When the mouse-ship carrying Joseph the Bellmaker and his daughter Mariel runs afoul of a pirate rat king, they are mercilessly tossed overboard. Washed ashore and certain that her father is dead, Mariel vowsrevenge.
First published in 1992, this Sourcebook is a basic working tool for all those concerned with children’s reading. It will help librarians and teachers to select a comprehensive stock of children’s’ fiction for their institutions.The authors in the sourcebook have been selected on the grounds of importance, popularity and current availability. Author entries are arranged in alphabetical order and indexes provided by title, series, age-range and genre. Each entry consists of some background information, and evaluative comment on style of the book, a list of the authors books with publisher, date and price, and literary agent where applicable. There is a suggestion of similar authors, sequels, related series and reader age range.
At the close of the nineteenth century, American youths developed a growing interest in electricity and its applications, machines, and gadgetry. When authors and publishers recognized the extent of this interest in technology, they sought to create reading materials that would meet this market need. The result was science fiction written especially for young adults. While critics tended to neglect young adult science fiction for decades, they gradually came to recognize its practical and cultural value. Science fiction inspired many young adults to study science and engineering and helped foster technological innovation. At the same time, these works also explored cultural and social concerns more commonly associated with serious literature. Nor was young adult science fiction a peculiarly American phenomenon: authors in other countries likewise wrote science fiction for young adult readers. This book examines young adult science fiction in the U.S. and several other countries and explores issues central to the genre. The first part of the book treats the larger contexts of young adult science fiction and includes chapters on its history and development. Included are discussions of science fiction for young adults in the U.S. and in Canada, Great Britain, Germany, and Australia. These chapters are written by expert contributors and chart the history of young adult science fiction from the nineteenth century to the present. The second section of the book considers topics of special interest to young adult science fiction. Some of the chapters look at particular forms and expressions of science fiction, such as films and comic books. Others treat particular topics, such as the portrayal of women in Robert Heinlein's works and representations of war in young adult science fiction. Yet another chapter studies the young adult science fiction novel as a coming-of-age story and thus helps distinguish the genre from science fiction written for adult readers. All chapters reflect current research, and the volume concludes with extensive bibliographies.
This new volume of the Literary History of Canada covers the continuing development of English-Canadian writing from 1972 to 1984. As with the three earlier volumes, this book is an invaluable guide to recent developments in English-Canadian literature and a resource for both the general reader and the specialist researcher. The contributors to this volume are Laurie Ricou, David Jackel, Linda Hutcheon, Philip Stratford, Barry Cameron, Balachandra Rajan, Robert Fothergill, Brian Parker, Cynthia Zimmerman, Frances Frazer, Edith Fowke, Bruce G. Trigger, Alan C. Cairns, Douglas Williams, Carl Berger, Shirley Neuman, Raymond S. Corteen, and Francess G. Halpenny.
This study introduces the history, themes, and critical responses to Canadian fantastic literature. Taking a chronological approach, this volume covers the main periods of Canadian science fiction and fantasy from the early nineteenth century to the first decades of the twenty-first century. The book examines both the texts and the contexts of Canadian writing in the fantastic, analyzing themes and techniques in novels and short stories, and looking at both national and international contexts of the literature’s history. This introduction will offer a coherent narrative of Canadian fantastic literature through analysis of the major texts and authors in the field and through relating the authors’ work to the world around them.
Indexes, covers and tables of contents of Paperback Inferno (issues 43-97, 1983-1992), the paperback reviews journal of the British Science Fiction Association (BSFA). As well as complete tables of contents of all these issues, this book includes indexes to every book and magazine reviewed, every cover artist, and every letter writer, along with summary statistics of the issues.
The Colloghi Conspiracy continues the adventures of Del Curb, begun in Fraxilly Fracas. This time the self-styled hero is troubled by a frozen astronaut, a media star called Highlight Heart-throb, and the treacherous nature of the planet Colloghi.
A raw hatred of ColSec burned in Cord. Hatred for the huge, world-dominating organization which had callously bundled Cord and a group of drop-out kids into a defective spacecraft and launched them out to live or die on a wild planet. Luckily, cord and one of his new companions were able to crash-land their shuttle. But then the fight for survival was on - and some of the dangers they were to face had travelled there with them...
The Edge - the farthest solar system of the civilized galaxy. Its one inhabitable planet, Tallyra, is unconventional, ungovernable an teeming with crooks - and it's where young Jaxie Cade heads when he breaks jail with stolen information that could lead him to the fabled Phantom Planet, the dream of every Edge-worlder... But trouble is right behind Cade: trouble from the alien Occians, from whom Cade stole the information; and from Raishe - a bounty-hunter and combat-ace determined to drag Cade back to prison. And that's before the Commonwealth Intelligence Agency turns up - or the evil, mysterious criminal, Acs, takes a hand...