When Kayla Dunn, photographer for the Dulany Paranormal Team, discovers a murdered girl in Carroll Creek, no one believes that there is any connection between the victim and the teams challenging assignment from the Frederick County Landmarks Foundation. As paranormal activities continue to increase in Fredericks heritage homes and buildings, it becomes apparent that the spirits have a message, which arrives in the form of a trompe loeil, a three-dimensional painting meaning to deceive the eye. Nick Nucci, the detective assigned to the murder case begins to work with the team after Kaylas photos reveal a live person lurking among the shadows belonging to the spirits. He is able to uncover a web of transgressions that point to secret business dealings reflecting misdeeds of long past. Because of the mixed history of slavery and abolition and the strategic location of Frederick, Maryland, during the Civil War, many residents fought and perished, carrying both guilt and passion into the afterlife. Now spirits of the past have returned to haunt the present, revealing a shocking secret worth killing for and to summon a reckoning in Frederick.
With this book—his most ambitious yet—Ken McGoogan delivers a vivid, comprehensive recasting of Arctic-exploration history. Dead Reckoning challenges the conventional narrative, which emerged out of Victorian England and focused almost exclusively on Royal Navy officers. By integrating non-British and fur-trade explorers and, above all, Canada’s indigenous peoples, this work brings the story of Arctic discovery into the twenty-first century. Orthodox history celebrates such naval figures as John Franklin, Edward Parry and James Clark Ross. Dead Reckoning tells their stories, but the book also encompasses such forgotten heroes as Thanadelthur, Akaitcho, Tattanoeuck, Ouligbuck, Tookoolito and Ebierbing, to name just a few. Without the assistance of the Inuit, Franklin’s recently discovered ships, Erebus and Terror, would still be lying undiscovered at the bottom of the polar sea. The book ranges from the sixteenth century to the present day, looks at climate change and the politics of the Northwest Passage, and recognizes the cultural diversity of a centuries-old quest. Informed by the author’s own voyages and researches in the Arctic, and illustrated throughout, Dead Reckoning is a colourful, multi-dimensional saga that demolishes myths, exposes pretenders and celebrates unsung heroes. For international readers, it sets out a new story of Arctic discovery. For Canadians, it brings that story home.
For the first moment Donnegan was not sure; it was not until there was a slight faltering in the deal--an infinitely small hesitation which only a practiced eye like that of Donnegan's could have noticed--that he was sure. The winner was crooked. Yet the hand was interesting for all that. He had done the master trick, not only giving himself the winning hand but also giving each of the others a fine set of cards.
On Sunday, June 22, 1941, the morning after Katusha's graduation, the Germans invade the Soviet Union. As enemy forces occupy Kiev, Ukraine, Katusha and her family learn the Nazis are not there to liberate them from harsh communist rule, but to conquer. They discover there is a special danger for the Jews, and in saving her friend Zhenya Gersteinfeld, Katusha finds her whole family in danger. During the next four years, Katusha experiences the war on the Eastern Front with all its ferocity and hardship: first as a partisan, then as a Red Army tank driver and commander. From Barbarossa to Babi Yar, from Stalingrad to Kursk, from the Dnipro to Berlin, follow the footprints and tanks tracks of Katusha's journey through a time of death, hopelessness, victory, glory, and even love. Seen through the eyes of a Ukrainian teenage girl, Katusha is both a coming-of-age story and a carefully researched account of one of the most turbulent and important periods of the twentieth century, where women served in the hundreds of thousands, and Russians died by the millions.
The New York Times-bestselling final book by the beloved, Pulitzer-Prize winning historian Tony Horwitz. With Spying on the South, the best-selling author of Confederates in the Attic returns to the South and the Civil War era for an epic adventure on the trail of America's greatest landscape architect. In the 1850s, the young Frederick Law Olmsted was adrift, a restless farmer and dreamer in search of a mission. He found it during an extraordinary journey, as an undercover correspondent in the South for the up-and-coming New York Times. For the Connecticut Yankee, pen name "Yeoman," the South was alien, often hostile territory. Yet Olmsted traveled for 14 months, by horseback, steamboat, and stagecoach, seeking dialogue and common ground. His vivid dispatches about the lives and beliefs of Southerners were revelatory for readers of his day, and Yeoman's remarkable trek also reshaped the American landscape, as Olmsted sought to reform his own society by creating democratic spaces for the uplift of all. The result: Central Park and Olmsted's career as America's first and foremost landscape architect. Tony Horwitz rediscovers Yeoman Olmsted amidst the discord and polarization of our own time. Is America still one country? In search of answers, and his own adventures, Horwitz follows Olmsted's tracks and often his mode of transport (including muleback): through Appalachia, down the Mississippi River, into bayou Louisiana, and across Texas to the contested Mexican borderland. Venturing far off beaten paths, Horwitz uncovers bracing vestiges and strange new mutations of the Cotton Kingdom. Horwitz's intrepid and often hilarious journey through an outsized American landscape is a masterpiece in the tradition of Great Plains, Bad Land, and the author's own classic, Confederates in the Attic.
NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation. An estiated 750,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be seven and a half million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief in a benevolent God. Throughout, the voices of soldiers and their families, of statesmen, generals, preachers, poets, surgeons, nurses, northerners and southerners come together to give us a vivid understanding of the Civil War's most fundamental and widely shared reality. With a new introduction by the author, and a new foreword by Mike Mullen, 17th Chairman of the Joint Chiefs of Staff.
Set amidst the tatters of post-Katrina Gulf Coast Mississippi, Waveland is a brilliantly observed portrait of our times from one of the most incisive novelists at work today. Partially retired architect Vaughn Williams does what he can to remain "viable." Battling the doldrums of midlife, he teaches an occasional class, reads the newspapers, scours the Internet, and thinks obsessively about his late father. When his ex-wife seeks refuge from her hotheaded boyfriend, Vaughn and his girlfriend, Greta, agree to let her move in, perhaps a little too cavalierly. Add in Vaughan’s annoyingly successful younger brother, who carries a torch for Vaughn’s ex-wife, and lingering suspicions about Greta’s involvement in her husband’s murder and the result is an emotionally resonant tale of mortality, love, regret, and redemption that only Barthelme could unwind.
Frederick Brown, cultural historian, author of acclaimed biographies of Émile Zola (“Magnificent”—The New Yorker) and Flaubert (“Splendid . . . Intellectually nuanced, exquisitely written”—The New Republic) now gives us an ambitious, far-reaching book—a perfect joining of subject and writer: a portrait of fin-de-siècle France. He writes about the forces that led up to the twilight years of the nineteenth century when France, defeated by Prussia in the Franco-Prussian War of 1870–71, was forced to cede the border states of Alsace and Lorraine, and of the resulting civil war, waged without restraint, that toppled Napoléon III, crushed the Paris Commune, and provoked a dangerous nationalism that gripped the Republic. The author describes how postwar France, a nation splintered in the face of humiliation by the foreigner—Prussia—dissolved into two cultural factions: moderates, proponents of a secular state (“Clericalism, there is the enemy!”), and reactionaries, who saw their ideal nation—militant, Catholic, royalist—embodied by Joan of Arc, with their message, that France had suffered its defeat in 1871 for having betrayed its true faith. A bitter debate took hold of the heart and soul of the country, framed by the vision of “science” and “technological advancement” versus “supernatural intervention.” Brown shows us how Paris’s most iconic monuments that rose up during those years bear witness to the passionate decades-long quarrel. At one end of Paris was Gustave Eiffel’s tower, built in iron and more than a thousand feet tall, the beacon of a forward-looking nation; at Paris’ other end, at the highest point in the city, the basilica of the Sacré-Coeur, atonement for the country’s sins and moral laxity whose punishment was France’s defeat in the war . . . Brown makes clear that the Dreyfus Affair—the cannonade of the 1890s—can only be understood in light of these converging forces. “The Affair” shaped the character of public debate and informed private life. At stake was the fate of a Republic born during the Franco-Prussian War and reared against bitter opposition. The losses that abounded during this time—the financial loss suffered by thousands in the crash of the Union Génerale, a bank founded in 1875 to promote Catholic interests with Catholic capital outside the Rothschilds’ sphere of influence, along with the failure of the Panama Canal Company—spurred the partisan press, which blamed both disasters on Jewry. The author writes how the roiling conflicts that began thirty years before Dreyfus did not end with his exoneration in 1900. Instead they became the festering point that led to France’s surrender to Hitler’s armies in 1940, when the Third Republic fell and the Vichy government replaced it, with Marshal Pétain heralded as the latest incarnation of Joan of Arc, France’s savior . . .
"In 1856 Ottilie Assing, an intrepid journalist who had left Germany after the failed revolution of 1848, traveled to Rochester, New York, to interview Frederick Douglass for a German newspaper. This encounter transformed the lives of both: they became intimate friends, they stayed together for twenty-eight years, and she translated his autobiography into German. Diedrich reveals in fascinating detail their shared intellectual and cultural interests and how they worked together on his abolitionist writings." "As is clear from letters and diaries, Douglass was enchanted with his vivacious companion but believed that any liaison with a white woman would be fatal to his political mission. Assing was keenly aware of his dilemma but certain he would marry her once his mission was fulfilled. She was bitterly disappointed: after his wife's death, Douglass did remarry - but he married another woman. Assing committed suicide, leaving her estate to Douglass."--Jacket.
Reconsidering Elizabeth Bowen’s Shorter Fiction: Dead Reckoning focuses on Elizabeth Bowen's representations of violence against the self and others. Heather Levy examines the complicity of landscape and the implications of mayhem, murder, and suicide in The Collected Stories of Elizabeth Bowen (2006) edited by Angus Wilson and The Bazaar and Other Stories (2008) edited by Alan Hepburn. It introduces five previously unpublished short story fragments and two nearly complete stories from The Elizabeth Bowen Collection at The Harry Ransom Research Center. Levy argues that Bowen's shorter fiction is a quixotic celebration of moral transgression, crime without punishment, and suicide without mourners. Bowen's compassionate response to offenders and violence anticipated the Perpetrator Trauma movement in the United States. Her innovations with the freedom of the short story produced an uncanny narration of violence. This book integrates the entirety of the scholarship on Bowen's short stories in a clear and original manner and offers a synthetic and compelling excavation of Bowen's unpublished short stories.
