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Author: Søren Kaspersen
Publisher: Museum Tusculanum Press
Published: 2006
Total Pages: 180
ISBN-13: 9788763501330
DOWNLOAD EBOOKOxbow says: The six essays featured in this study originated as papers given at the 36th International Congress of Medieval Studies at Kalamazoo. The contributors survey the ornate altars produced from the early 8th to 13th century in Europe, with specific examples taken from Italy, Germany and Scandinavia.
Author: Hoyt L. Hickman
Publisher: Abingdon Press
Published: 2011-07-01
Total Pages: 63
ISBN-13: 1426730691
DOWNLOAD EBOOKThis basic, fully illustrated manual for congregational leaders explains how to prepare the sanctuary and its furnishings for the celebration of worship and sacraments throughout the Christian year. This practical, informative guide is an indispensable companion for worship committees, altar guilds, or individuals whose responsible for these vital tasks in their church. United Methodist Altars includes: care, cleaning, and storage instructions for all vestments and appointments; a calendar of the Christian year, with appropriate colors for each season; responsibilities and suggested organizational structure for the altar guild; an explanation of the history and meaning of worship furnishings; preparation instructions for the various United Methodist services; and, a glossary.
Author: Catholic Church
Publisher: USCCB Publishing
Published: 2003
Total Pages: 172
ISBN-13: 9781574555431
DOWNLOAD EBOOKFrom USCCB Publishing, this revision of the General Instruction of the Roman Missal (GIRM) seeks to promote more conscious, active, and full participation of the faithful in the mystery of the Eucharist. While the Missale Romanum contains the rite and prayers for Mass, the GIRM provides specific detail about each element of the Order of Mass as well as other information related to the Mass.
Author: HarrietM.Sonnede Torrens
Publisher: Routledge
Published: 2017-07-05
Total Pages: 447
ISBN-13: 1351539647
DOWNLOAD EBOOKUnder the guidance of the leading experts on baptismal fonts and the co-directors of the Baptisteria Sacra Index, the world?s only iconographical inventory of baptismal fonts, a research project at the University of Toronto, this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. The ?visual? is privileged, whether it is in the metaphysical, literary or empirical realms of scholarship, offering a rich understanding of the powerful role of baptism played in medieval and renaissance society. In the quest for a holistic understanding of the vessels, the settings and contexts, the rituals and the spiritual significance of the font, itself, the contributors have turned to a range of sources, folkloric tales, baptismal records, liturgical sermons, civic records, literary accounts, hagiographies and historical documents about local families, communities and ecclesiastical developments. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives, using primarily ecclesiastical and liturgical documentation. This collection of essays shows the wealth of new information that baptismal fonts can offer when scholars adopt interdisciplinary approaches and engage in readings that question traditional assumptions inherited in scholarship.
Author: Jelena Bogdanović
Publisher: Routledge
Published: 2021-07-26
Total Pages: 458
ISBN-13: 1000410846
DOWNLOAD EBOOKIcons of Space: Advances in Hierotopy brings together important scholars of Byzantine religion, art, and architecture, to honour the work of renowned art historian Alexei Lidov. As well as his numerous publications, Lidov is well known for developing the concept of hierotopy, an innovative approach for studying the creation of sacred spaces. Hierotopy and the related concepts of ‘spatial icons’ and ‘image-paradigms’ emphasize fundamental questions about icons, including what defines them as structures, spaces, and experiences. Chapters in this volume engage with the overarching theme of icons of space by employing, contrasting, and complementing methods of hierotopy with more traditional approaches such as iconography. Examinations of icons have traditionally been positioned within strictly historical, theological, socio-economic, political, and art history domains, but this volume poses epistemological questions about the creation of sacred spaces that are instead inclusive of multi-layered iconic ideas and the lived experiences of the creators and beholders of such spaces. This book contributes to image theory and theories of architecture and sacred space. Simultaneously, it moves beyond colonial studies that predominantly focus on questions of religion and politics as expressions of privileged knowledge and power. This book will appeal to scholars and students of Byzantine history, as well as those interested in hierotopy and art history.
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Published: 1882
Total Pages: 614
ISBN-13:
DOWNLOAD EBOOKAuthor: Massimo Mastrogregori
Publisher: Walter de Gruyter
Published: 2010-12-13
Total Pages: 393
ISBN-13: 3110231409
DOWNLOAD EBOOKAnnually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, andwithin this classificationalphabetically. The bibliography contains a geographical index and indexes of persons and authors.
Author: Donna L. Sadler
Publisher: BRILL
Published: 2018-03-06
Total Pages: 271
ISBN-13: 9004364374
DOWNLOAD EBOOKIn Touching the Passion — Seeing Late Medieval Altarpieces through the Eyes of Faith, Donna Sadler explores the manner in which worshipers responded to the carved and polychromed retables adorning the altars of their parish churches. Framed by the symbolic death of Christ re-enacted during the Mass, the historical account of the Passion on the retable situated Christ’s suffering and triumph over death in the present. The dramatic gestures, contemporary garb, and wealth of anecdotal detail on the altarpiece, invited the viewer’s absorption in the narrative. As in the Imitatio Christi, the worshiper imaginatively projected himself into the story like a child before a dollhouse. The five senses, the sculptural medium, the small scale, and the rhetoric of memory foster this immersion.
Author: Bissera V
Publisher: Penn State Press
Published:
Total Pages: 346
ISBN-13: 0271035846
DOWNLOAD EBOOK"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Author: Henning Laugerud
Publisher: Aarhus Universitetsforlag
Published: 2015-06-30
Total Pages: 480
ISBN-13: 8771840656
DOWNLOAD EBOOKThe Saturated Sensorium is a book about the senses and their media in the Middle Ages: a book about what it meant to sense and perceive something. The book highlights the integrated and unified nature of medieval senses and media. It discusses the inter- and multi-mediality of cultic and cultural artefacts as well as the sensorial and inter-sensorial dimensions of a wide array of cultural concepts and practices within medieval religion, art, archaeology, architecture, literature, music, food, social life, ritual, devotion, cognition, and memory. These domains of sensory and media history are dealt with, not as isolated anthology articles in only loose connection with one another, but as coordinate and comparative chapters of a coherent book each covering a principal branch of the cultural history of the medieval senses. Across a number of academic disciplines, specialists address the interdisciplinary and compound character of visus (sight), auditus (hearing), tactus (touch), olfactus (smell) and gustus (taste), showing that there was far more to the senses and to sense experience than these five classical Aristotelian categories might suggest. A plentiful variety of sensory modes interacted, crossed, and permeated each other in mutually entangled and braided ways. The saturated sensorium nurtured the sacred and secular practices of mediation, representation, and consumption; the embodied and mental concepts of sanctity, memory, and imagery; the physical and spiritual spaces of environment, cult, and burial; the material and visual culture of sacraments, sensation, and incarnation.
