Sheikh Nuruddin is a dervish at a Sarajevo monastery in the eighteenth century during the Turkish occupation. When his brother is arrested, he descends into the Kafkaesque world of the Turkish authorities in order to find out what has happened. As he does so, he begins to question his relations with society as a whole and, eventually, his life choices in general. Hugely successful when published in the 1960s, Death and the Dervish appears here in its first English translation.
The Fortress is one of the most significant and fascinating novels to come out of the former Yugoslavia. Ahmet Shabo returns home to eighteenth-century Sarajevo from the war in Russia, numbed by the death in battle or suicide of nearly his entire military unit. In time he overcomes the anguish of war, only to find that he has emerged a reflective and contemplative man in a society that does not value, and will not tolerate, the subversive implications of these qualities.
From the author of Homeland Elegies and Pulitzer Prize winner Disgraced, a stirring and explosive novel about an American Muslim family in Wisconsin struggling with faith and belonging in the pre-9/11 world. Hayat Shah is a young American in love for the first time. His normal life of school, baseball, and video games had previously been distinguished only by his Pakistani heritage and by the frequent chill between his parents, who fight over things he is too young to understand. Then Mina arrives, and everything changes. American Dervish is a brilliantly written, nuanced, and emotionally forceful look inside the interplay of religion and modern life.
Dervish Dust is the authorized biography of "cool cat" actor James Coburn, covering his career, romances, friendships, and spirituality. Thoroughly researched with unparalleled access to Coburn's friends and family, the book's foundation is his own words in the form of letters, poetry, journals, interviews, and his previously unpublished memoirs, recorded in the months before his passing. Dervish Dust details the life of a Hollywood legend that spanned huge changes in the entertainment and filmmaking industry. Coburn grew up in Compton after his family moved from Nebraska to California during the Great Depression. His acting career began with guest character roles in popular TV series such as The Twilight Zone, Bonanza, and Rawhide. In the 1960s Coburn was cast in supporting roles in such great pictures as The Magnificent Seven, Charade, and The Great Escape, and he became a leading man with the hit Our Man Flint. In 1999 Coburn won an Academy Award for his performance in Affliction. Younger viewers will recognize him as the voice of Henry Waternoose, the cranky boss in Monsters, Inc., and as Thunder Jack in Snow Dogs. An individualist and deeply thoughtful actor, Coburn speaks candidly about acting, show business, people he liked, and people he didn't, with many behind-the-scenes stories from his work, including beloved classics, intellectually challenging pieces, and less well-known projects. His films helped dismantle the notorious Production Code and usher in today's ratings system. Known for drum circles, playing the gong, and participating in LSD research, Coburn was New Age before it had a name. He brought his motto, Go Bravely On, with him each time he arrived on the set in the final years of his life, when he did some of his best work, garnering the admiration of a whole new generation of fans.
Thus Spake the Dervish explores the unfamiliar history of marginal Sufis, known as dervishes, in early modern and modern Central Asia over a period of 500 years. It draws on various sources (Persian chronicles and treatises, Turkic literature, Russian and French ethnography, the author’s fieldwork) to examine five successive cases, each of which corresponds to a time period, a specific socially marginal space, and a particular use of mystical language. Including an extensive selection of writings by dervishes, this book demonstrates the diversity and tenacity of Central Asian Sufism over a long period. Here translated into a Western language for the first time, the extracts from primary texts by marginal Sufis allow a rare insight into their world. The original French edition of this book, Ainsi parlait le dervice, was published by Editions du Cerf (Paris, France). Translated by Caroline Kraabel.
A mysterious chest is buried unopened. A wondrous caravan brings fortune to a simple cobbler. An outcast princess creates a new life in the wilderness. Some of the 78 tales in this remarkable book first appeared in print over a thousand years ago; others are medieval classics. Yet each has a special relevance for us at the dawn of the 21st century. All are told with Idries Shah's distinctive wit and grace and the author's own commentary notes. These are teaching stories in the Sufi tradition. Those who probe beyond the surface will find multiple meanings to challenge assumptions and foster new ways of thinking and perceiving. Tales of the Dervishes is essential reading for anyone interested in Sufi thought, the significance and history of tales, or simply superb entertainment.
I am called Jinian Footseer by some. By some, Jinian Star-Eye. And by some, the Wizard Jinian. One or two call me Dervish Daughter. On thinking it over, I decided I had been right all along. Everything I had told Peter was true. All the evidence pointed in one way and one way only. I felt as I had felt so long ago, travelling toward Bleer with Peter, when he put the clues to a mystery in my hands and asked me to make sense of it. Now, as then, all the pieces were in my hands, or my head. The great flitchhawk who had granted me a boon in Chimmerdong, and the d'bor wife, and the gobblemole. The story of Lite Star and the Daylight Bell. The Oracle. The Eesties. Yellow crystals and blue, separated by a thousand years of time. My illness in Chimmerdong, the diagnoses of Bartelmy of the Ban, the Dervish, my mother. All these. No matter how I turned them, there was no other explanation. Could anything be done?
