Deadly Sounds, Deadly Places

Deadly Sounds, Deadly Places

Author: Peter Dunbar-Hall

Publisher: UNSW Press

Published: 2004

Total Pages: 300

ISBN-13: 9780868406220

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A comprehensive book on contemporary Aboriginal music in Australia.


Music and Tourism

Music and Tourism

Author: Chris Gibson

Publisher: Channel View Publications

Published: 2005-01-01

Total Pages: 316

ISBN-13: 9781873150924

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Music and Tourism is the first book to comprehensively examine the links between travel and music. It combines contemporary and historical analysis of the economic and social impact of music tourism, with discussions of the cultural politics of authenticity and identity.


Festival Places

Festival Places

Author: Chris Gibson

Publisher: Channel View Publications

Published: 2011-01-25

Total Pages: 308

ISBN-13: 1845412095

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Festivals have burgeoned in rural areas, revitalising old traditions and inventing new reasons to celebrate. How do festivals contribute to tourism, community and a rural sense of belonging? What are their cultural, environmental and economic dimensions? This book answers such questions - featuring contributions from leading geographers, historians, anthropologists, tourism scholars and cultural researchers. It draws on a range of case studies: from the rustic charm of agricultural shows and family circuses to the effervescent festival of Elvis Presley impersonators in Parkes; from wildflower collecting to the cosmopolitan beats of ChillOut, Australia’s largest non-metropolitan gay and lesbian festival. Festivals as diverse as youth surfing carnivals, country music musters, Aboriginal gatherings in the remote Australian outback, Scottish highland gatherings and German Christmas celebrations are united in their emphasis on community, conviviality and fun.


Sound, Society and the Geography of Popular Music

Sound, Society and the Geography of Popular Music

Author: Dr Ola Johansson

Publisher: Ashgate Publishing, Ltd.

Published: 2012-11-28

Total Pages: 324

ISBN-13: 1409488365

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Popular music is a cultural form much rooted in space and place. This book interprets the meaning of music from a spatial perspective and, in doing so it furthers our understanding of broader social relations and trends, including identity, attachment to place, cultural economies, social activism and politics. The book's editors have brought together a team of scholars to discuss the latest innovative thinking on music and its geographies, illustrated with a fascinating range of case studies from the USA, Canada, the Caribbean, Australia and Great Britain.


Geographies of Muslim Identities

Geographies of Muslim Identities

Author: Peter Hopkins

Publisher: Routledge

Published: 2016-04-15

Total Pages: 219

ISBN-13: 131712913X

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In recent years, geographies of identities, including those of ethnicity, religion, 'race' and gender, have formed an increasing focus of contemporary human geography. The events of September 11th, 2001 particularly illustrated the ways in which identities can be transformed across time and space by both global and local events of a social, cultural, political and economic nature. Such transformations have also demonstrated the temporal and spatial construction of hate and fear, and of increasing incidences of 'Islamophobia' through the construction of Muslims as 'the Other'. As the social scientific study of religion continues to be marginalized within mainstream scholarship, there remains an important gap in the literature. This timely book addresses this gap by collecting a range of cutting-edge contributions from the social, cultural, political, historical and economic sub-disciplines of geography, together with writings from gender studies, cultural studies and leisure studies where research has revealed a strong spatial dimension to the construction, representation, contestation and reworking of Muslim identities. The contributors illustrate the ways in which such identities are constructed, represented, negotiated and contested in everyday life in a wide variety of international contexts, focusing upon issues connected with diaspora, gender and belonging.


The Spirit of Praise

The Spirit of Praise

Author: Monique M. Ingalls

Publisher: Penn State Press

Published: 2015-06-18

Total Pages: 286

ISBN-13: 0271070641

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In The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change. Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.


Creative Economies in Peripheral Regions

Creative Economies in Peripheral Regions

Author: Patrick Collins

Publisher: Springer

Published: 2017-07-11

Total Pages: 242

ISBN-13: 3319521659

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This is the first study to draw on international research carried out across four EU member states to add to the neglected area of the creative economy of peripheral regions. Economies are dynamic entities and subject to constant flux. Driven by changing tastes, new ways to make and disruptive innovations, new routes of economic development present themselves at ever increasing rates. This study is concerned with the rise of the creative economy. UNCTAD has marked the emergence of the creative economy across the globe and noted its resilience in the face of recent economic turmoil. Here, the authors intend to bring the level of analysis down to the regional and firm level by uncovering the extent of the creative economy in some of Europe’s most peripheral regions. This is the first study to draw on international research carried out across four EU member states to add to the neglected area of the creative economy of peripheral regions. The work contributes to expanding theory in the areas of economic geography, business studies and regional development.


Australian Indigenous Hip Hop

Australian Indigenous Hip Hop

Author: Chiara Minestrelli

Publisher: Taylor & Francis

Published: 2016-10-26

Total Pages: 263

ISBN-13: 1317217543

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This book investigates the discursive and performative strategies employed by Australian Indigenous rappers to make sense of the world and establish a position of authority over their identity and place in society. Focusing on the aesthetics, the language, and the performativity of Hip Hop, this book pays attention to the life stance, the philosophy, and the spiritual beliefs of Australian Indigenous Hip Hop artists as ‘glocal’ producers and consumers. With Hip Hop as its main point of analysis, the author investigates, interrogates, and challenges categories and preconceived ideas about the critical notions of authenticity, ‘Indigenous’ and dominant values, spiritual practices, and political activism. Maintaining the emphasis on the importance of adopting decolonizing research strategies, the author utilises qualitative and ethnographic methods of data collection, such as semi-structured interviews, informal conversations, participant observation, and fieldwork notes. Collaborators and participants shed light on some of the dynamics underlying their musical decisions and their view within discussions on representations of ‘Indigenous identity and politics’. Looking at the Indigenous rappers’ local and global aspirations, this study shows that, by counteracting hegemonic narratives through their unique stories, Indigenous rappers have utilised Hip Hop as an expressive means to empower themselves and their audiences, entertain, and revive their Elders’ culture in ways that are contextual to the society they live in.


The Ashgate Research Companion to Popular Musicology

The Ashgate Research Companion to Popular Musicology

Author: Derek B. Scott

Publisher: Routledge

Published: 2016-03-23

Total Pages: 614

ISBN-13: 1317041976

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The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars. The volume covers seven main themes: Film, Video and Multimedia; Technology and Studio Production; Gender and Sexuality; Identity and Ethnicity; Performance and Gesture; Reception and Scenes and The Music Industry and Globalization. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field.


Representing Hip Hop Histories, Politics and Practices in Australia

Representing Hip Hop Histories, Politics and Practices in Australia

Author: Sudiipta Dowsett

Publisher: Taylor & Francis

Published: 2024-09-23

Total Pages: 244

ISBN-13: 1040146031

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This long-awaited volume is the first edited collection to focus entirely on Hip Hop in Australia. Bringing together both scholarly and practitioner perspectives, across 11 chapters, contributors explore the diversity of identities, communities, practices, and expressions that make-up Hip Hop in Australia, including Emceeing/ music production, Graffiti and Breaking. The theoretical and methodological frameworks used include ethnographic and autoethnographic research and writing, discourse analysis, Indigenous methodologies, textual analysis and archival research. Some authors present their contributions in academic chapters, while others use creative formats. The book showcases how Hip Hop is understood and lived across numerous settings in Australia, making important contributions to global Hip Hop studies and scholarship in related fields such as popular music, youth culture and First Nations Studies. It will prove essential reading for students, academics, and practitioners interested in Hip Hop, social justice, popular culture, music and dance in Australia.