“Murder and jealousy wrapped in charm and wit, the novel is a delightful read!” Mistaken identities, romantic rivals, and a host of misunderstandings. The Harlow Brothers are back at Inglenook resort, and not just because Edward is missing his long-distance love, Claudia Inglenook. The former college linebacker turned ghost writer of the Aunt Civility etiquette books is the guest of honor at a charity fundraiser, where he'll appear as the allegedly agoraphobic Auntie's representative. As Edward's secretary, Nicholas is forced to tag along. His one hope for the weekend is the event will give Edward's declining book sales a boost. For the record, he despises Claudia. At the kickoff costume ball, one of the guests is found impaled with the sword from Edward's Zorro outfit, and as Nicholas scrambles to clear Edward's name, he comes up against suspects and motives he'd rather not reveal. Then he discovers a secret that could mean the end of Aunt Civility. Though Edward stands to lose everything, he and Nicholas push to find the truth, but when the killer targets those the real Aunt Civility loves, solving the mystery becomes a fight for survival.
The Pet Psychic meets The Harlow Brothers in this hysterical mystery romp. When Frankie Chandler and Detective Martin Bowers finally embark on their long-awaited honeymoon at the iconic Hotel del Coronado, their blissful escape is rudely interrupted by an unwelcome guest—a corpse on their cabana patio. This shocking turn of events catches the eye of brothers Edward and Nicholas Harlow, who are hiding out at the hotel to dodge some dangerous criminals with a vendetta against Nicholas. But hiding can be difficult for the popular author of the Aunt Civility etiquette series and his ever-present secretary. Neither pair are strangers to solving mysteries, but cracking this case won’t be a walk in the park. The Some Like It Hot convention is in full swing, filling the hotel with cross-dressing couples, real-life gangsters, and super fans with hidden agendas. Get ready for a whirlwind of mystery, mayhem, and madcap fun!
Volume 82- The Sword and the Trowel, Volume 3 Charles Spurgeon (19 June 1834 – 31 January 1892) is one of the church’s most famous preachers and Christianity’s foremost prolific writers. Called the “Prince of Preachers,” he was one of England's most notable ministers for most of the second half of the nineteenth century, and he still remains highly influential among Christians of different denominations today. His sermons have spread all over the world, and his many printed works have been cherished classics for decades. In his lifetime, Spurgeon preached to more than 10 million people, often up to ten times each week. He was the pastor of the congregation of the New Park Street Chapel (later the Metropolitan Tabernacle) in London for 38 years. He was an inexhaustible author of various kinds of works including sermons, commentaries, an autobiography, as well as books on prayer, devotionals, magazines, poetry, hymns and more. Spurgeon was known to produce powerful sermons of penetrating thought and divine inspiration, and his oratory and writing skills held his audiences spellbound. Many Christians have discovered Spurgeon's messages to be among the best in Christian literature. Edward Walford wrote in Old and New London: Volume 6 (1878) quoting an article from the Times regarding one of Spurgeon’s meetings at Surrey: “Fancy a congregation consisting of 10,000 souls, streaming into the hall, mounting the galleries, humming, buzzing, and swarming—a mighty hive of bees—eager to secure at first the best places, and, at last, any place at all. After waiting more than half an hour—for if you wish to have a seat you must be there at least that space of time in advance—Mr. Spurgeon ascended his tribune. To the hum, and rush, and trampling of men, succeeded a low, concentrated thrill and murmur of devotion, which seemed to run at once, like an electric current, through the breast of every one present, and by this magnetic chain the preacher held us fast bound for about two hours. It is not my purpose to give a summary of his discourse. It is enough to say of his voice, that its power and volume are sufficient to reach every one in that vast assembly; of his language, that it is neither high-flown nor homely; of his style, that it is at times familiar, at times declamatory, but always happy, and often eloquent; of his doctrine, that neither the 'Calvinist' nor the 'Baptist' appears in the forefront of the battle which is waged by Mr. Spurgeon with relentless animosity, and with Gospel weapons, against irreligion, cant, hypocrisy, pride, and those secret bosom-sins which so easily beset a man in daily life; and to sum up all in a word, it is enough to say of the man himself, that he impresses you with a perfect conviction of his sincerity.” More than a hundred years after his death, Charles Spurgeon’s legacy continues to effectively inspire the church around the world. For this reason, Delmarva Publications has chosen to publish the complete works of Charles Spurgeon.
“Deliciously devious and absolutely delightful, these marvelous stories will keep you captivated! Sweeter than sweet tea on the surface, but with smartly sinister secrets only a true southern writer can provide. What a joy to read!” —Hank Phillippi Ryan best-selling Agatha and Mary Higgins Clark Award winner This volume collects original tales by Frances Aylor, Mollie Cox Bryan, Lynn Cahoon, Judy Chalkey, Stacie Giles, Barb Goffman, Libby Hall, Bradley Harper, Sherry Harris, Maggie King, Kristin Kisska, Samatha McGraw, K.L. Murphy, Genille Swope Parente, Deb Rolfe, Rod Sterling, S.A. Warwick, and Heather Weidner.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
"This contextualizing of the imagination reveals two dimensions in the writer's discursive strategy: the ideological function of reconciling contradictions, and the utopian drive to subvert imperialist subjection via the invention of an egalitarian, resurgent Filipino community--the fulfillment of the dream of the 1896 Revolution. Joaquin's corpus is therefore as conflicted, as torn by the same contradictions as the body politic which his art seeks to mediate."--P. [4] of cover.
