In this short but stimulating work, Peter Leithart draws upon insights from history, theology, philosophy, and literature to connect two of the most glorious and unique truths of Christianity its hopeful eschatology and its doctrine of a dynamic, personal Trinity. First, Leithart shows that the biblical view of history is essentially comic and hopeful, in contrast to the classical Greco-Roman view, which is essentially and irredeemably tragic. Then he develops the same point by examining Greek philosophy and its descendants (including postmodernism) in contrast to orthodox Trinitarian theology. Finally, he shows how the tragic and comic worldviews have been reflected in literature, with discussions of Greek epics and two Shakespearean plays. The result is a tour through three thousand years of intellectual history that celebrates the living power of orthodoxy."
“A remarkable journey. I laughed. I cried. I got another cat.” —Lily Tomlin “Paula Poundstone is the funniest human being I have ever known.” —Peter Sagal, host of Wait Wait . . . Don’t Tell Me! and author of The Book of Vice “Is there a secret to happiness?” asks comedian Paula Poundstone. "I don’t know how or why anyone would keep it a secret. It seems rather cruel, really . . . Where could it be? Is it deceptively simple? Does it melt at a certain temperature? Can you buy it? Must you suffer for it before or after?” In her wildly and wisely observed book, the comedy legend takes on that most inalienable of rights—the pursuit of happiness. Offering herself up as a human guinea pig in a series of thoroughly unscientific experiments, Poundstone tries out a different get-happy hypothesis in each chapter of her data-driven search. She gets in shape with taekwondo. She drives fast behind the wheel of a Lamborghini. She communes with nature while camping with her daughter, and commits to getting her house organized (twice!). Swing dancing? Meditation? Volunteering? Does any of it bring her happiness? You may be laughing too hard to care. The Totally Unscientific Study of the Search for Human Happiness is both a story of jumping into new experiences with both feet and a surprisingly poignant tale of a single working mother of three children (not to mention dozens of cats, a dog, a bearded dragon lizard, a lop-eared bunny, and one ant left from her ant farm) who is just trying to keep smiling while living a busy life. The queen of the skepticism-fueled rant, Paula Poundstone stands alone in her talent for bursting bubbles and slaying sacred cows. Like George Carlin, Steve Martin, and David Sedaris, she is a master of her craft, and her comedic brilliance is served up in abundance in this book. As author and humorist Roy Blount Jr. notes, “Paula Poundstone deserves to be happy. Nobody deserves to be this funny.”
This startling and original study emerged from Kenneth Rockford's wish to vindicate Aristophanes' Clouds against detractors. As a result of years of rereading and teaching Aristophanes, he realized that the Clouds could not be defended in an analysis of that play in isolation. A better approach, he decided, would be to define a comic perspective within which Aristophanes' comedies in general as well as the Clouds in particular could be appreciated. This first volume of Reckford's defense examines the comedies as a whole in a series of defining essays, each with its own dominant concern and method of approach. The author begins by exploring not the usual questions of Aristophanes' political attitudes and his place in the development of comedy, but rather the festive, celebratory, and Dionysian nature of Old Comedy. Here and throughout the book Reckford illustrates Aristophanes' form of comedy with analogies to Rabelais, Shakespeare, Charlie Chaplin, Alice in Wonderland, and The Wonderful Wizard of Oz. In the remaining essays Reckford goes beyond the usual Freudian approaches, reinterpreting the comic catharsis as a clarification of wishing and hoping. He also explores the growth of plays from comic idea to comic performance, in ways reflected in Tom Stoppard's plays today. Only then are Aristophanes' basic political loyalties described, as well as the place of his old- and-new comedy within the history of the genre. In a book that is as much about comedy generally as it is about Aristophanes specifically, some plays are treated more fully than others. Reckford discusses the Wasps at length, comparing the symbolic transformations and comic recognitions in the play with dream experience and dream interpretation. He also analyzes the Peace, the Acharians, the Birds, and the Frogs. Reckford's vindication of the Clouds will appear in the second volume of his defense, Clouds of Glory. Reckford's playful translations preserve the puns and anachronisms of Aristophanes, maintaining the playwright's comic feeling and tone. Combining traditional classical scholarship with a variety of literary, psychological, and anthropological approaches, he has written a study that will appeal to both the academic audience and the general reader who cares about comedy. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
A NEW YORK TIMES BESTSELLER NAMED A BEST BOOK OF THE YEAR BY NPR Amy Poehler, Mel Brooks, Adam McKay, George Saunders, Bill Hader, Patton Oswalt, and many more take us deep inside the mysterious world of comedy in this fascinating, laugh-out-loud-funny book. Packed with behind-the-scenes stories—from a day in the writers’ room at The Onion to why a sketch does or doesn’t make it onto Saturday Night Live to how the BBC nearly erased the entire first season of Monty Python’s Flying Circus—Poking a Dead Frog is a must-read for comedy buffs, writers and pop culture junkies alike.
“it’s called a spade” is a reference to calling life like it is instead of hiding the tough stuff and pretending like everything is fine. It’s a collection of stories about life, about people and God, recovery and relapse, heartache and brokenness, and the reality that life is hard, even if you believe in God, even if you don’t. But there is also hope and humor and healing that comes without answers. This is a collection of stories from a human who almost disappeared in her efforts to be seen, a girl who called spades hearts and smiled while bluffing.
A large, lovable lonely-heart named Maureen Mulligan gives romance one last shot on a blind-date with sweet awkward Joseph Spinelli.--From publisher description.
