The fourth installment in an internationally bestselling mystery series that takes readers into the dark side of Scotland—where crime and the supernatural collide The investigation of an on-camera murder places Inspector McLean in the path of an ancient evil, threatening everyone in his Edinburgh police squad . . . The murder/suicide of a prominent Scottish politician and his family brings Edinburgh-based Detective Inspector Tony McLean out to the countryside to investigate. The powers that be want a quick report and then to have the whole thing buried, but McLean believes there's more to the case than meets the eye. The more lies he uncovers, the more McLean comes to realize there is a connection between the influential politician and another case he’s working—the body of a man, stark naked and covered from head to toe in fresh tattoos, found in a river to the south of Edinburgh. But investigating the link between the two could have detrimental implications for his career, not to mention his life.
Edgar Award–winning author: “A cunning plot, a remarkably appealing hero, some uproariously funny dialogue . . . a winning combination.” —Booklist An ancient skeleton tossed in a garbage dump is the first conundrum to rattle Gideon Oliver when he arrives in Egypt. There to appear in a documentary film, he expects an undemanding week of movie star treatment and a luxurious cruise up the Nile with his wife, Julie. But when Gideon discovers a tantalizing secret in the discarded bones—and violence claims a famous Egyptologist’s life—he is thrust into a spotlight of a different kind. Plying his calipers as the world’s foremost forensic anthropologist, Gideon’s investigation of the goings‐on leads him through the back alleys and bazaars of Cairo and deep into the millennia‐old tombs of the Valley of the Kings. As the puzzle is painstakingly pieced together, Gideon will find that the identifying traits of a cunning killer are the same now as they were in the time of the pyramids: greed without guilt, lies without conscience . . . and murder without remorse. Dead Men’s Hearts is the 8th book in the Gideon Oliver Mysteries, but you may enjoy reading the series in any order.
WINNER OF THE NOBEL PRIZE IN LITERATURE "A brilliant literary murder mystery." —Chicago Tribune "Extraordinary. Tokarczuk's novel is funny, vivid, dangerous, and disturbing, and it raises some fierce questions about human behavior. My sincere admiration for her brilliant work." —Annie Proulx In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind . . . A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?
This is—for the first time—the full and unedited story behind the sick life and mysterious death of Jeffrey Epstein that is being called one of the most significant scandals in American history He was the billionaire financier and close confidant of presidents, prime ministers, movie stars and British royalty, the mysterious self-made man who rose from blue-collar Brooklyn to the heights of luxury. But while he was flying around the world on his private jet and hosting lavish parties at his private island in the Caribbean, he also was secretly masterminding an international child sex ring—one that may have involved the richest and most influential men in the world. The conspiracy of corruption was an open secret for decades. And then this summer, it all came crashing down. After his arrest on sex trafficking charges in July, it seemed Epstein’s darkest secrets would finally see the light. But hopes for true justice were shattered on August 10 this year, when he was found dead in his cell at the Metropolitan Correctional Center, New York. The verdict: suicide. The timing: convenient, to say the least. Now, Epstein: Dead Men Tell No Tales delivers bombshell new revelations, uncovers how the man President Trump once described as a “terrific guy” abused hundreds of underage girls at his mansions in Palm Beach and Manhattan… all while entertaining the world’s most powerful men—including President Clinton, Prince Andrew, and Donald Trump himself. How much did they know about his perversions? And did they take part? How might they have helped him to continue his abuse, and to escape justice for it? What responsibility might they have for his sudden, shocking death? And is there a shocking spy and blackmail story at the heart of the scandal? The answers to these questions and more will be explored in Epstein: Dead Men Tell No Tales with groundbreaking new reporting, never-before-seen court files, and interviews with new witnesses and confidants. Combining the very best investigative reporting from investigative journalists Dylan Howard, Melissa Cronin and James Robertson—who have been covering the case for close to a decade—will send shockwaves through the highest levels of the establishment.
When the necrons rise, a mining planet descends into a cauldron of war and the remorseless foes decimate the human defenders. Salvation comes in an unlikely form – the Death Korps of Kreig, a force as unfeeling as the Necrons themselves. When the two powers go to war, casualties are high and the magnitude of the destruction is unimaginable.
From a skeleton, a skull, a mere fragment of burnt thighbone, prominent forensic anthropologist Dr. William Maples can deduce the age, gender, and ethnicity of a murder victim, the manner in which the person was dispatched, and, ultimately, the identity of the killer. In Dead Men Do Tell Tales, Dr. Maples revisits his strangest, most interesting, and most horrific investigations, from the baffling cases of conquistador Francisco Pizarro and Vietnam MIAs to the mysterious deaths of President Zachary Taylor and the family of Czar Nicholas II.
From NEW YORK TIMES bestseller Lawrence Block. In Manhattan thirty-one men have been meeting annually for years. Their private club meets only to record the passage of time and give toast to the joys of life. But suddenly they are dying at an alarming rate and one of their number begins to suspect that something more than bad luck is at work. For private eye Matt Scudder, the case is one of the most baffling he's faced. Can the deaths really be a bizarre series of suicides and violent accidents? Or is there is a pattern behind the random play of tragedy? Is there a murderer at work and can he be stopped before the victims run out?
'...And then we heard the rain falling, and that was the drops of blood falling; and when we came to get the crops, it was dead men that we reaped.' Harriet TubmanIn five years, Jesmyn Ward lost five men in her life, to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: why? And as she began to write about the experience of living through all the dying, she realized the truth--and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own. Jesmyn grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue high education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity.
