It’s all-out war! Slade Wilson attacks the island stronghold controlled by the mercenary army called “the Dead Bastards,” while his one-time comrade Victor Ruiz leads a lethal strike group from the League of Assassins. But in order to protect his children, Rose and Jericho, Slade may be forced to battle Ra’s al Ghul…to the last killer standing. Will this be the end of Deathstroke?
Slade Wilson is the world’s deadliest assassin. His reputation doesn’t just precede him, it’s his most important asset. So when Slade is betrayed by his trusted friend and handler and left for dead, the world thinks Deathstroke has finally been terminated. Slade’s most valuable possession has been taken from him. Now, the world’s deadliest assassin has awoken with a completely different face and a completely new mission: find the man who arranged for his death, and who is building an army that will threaten every nation on Earth. Find Odysseus. But as Slade hunts Odysseus, Odysseus hunts the one man who will unlock his ultimate power and ultimate victory. And all three have one thing in common-a shared history that could destroy Deathstroke’s new life before he even has a chance to build it! Writer/artist Tony Daniel (DETECTIVE COMICS) carves a new path for the DC Universe’s deadliest killer…and newest hero? DEATHSTROKE: GODS OF WAR collects issues #1-6.
"Nobody defeats Deathstroke. Slade Wilson has killed a Titan, held his own against the God of War and gone punch for punch with Superman and lived to tell the tale. But someone has found the one chink in Deathstroke's armor... Now his daughter, Rose, has gone missing, taken by none other than Harley Quinn. Harley intends to force Slade to make good on an old promise, and her ultimatum is simple: to find his daughter, he'll have to kill Amanda Waller, head of the Suicide Squad and Harley's jailor. But how far can anyone trust the unbalanced Harley? When Deathstroke's intel pits him against everyone from Lex Luthor's army of Bizarros to Red Hood, it's clear that there's more to this puzzle than meets the eye. Deathstroke wants answers, but more importantly, he wants his daughter back. And he's not about to let anyone stand in his way! Writers James Bonny (THE SAVAGE HAWKMAN) and Tony S. Daniel (DETECTIVE COMICS) and artists Tyler Kirkham (TEEN TITANS) and Paolo Pantalena (RED HOOD/ARSENAL) set Deathstroke on his most important mission yet in DEATHSTROKE VOL. 3: SUICIDE RUN!"--
DEATHSTROKEÕS LAST STAND! Slade Wilson, the unstoppable mercenary known as Deathstoke, has left more than his fair share of bodies in his wake. And now one of them has come back to return the favor. Five years ago, Deathstroke left his former partner Wardell Chambers for dead on a contract gone wrong in Kahndaq. Now calling himself Lawman, Chambers has returned, this time with the power to bend minds to his will, manipulating everyone around Slade in an elaborate game of deception in order to exact his revenge. With the lives of his children, Rose and Jericho, at stake, Slade is forced to form an alliance with the last person he ever thought possible-none other than RaÕs al Ghul, leader of the League of Assassins. But RaÕs al Ghul never makes a move without an ulterior motiveÉ Caught between the League of Assassins on one side and an army of mercenaries led by Lawman on the other, thereÕs only one question left for Deathstroke to answer: Who will be the last killer standing? From writer James Bonny (THE SAVAGE HAWKMAN) and artists Tyler Kirkham (TEEN TITANS) and Paolo Pantalena (RED HOOD/ARSENAL), DEATHSTROKE VOL. 4: FAMILY BUSINESS brings the baddest villains in the DC Universe to the ultimate showdown! Also including DEATHSTROKE ANNUAL #2 by GREEN ARROW scribe Phil Hester, this volume collects issues #17-20 and a special preview of DEATHSTROKE: REBIRTH #1!
The worldÕs deadliest assassin faces the fight of his life. If it can be killed, Slade Wilson, a.k.a. Deathstroke the Terminator, assassin for hire, will find a way to kill it. At least, thatÕs what he tells his employers. But this next contract may be too much for even Deathstroke to handle. SladeÕs newest assignment comes from Hephaestus himself, armorer to the gods of Olympus. In order to reach his target Lapetus, the imprisoned god of mortality, Slade will have to travel through the gates of Tartarus on the Amazon homeland of Themyscira. To protect her home and fellow Amazons, Wonder Woman will do whatever it takes to stop Slade on his foolÕs errand, and Superman is right by her side. With the Man of Steel, the God of War and an army of the undead out for his blood, this final fight might just be a dead end for Deathstroke! DEATHSTROKE VOL. 2: GOD KILLER joins acclaimed writer and artist Tony S. Daniel (DETECTIVE COMICS), along with writer James Bonny (THE SAVAGE HAWKMAN) and artists including Tyler Kirkham (TEEN TITANS) and Sandu Florea (BATMAN). Collects DEATHSTROKE #7-10, ANNUAL #1 and DC SNEAK PEAK: DEATHSTROKE #1.
Slade Wilson once ranked as the world's greatest mercenary. But when his reputation starts to slip, and when a mysterious briefcase enters the equation, the man known as Deathstroke decides to carve a bloody, gory swatch across the DCU in a quest to show the world what exactly makes him the best.
The World's Deadliest Assassin's new era continues in DEATHSTROKE VOL. 4, as part of DC Rebirth! With a thousand enemies and a thousand kills, Slade Wilson, a.k.a. Deathstroke, is the world's greatest assassin. His genetically enhanced strength, reflexes, healing and intellect--plus his ruthless dedication to his work--have made him one of the most feared people on the planet. Written by Christopher Priest (BLACK PANTHER), this game-changing volume collects DEATHSTROKE #21-25.
This collection of new essays focuses on The CW network's hit television series Arrow--based on DC Comic's Green Arrow--and its spin-offs The Flash, DC's Legends of Tomorrow and Supergirl. Comic book adaptations have been big business for film studios since Superman (1978) and in recent years have dominated at the box office--five of the 11 highest grossing films of 2016 were adapted from comics. Superheroes have battled across the small screen for considerably longer, beginning with The Adventures of Superman (1952-1958), though with mixed results. The contributors explore the reasons behind Arrow's success, its representation of bodies, its portrayal of women, its shifting political ideologies, and audience reception and influence on storylines.
