During the 14th century, men of arms--knights and soldiers--exercised themselves in various forms of competitions to both refine their skills and as a matter of national honor. Steven Muhlberger details these contests, analyzing how their renown was of great politial importance. Drawn from an extensive study of all remaining sources from the 14th century, Dr. Muhlberger brings his considerable scholarly expertise together with a knack for accessible writing to produce what will become the definitive work on the subject.
It is unexpected in any era to find a woman writing a book on the art of warfare, but in the fifteenth century it was unbelievable. Not surprisingly, therefore, Christine de Pizan's The Book of Deeds of Arms and of Chivalry, written around 1410, has often been regarded with disdain. Many have assumed that Christine was simply copying or pilfering earlier military manuals. But, as Sumner Willard and Charity Cannon Willard show in this faithful English translation, The Book of Deeds of Arms and of Chivalry contains much that is original to Christine. As a military manual it tells us a great deal about the strategy, tactics, and technology of medieval warfare and is one of our most important sources for early gunpowder weapon technology. It also includes a fascinating discussion of Just War. Since the end of the fifteenth century, The Book of Deeds of Arms and of Chivalry has been available primarily through Antoine Vérard's imprint of 1488 or William Caxton's 1489 translation, The Book of the Order of Chivalry. Vérard even suggested that the work was his own translation of the Roman writer Vegetius, making no mention of Christine 's name. Caxton attributed the work to Christine, but it is impossible to identify the manuscript he used for his translation. Moreoever, both translations are inaccurate. The Willards correct these inaccuracies in a clear and easy-to-read translation, which they supplement with notes and an introduction that will greatly benefit students, scholars, and enthusiasts alike. Publication of this work should change our perception both of medieval warfare and of Christine de Pizan.
Grieving over the loss of his love, werewolf Bowen MacRieve enjoys a passionate encounter with his enemy, the witch Mariketa the Awaited, but when sinister forces threaten her life, Bowen must use all his skills to keep her alive.
We know intuitively, deep in our bones, that the best life is a life where our words and our deeds count for something greater than ourselves. Our hearts quicken when we hear a rousing call to action, when we see someone taking a hill that must be taken. We know that doing and saying nothing is beneath us—that our words and deeds can be the best things about us. Words and Deeds is an integrity-pulse check packed with inspiring war stories. It offers a way of gauging the strength of our integrity and a path toward growing in courage. There is a unique diagnostic assessment for men to take and see how they are utilizing both words and deeds as instruments of their character. As you learn to align your words and deeds, you will be inspired and empowered to get off the couch and live a life of significance. Special features: 40-question diagnostic assessment tool (in the book and online) for measuring and growing in integrity 6-week small group Bible study
On the great influence of a valiant lord: "The companions, who see that good warriors are honored by the great lords for their prowess, become more determined to attain this level of prowess." On the lady who sees her knight honored: "All of this makes the noble lady rejoice greatly within herself at the fact that she has set her mind and heart on loving and helping to make such a good knight or good man-at-arms." On the worthiest amusements: "The best pastime of all is to be often in good company, far from unworthy men and from unworthy activities from which no good can come." Enter the real world of knights and their code of ethics and behavior. Read how an aspiring knight of the fourteenth century would conduct himself and learn what he would have needed to know when traveling, fighting, appearing in court, and engaging fellow knights. Composed at the height of the Hundred Years War by Geoffroi de Charny, one of the most respected knights of his age, A Knight's Own Book of Chivalry was designed as a guide for members of the Company of the Star, an order created by Jean II of France in 1352 to rival the English Order of the Garter. This is the most authentic and complete manual on the day-to-day life of the knight that has survived the centuries, and this edition contains a specially commissioned introduction from historian Richard W. Kaeuper that gives the history of both the book and its author, who, among his other achievements, was the original owner of the Shroud of Turin.
On March 27, 1351, sixty armed men gathered in a field in Brittany, halfway between the two enemy castles of Josselin and Ploermel. Representing the garrisons of those two strongholds, these two groups of thirty men at arms they had appeared in this field with no strategic or tactical goal, other than to make good on their captains promise: "We will go to an open field and there we will fight as long as we can endure it." The battle was fought until all on one side were dead or captured, and no one ran away. This showdown in the fields of Brittany attracted attention in its own time and the story has been retold in many eras since, standing as the subject of romantic inspiration and call to bold action for over six hundred years. But was the Combat of the Thirty an admirable deed? Even in the fourteenth century, opinions were divided: some thought that it was a fight for no sensible reason, "the product of presumption and rashness," while others considered it a great demonstration of prowess, a word that designates a heroic combination of skill and courage. Why did sixty men risk themselves in a fight to the finish on that spring day in Brittany six and a half centuries ago? Why did it attract attention and praise in its time? Why does it interest us still? In this volume Steven Muhlberger translates the historical accounts of the Combat and then examines both what contemporaries thought, and how the battle has been remembered through the centuries, giving readers a window into late medieval chivalric culture. As a bonus, renowned 14th century arms and armour scholar Douglas Strong includes an appendix analyzing the equipment used by English, Breton and French forces on that bloody day in 1351.
A hip and hilarious debut novel about a twentysomething guy searching for love, for meaning...and for a long-lost deed that could make him heir to the island of Manhattan Meet Jason Hansvoort, a single New Yorker with a curious knack for surviving near-death experiences. Wistful about college, apprehensive about the future, he's currently flailing around in post-college limbo as low man on the totem pole at one of Madison Avenue's "Big Five" ad agencies, impatiently waiting for the Next Thing to happen. And then one day he's approached by Amanda, an attractive young law student and one of the last members of the Manahata, the Native American tribe who sold Manhattan Island to the Dutch almost four hundred years ago. She's spent years on the trail of a lost document that supposedly gave ownership of Manhattan to a seventeenth-century benefactor and all his descendants. She believes Jason's the last of this line...and therefore heir to the island of Manhattan and everything on it. If they can find the deed, that is. Jason's skeptical...but enchanted enough to play along. If Jason and Amanda can indeed locate the deed, the consequences will be tremendous and far reaching: grave for millions of landowners and mortal for every title insurance company on the Eastern seaboard. There are literally billions at stake, and when a dysfunctional New York City crime family looking for a big break picks up the scent, it places Jason's streak of surviving near-death experiences in peril. Informed by Blanchard's gift for dead-on observation and pitch-perfect ear for dialogue, The Deed heralds the arrival of a fresh comic voice in contemporary literary fiction.
