From around 1650 until well into the nineteenth century, Frederik Ruysch enjoyed international fame as an anatomist. He owed his renown to a preparation method that greatly aided early-modern scientists in their exploration of the human body and transformed dissection from a messy business into a widely admired art. Ruysch’s anatomical collection was one of Amsterdam’s tourist attractions, for his embalmed bodies were astonishingly lifelike in appearance. The visitors who gazed with amazement at his preparations included the Russian tsar Peter the Great, who was so moved by the sight of an embalmed boy that he kneeled down to kiss him. The tsar later bought Ruysch’s entire collection and had all the specimens shipped to St Petersburg, where they still attract visitors from all over the world.
Masquerade, both literal and metaphorical, is now a central concept on many disciplines. This timely volume explores and revisits the role of disguise in constructing, expressing and representing marginalised identities, and in undermining easy distinctions between 'true' identity and artifice. The book is interdisciplinary in approach, spanning a diverse range of cultures and narrative voices. It provides provocative and nuanced ways of thinking about masquerade as a tool for construction, and a tool for critique. The essays interrogate such themes as: *mask and carnival *fetish fashion *stigma of illegitimacy *femininity as masquerade *lesbian masks *cross-dressing in Jewish folk theatre *the mask in seventeenth and eighteenth century London and nineteenth century France *the voice as mask.
"The authors demonstrate how U. S. nurses have worked throughout their history to restore patients to health, teach health promotion, and participate in disease preventing activities. Recounting those experiences in the nurses' own words, the authors bring that history to life, capturing nurses' thoughts and feelings during times of war, epidemics, and disasters as well as during their everyday work. The book fills a gap in the secondary literature on...the history of nursing that can be useful in these times of great social change. It is a “must read” for every nurse in the United States!" --Barbra Mann Wall, PhD, RN, FAAN; Director of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry; University of Virginia; From the Foreword For over four hundred years, a diverse array of nurses, nurses' aides, midwives, and public-minded citizens across the United States have attended to the healthcare of America’s equally diverse populations. Beginning in 1607 when the first Englishmen landed in Virginia, and concluding in 2016 when Flint, Michigan, was declared to be in a state of emergency, this expansive nursing history text for undergraduate and graduate nursing programs examines the history of the nursing profession to better understand how nursing became what it is today. Grounded in the premise that health care can and should be promoted in partnership with communities to provide quality care for all, this history analyzes the resilience and innovation of nurses who provided care for the most underprivileged populations, such as slaves on Southern plantations, immigrants in tenements in Manhattan's Lower East Side, and isolated populations in rural Kentucky. It takes into account issues of race, class, and gender and the influence of these factors on nurses and patients. Featuring nearly 300 photos, oral histories, and case examples from varied settings in the United States and beyond, the narrative discusses major medical advances, prominent leaders and grassroots movements in nursing, and ethical dilemmas that nurses faced with each change in the profession. Chapters include discussion questions for class sessions as well as a list of suggested readings. Key Features: Examines the history of nursing during the last four centuries Links challenges for nurses in the past to those of present-day nurses Includes oral histories, case examples, boxed highlights, call-outs, discussion questions, archival sites, and references Covers drugs, technological innovations, and scientific discovery in each era Demonstrates progression toward “A Culture of Health” as described by the Robert Wood Johnson Foundation.
A withering and witty examination of how the American legal system, burdened by complexity and untrammeled growth, fails Americans and threatens the rule of law itself, by the acclaimed author of A Generation of Sociopaths. Our trial courts conduct hardly any trials, our correctional systems do not correct, and the rise of mandated arbitration has ushered in a shadowy system of privatized "justice." Meanwhile, our legislators can't even follow their own rules for making rules, while the rule of law mutates into a perpetual state of emergency. The legal system is becoming an incomprehensible farce. How did this happen? In The Nonsense Factory, Bruce Cannon Gibney shows that over the past seventy years, the legal system has dangerously confused quantity with quality and might with legitimacy. As the law bloats into chaos, it staggers on only by excusing itself from the very commands it insists that we obey, leaving Americans at the mercy of arbitrary power. By examining the system as a whole, Gibney shows that the tragedies often portrayed as isolated mistakes or the work of bad actors -- police misconduct, prosecutorial overreach, and the outrages of imperial presidencies -- are really the inevitable consequences of law's descent into lawlessness. The first book to deliver a lucid, comprehensive overview of the entire legal system, from the grandeur of Constitutional theory to the squalid workings of Congress, The Nonsense Factory provides a deeply researched and witty examination of America's state of legal absurdity, concluding with sensible options for reform.
After his kingdom of Ruritania had been invaded by a score or more of imitators, Mr. Anthony Hope came back to England to sing of a man sans arms, whose victories are as remarkable, if not so renowned, as those of Rudolph Rassendyll. Alexander Quisante becomes a power in the house of commons and a ruler in that realm of finance known in London as "the city," all by the grace of a ready tongue, an adjustable conscience, and the stupidity of his fellow men. His equipment for a hero is very meager. In the first place he was "not quite a gentleman," not merely in the English acceptance of that term, but even in our more democratic diction. The fact that nothing was known of his antecedents beyond the rumor that his father had grown wine in Spain might be overlooked, but not the defects in his manners and morals. On public occasions and in regard to public audiences he possessed a tact and a power of understanding the feelings of his company which entirely and conspicuously failed him in private life. He was ill-bred, but he was not mean; he was a vaunter, but not a coward; he demanded adherence and did not beg alms. This was the attitude of his mind, so strongly contradicted by the cringing of his body and the wheedling of his tongue ...
British author Anthony Hope was a popular and prolific writer of action-adventure novels with strong romantic elements, but his talent as a creator of sharply drawn, unforgettable characters ranks his work head and shoulders above the cookie-cutter potboilers that crowd the genre. Quisante is a perfect example of this. In it, an ambitious young man born of a low station seeks to improve his lot in life by winning the hand of a moneyed socialite.
