In addition to the writer's 1624 collection of meditations, debates with God, and prayers on the human condition-particularly earthly physical sickness and health-this volume contains the 1631 work "Death's Duel," a sermon said to be his own funeral oration, which he preached shortly before his own death. Readers of 17th-century literature, religious devotionals, and ponderers of human mortality are sure to find something profound in this fascinating, famous work. British metaphysical poet JOHN DONNE (1572-1631), renowned for his satires on English society, wrote this prose work in the latter part of his life, after he became an Anglican priest.
This authoritative edition was formerly published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Donne's poetry and prose - all the major poems, complemented by rarely published letters and extracts from Donne'ssermons - to give the essence of his work and thinking. John Donne (1572-1631) is today celebrated as one of the greatest of the metaphysical poets, whose verse was daringly original and whose use of imagery and conceits marked a new, intellectual approach to poetry. His Satires, Elegies, and Songs and Sonnets, which contain his most famous love poems,were complemented by his religious writing, both verse and prose. He was one of the most renowned preachers of his day, and this volume does equal justice to the full range of his work. In addition to nearly all his English poetry this volume includes over 130 extracts from Donne's sermons, aswell as the full text of his last sermon, 'Death's Duel'. A distinguishing feature of the selection is that the works are arranged in the chronological order of their composition.
Putting aside Roman gladiators and gun-slingers of the American Wild West, by the 19th century duelling had become the sole domain of nobility, military officers and gentleman, with rules added to make sure everything was conducted in a fair and professional manner. The word 'honour' became popular, because it was the reason why most men would challenge another to a duel. This book challenges that notion and asks whether it was really about honour at all, or was it more about arrogance or social standing? Over time kings, leaders and governments passed rules, decrees, edicts and laws banning the practice, but still it continued, even when the duellists knew that the punishment for taking part in such an event could be their own death. The last known duel with swords in France took place at a private residence just outside of Paris in 1967 between two politicians, Gaston Deferre and Rene Ribiere. It was ended after Ribiere, who was due to be married the following day, was twice cut on the arm by Gaston. The book also looks at some of the more humorous, unusual and least expected ways people found to conduct their duels, including throwing billiard balls at each other, duelling whilst sat on the backs of elephants, and two men who decided their differences should be settled half a mile up in the sky in hot air balloons. With more efforts to bring about an end to duelling, the upper classes of British society in particular still held on to the idea of being able to defend their honour, which saw many of them turn to pugilism as a way to sate their disputes, however ridiculous they might appear today.
In this case study of the Republic of Geneva, Jeffrey R. Watt convincingly argues the early modern era marked decisive change in the history of suicide. His analysis of criminal proceedings and death records shows that magistrates of the sixteenth and early seventeenth centuries often imposed penalties against the bodies and estates of those who took their lives. According to beliefs shared by theologian John Calvin, magistrates, and common folk, self-murder was caused by demon possession. Similar views and practices were found among both Protestants and Catholics throughout Reformation Europe. By contrast, in the late eighteenth century many philosophies defended the right to take one's life under certain circumstances; Geneva’s magistrates in effect decriminalized suicide; and even commoners blamed suicide on mental illness or personal reversals, not on satanic influences. Watt uses Geneva's uniquely rich and well-organized sources in this first study to provide reliable evidence on suicide rates for premodern Europe. He places his findings within a wide range of historical and sociological scholarship, and while suicide was rare through the seventeenth century, he shows that Geneva experienced an explosion in self-inflicted deaths after 1750. Quite simply, early modern Geneva witnessed nothing less than the birth of modern suicide both in attitudes toward it—thoroughly secularized, medicalized, and stripped of diabolical undertones—and the frequency of it.
A welcome dose of dark humor for these dark times, from acclaimed illustrator Cecilia Ruiz The Book of Extraordinary Deaths introduces readers to the bizarre demises of thinkers, writers, monarchs, artists, and notable nobodies throughout history. Beginning in the seventh century BC with the unusual death of Draco and journeying chronologically to the present day, Ruiz’s playfully sinister giftbook illustrates and describes the infamous deaths of these unfortunate souls. From stories of the hot-air balloon duel that claimed a Frenchman’s life to the fatal wardrobe malfunction of famed dancer Isadora Duncan, The Book of Extraordinary Deaths is a uniquely clever and gorgeously rendered meditation on life’s ironies and mysteries. With Ruiz’s witty descriptions and rich, captivating illustrations, her characters come to life on the page even as they shuffle off this mortal coil.
Seventeenth-Century English Literature associates evolving seventeenth-century English perspectives of maternal support to the ascent of the cutting edge country, particularly in the vicinity of 1603 and 1675. Maternal sustain increases new noticeable quality in the early current social creative ability at the exact minute when England experiences a noteworthy change in perspective-from the customary, dynastic body politic, composed by natural bonds, to the post-dynastic, present day country, included representative and full of feeling relations. The book likewise exhibits that moving early present day points of view on Judeo-Christian relations profoundly educate the period's interlocking reassessments of maternal support and the country, particularly on account of Milton. Encircled by an understanding that the very idea of what characterizes the human is regularly impacted by Renaissance and early present day messages, this book sets up the start of the scholarly improvement of the evil frame into an adapted shape in the seventeenth century. This advancement is fixated on characters and verse of four seventeenth-century journalists: the Satan character in John Milton's Paradise Lost and Paradise Regained, the Tempter in John Bunyan's Grace Abounding to the Chief of Sinners and Diabolus in Bunyan's The Holy War, the verse of John Wilmot, earl of Rochester, and Dorimant in George Etherege's Man of Mode.
"Cancer can kill: this fact makes it concrete. Still, it's a devious knave. Nearly every American will experience it up-close and all too personally, wondering why the billions of research dollars thrown at the word haven't exterminated it from the English language. Like a sapper diffusing a bomb, Jain unscrambles the emotional, bureaucratic, medical, and scientific tropes that create the thing we call cancer. Scientists debate even the most basic facts about the disease, while endlessly generated, disputed, population data produce the appearance of knowledge. Jain takes the vacuum at the center of cancer seriously and demonstrates the need to understand cancer as a set of relationships--economic, sentimental, medical, personal, ethical, institutional, statistical. Malignant analyzes the peculiar authority of the socio-sexual psychopathologies of body parts; the uneven effects of expertise and power; the potentially cancerous consequences of medical procedures such as IVF; the huge industrial investments that manifest themselves as bone-cold testing rooms; the legal mess of medical malpractice law; and the teeth-grittingly jovial efforts to smear makeup and wigs over the whole messy problem of bodies spiraling into pain and decay. Malignant examines the painful cognitive dissonances produced by the ways a culture that has relished dazzling success in every conceivable arena have twisted one of its staunchest failures into an economic triumph. The intractable foil to American achievement, cancer hands us -- on a silver platter and ready for Jain's incisively original dissection -- our sacrifice to the American Dream"--
