Addendum to the first edition of "Russian scams during Ukraine war" for "No-Shows No-Film during Ukraine war" : new true stories of Russian attempts at sentimental scams on the Internet, one year after the others during the conflict in Ukraine, when this time the victim plays dead.
24 postscripts for the addendum to the 1st edition of the book "Russian scams during Ukraine war on a dating website" entitled "Death of pseudo Ukrainian (Russian scammers during war)" complement of sequences from "No-Shows No-Film for Ukraine" ; full version in this Supplement to n° 19 "Singuliers" magazine – ISSN 0992-2881.
The Ukraine faced two very different kinds of health crises during the twentieth century. First, in the 1930s and 1940s, famine, war and political upheaval caused massive population losses. Previous evaluations of overall losses have given an idea of the scale of these catastrophes but do not distinguish between crisis mortality, birth shortfall and loss through emigration. Based on a painstaking work of reconstitution, this study is the first to provide a detailed estimation of the hecatomb in terms of number of deaths and life expectancy. The famine of 1933 was alone responsible for the deaths of 2.6 million Ukrainians and reduced male and female life expectancies to 7 and 11 years respectively. Once the crises of the 1930s and 1940s were over, the earlier trend in health resumed and mortality declined steadily until the 1960s. At this point, however, a new type of crisis appeared that caused a sustained reversal in the existing trends. Life expectancy for women stopped increasing altogether, while that for men began a relentless year on year regression. Notwithstanding the confusing picture created by the fluctuations of the 1980s and 1990s, the long-term trend is to further deterioration. To understand the factors involved, this study analyses in detail the combined effects of different causes of death at different ages.
Literary Politics in the Soviet Ukraine, 1917-1934 illuminates the flowering of Ukrainian literature in the 1920s and the subsequent purge of Soviet Ukrainian writers during the following Stalinist decade. Upon its original publication in 1956, George S. N. Luckyj's book won the praise of American and English critics, but was violently attacked by Soviet critics who labeled it a "slander on the Soviet Union." In the current political environment of glasnost, the book's findings have been acknowledged and supported by Soviet scholars. Moreover, this new critical corroboration has enabled the author to discover that the 1930s purge was more brutal than was previously estimated. The new edition reissues Luckyj's critical work in light of current political developments and reflects the revision of previous findings. Luckyj originally drew on published Soviet sources and the important unpublished papers of a Soviet Ukrainian writer who defected to the West to describe how the brief literary revival in the Soviet Ukraine in the 1920s was abruptly halted by Communist Party controls. The present volume features a new preface, an additional chapter covering recent Soviet attitudes toward the literature of the 1920s and 1930s, and an updated bibliography.
"I thought I was done with "No-Shows No-Film for Ukraine", as well as with the Russian scammers who unwittingly allowed this feature film project to be completed, when I received a new email..."
By writing of Ukrainian national identity from a woman-centered perspective, female authors from the last Soviet generation established themselves as authoritative critics of their culture and paved the way to visibility and success for their younger female literary peers.
Exploring the ways in which language and conflict are intertwined and interrelated, this volume examines the patterns of public discourse in Ukraine and Russia since the beginning of the Ukrainian Crisis in 2014. It investigates the trends in language aggression, evaluation, persuasion and other elements of conflict communication related to the situation. Through the analysis of the linguistic features of salient discourses and prevalent narratives constructed by different social groups, Language of Conflict reflects competing worldviews of various stakeholders in this conflict and presents multiple, often contradictory, visions of the circumstances. Contributors from Ukraine, Russia and beyond investigate discursive representations of the most important aspects of the crisis: its causes and goals, participants and the values and ideologies of the opposing factions. They focus on categorization, stance, framing, (de)legitimation, manipulation and coping strategies while analysing the ways in which the stress produced by social discord, economic hardship, and violence shapes public discourse. Primarily focusing on informal communication and material gathered from online sources, the collection provides insight into the ways people directly affected by the crisis think about and respond to it. The volume acknowledges the communicators' active role in constructing the (often incompatible) discursive images of the conflict and concentrates on the conscious and strategic use of linguistic resources in negative and aggressive communication.
Unsettled Remains: Canadian Literature and the Postcolonial Gothic examines how Canadian writers have combined a postcolonial awareness with gothic metaphors of monstrosity and haunting in their response to Canadian history. The essays gathered here range from treatments of early postcolonial gothic expression in Canadian literature to attempts to define a Canadian postcolonial gothic mode. Many of these texts wrestle with Canada’s colonial past and with the voices and histories that were repressed in the push for national consolidation but emerge now as uncanny reminders of that contentious history. The haunting effect can be unsettling and enabling at the same time. In recent years, many Canadian authors have turned to the gothic to challenge dominant literary, political, and social narratives. In Canadian literature, the “postcolonial gothic” has been put to multiple uses, above all to figure experiences of ambivalence that have emerged from a colonial context and persisted into the present. As these essays demonstrate, formulations of a Canadian postcolonial gothic differ radically from one another, depending on the social and cultural positioning of who is positing it. Given the preponderance, in colonial discourse, of accounts that demonize otherness, it is not surprising that many minority writers have avoided gothic metaphors. In recent years, however, minority authors have shown an interest in the gothic, signalling an emerging critical discourse. This “spectral turn” sees minority writers reversing long-standing characterizations of their identity as “monstrous” or invisible in order to show their connections to and disconnection from stories of the nation.
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day.The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular bring out trans-historical features that contribute to the notion of a national literature. The volume's time-range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation.
"The bitter separation of Ukraine's Orthodox churches is a microcosm of its societal strife. From 1917 onward, church leaders failed to agree on the church's mission in the twentieth century. The core issues of dispute were establishing independence from the Russian church and adopting Ukrainian as the language of worship. Decades of polemical exchanges and public statements by leaders of the separated churches contributed to the formation of their distinct identities and sharpened the friction amongst their respective supporters. In The Orthodox Church in Ukraine, Nicholas Denysenko provides a balanced and comprehensive analysis of this history from the early twentieth century to the present. Based on extensive archival research, Denysenko's study examines the dynamics of church and state that complicate attempts to restore an authentic Ukrainian religious identity in the contemporary Orthodox churches. An enhanced understanding of these separate identities and how they were forged could prove to be an important tool for resolving contemporary religious differences and revising ecclesial policies. This important study will be of interest to historians of the church, specialists of former Soviet countries, and general readers interested in the history of the Orthodox Church"--Publisher's website.