Arbor and the noble houses from his father’s fallen empire are here destroying Grandemere and everything he’s come to love. When Ashton comes into the fold, he finds himself aggravated and in love with the most maddening of creatures in the world. Despite the need to use his standing to help push back the battle royale law the corrupted council wants to pass, it all goes belly up when they have to fight back. Together, Ashton and Raphael will have to battle between their own emotions of self-hatred and obsessive desires in order to protect what they both have left and recently gained in one another. When the Blood Duels begin, will they be able to withstand the pressure placed upon them and persevere? This story contains violence, gore, sexual content, toxic behavior, verbal abuse, blood, and other themes performed by fictional characters within a fictional world.
