Selenium, essential in microscopic doses, can be deadly in larger amounts. Death in the Marsh explains how federal irrigation projects have altered selenium's circulation in the environment, allowing it to accumulate in marshes, killing ecosystems and wildlife, and causing deformities in some animals.
"At low tide, the wind blowing across Spartina grass sounds like wind of the prairie. When the tide is in, the gentle music of moving water is added to the prairie rustle.... " One of nature's greatest gifts is the string of salt marshes that edges the East Coast from Newfoundland to Florida -- a ribbon of green growth, part solid land, part scurrying water. Life and Death of the Salt Marsh shows how these marshes are developed, what kinds of life inhabit them, how enormously they have contributed to man, and how ruthlessly man is destroying them.
A high-society homicide is the talk of the London season . . .“Marsh’s writing is a pleasure.” —The Seattle Times It’s debutante season in London, and that means giggles and tea-dances, white dresses and inappropriate romances . . ..and much too much champagne. And, apparently, a blackmailer, which is where Inspector Roderick Alleyn comes in. The social whirl is decidedly not Alleyn’s environment, so he brings in an assistant in the form of Lord “Bunchy” Gospell, everybody’s favorite uncle. Bunchy is more than lovable; he’s also got some serious sleuthing skills. But before he can unmask the blackmailer, a murder is announced. And everyone suddenly stops giggling . . . “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “[Her] writing style and vivid characters and settings made her a mystery novelist of world renown.” —The New York Times
Discrediting 'mystical' or 'psychical' interpretations of out-of-body and near-death experiences, Michael Marsh demonstrates how these phenomena are explicable in terms of brain neurophysiology and its neuropathological disturbances, and discusses the theological and philosophical implications of his hypotheses.
A local busybody is silenced for good in this tale by “a peerless practitioner of the slightly surreal, English-village comedy-mystery” (Kirkus Reviews). In their Dorset village, neither Miss Campanula nor her friend Miss Prentice are known as lovable little old ladies. They’re waspish, gossiping snobby little old ladies, passionate only about their amateur theatrical productions, their narrowly defined opinions about how everyone else should behave . . ..and, perhaps, about the local vicar. But could one of them have been sufficiently unpleasant to provoke a murderer? For Miss Campanula has perished on her piano bench—and it’s unclear whether Miss Prentice may have been the actual intended victim . . . “A goodie.” —Kirkus Reviews “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “In her ironic and witty hands the mystery novel can be civilized literature.” —The New York Times
A New York Times Bestseller Shortlisted for both the Guardian First Book Prize and the Costa Book Award Longlisted for the Samuel Johnson Prize for Non-Fiction A Finalist for the Pol Roger Duff Cooper Prize A Finalist for the Wellcome Book Prize A Financial Times Best Book of the Year An Economist Best Book of the Year A Washington Post Notable Book of the Year What is it like to be a brain surgeon? How does it feel to hold someone's life in your hands, to cut into the stuff that creates thought, feeling, and reason? How do you live with the consequences of performing a potentially lifesaving operation when it all goes wrong? In neurosurgery, more than in any other branch of medicine, the doctor's oath to "do no harm" holds a bitter irony. Operations on the brain carry grave risks. Every day, leading neurosurgeon Henry Marsh must make agonizing decisions, often in the face of great urgency and uncertainty. If you believe that brain surgery is a precise and exquisite craft, practiced by calm and detached doctors, this gripping, brutally honest account will make you think again. With astonishing compassion and candor, Marsh reveals the fierce joy of operating, the profoundly moving triumphs, the harrowing disasters, the haunting regrets, and the moments of black humor that characterize a brain surgeon's life. Do No Harm provides unforgettable insight into the countless human dramas that take place in a busy modern hospital. Above all, it is a lesson in the need for hope when faced with life's most difficult decisions.
The inspector digs into a cold case on a New Zealand sheep farm in this “well-sustained crime story” from the Mystery Writers of America Grand Master (Kirkus Reviews). Flossie Rubrick, a highly opinionated and influential member of the New Zealand Parliament, was last seen heading off to one of the storage sheds on her sheep farm. Three weeks later, she turned up dead and packed in a bale of her own wool. What happened on the night of her long-ago disappearance? In the country on counterespionage duty, Inspector Roderick Alleyn is happy to lend a hand. “The doyenne of traditional mystery writers.” —The New York Times
This tale of murder at a snowed-in country house is a “constant puzzle to the end . . . alive with wit” (The New York Times). The unspeakably wealthy (and generally unspeakable) Jonathan Royal has decided to throw a party and, just for fun, has studded the guest list with people who loathe one another. When a blizzard imprisons them all in Royal’s country house, murder ensues, and there are nearly as many suspects as there are potential victims. Eventually, Inspector Alleyn makes his way through the snow to put things right, in this classic whodunit by the Mystery Writers of America Grand Master. “A smooth yarn.” —Kirkus Reviews (starred review)