Among the emerging generation of crime writers, none is as stylish and intelligent as Michael Dibdin, who, in Dead Lagoon, gives us a deliciously creepy new novel featuring the urbane and skeptical Aurelio Zen, a detective whose unenviable task it is to combat crime in a country where today's superiors may be tomorrow's defendants.Zen returns to his native Venice. He is searching for the ghostly tormentors of a half-demented contessa and a vanished American millionaire whose family is paying Zen under the table to determine his whereabouts-dead or alive. But he keeps stumbling over corpses that are distressingly concrete: from the crooked cop found drowned in one of the city's noisome "black wells" to a brand-new skeleton that surfaces on the Isle of the Dead. The result is a mystery rich in character and deduction, and intensely informed about the history, politics, and manners of its Venetian setting.
'A rollicking good tale.' INDEPENDENT 'A first-rate mystery.' WASHINGTON POST AN AURELIO ZEN MYSTERY Aurelio Zen returns to his native Venice in an unofficial capacity, to investigate the disappearance of an American millionaire. But he is quickly reminded that, amid the hazy light and shifting waters of the lagoon, nothing is what it seems. As he is drawn deeper into the ambiguous mysteries surrounding the discovery of a skeletal corpse, he is also forced to confront a series of disturbing revelations about his own life. 'Absolutely brilliant . . . made me want to go back to travel in Italy again.' 5* reader review 'I loved this book . . . a good storyline, and enough twists to keep me guessing.' 5* reader review 'Perfect entertainment.' 5* reader review 'My personal favourite in a great series.' 5* reader review PRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES: 'He wrote with real fire.' IAN RANKIN 'A maestro of crime writing.' SUNDAY TIMES 'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN 'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT 'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR 'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell 'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER 'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review 'Aurelio Zen novels are a great treat.' 5* reader review 'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review 'Love these books . . . I am sure you will get hooked too!' 5* reader review
The essays in this collection are based on papers given at a conference on detective fiction in European culture, held at the University of Exeter in September 1997. The range of topics covered is designed to show not only the presence and variety of narratives of detection across different European countries and their different media (although there is a predictable emphasis on the novel). It also illustrates the fertility of the genre, its openness to a spectrum of readings with different emphases, formal as well as thematic. Approaches to detective fiction have often tended to confine them-selves to ‘symptomatic’ interpretation, where details of the fictional world represented are used to diagnose a specific set of social preoccupations and priorities operative at the time of writing. Such approaches can yield valuable insights. Nonetheless there is a risk of limiting the value of the genre as a whole solely to its role as a mirror held up to society. In this perspective, issues of structure and style are sidelined, or, if addressed, are praised to the extent that they approach invisibility — concision, spareness, realism are the qualities singled out for praise. The genre also gives much scope for formal innovation — and indeed has often attracted already established ‘mainstream’ writers and filmmakers for just this reason. The eclectic diversity of the detective narratives considered in this volume reveal the malleability of the traditional constraints of the genre. The essays bear rich testimony to the value of considering the interplay of thematic and structural issues, even in the most apparently unselfconscious and popular (or populist) forms of narrative. The patterns of reassurance, the triumph of intellect and the ordered, rational world ‘of old’ are now challenged by the need to foreground the problems, ambiguities and uncertainties of the self and of society. The plurality of meanings and the antithetical imperatives explored in these detective narratives confirm that the most recent forms of the genre are not mere palimpsests of their ‘golden age’ precursors. The subversion of traditional expectations and the implementation of diverse stylistic devices take the genre beyond mere homage and pastiche. The role of the reader/spectator and critic in conferring meaning is a crucial one.
Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.
Study of the critical reception of one of the most famous and widely read works of modern literature. Thomas Mann's 1912 novella Death in Venice is one of the most famous and widely read texts in all of modern literature, raising such issues as beauty and decadence, eros and irony, and aesthetics and morality. The amount and variety of criticism on the work is enormous, and ranges from psychoanalytic criticism and readings inspired by Mann's own homosexuality to inquiries into the place of the novella in Mann's oeuvre, its structure and style, and its symbolism and politics. Critics have also drawn connections between the novella and works of Plato, Euripides, Goethe, Schopenhauer, Platen, Wagner, Nietzsche, Gide, and Conrad. Ellis Shookman surveys the reception of Deathin Venice, analyzing several hundred books, articles, and other reactions to the novella, proceeding in a chronological manner that allows a historical perspective. Critics cited include Heinrich Mann, Hermann Broch, D. H. Lawrence, Karl Kraus, Kenneth Burke, Georg Lukàcs, Wolfgang Koeppen, Mario Vargas Llosa, and Thomas Mann himself. Particular attention is paid to Luchino Visconti's film, Benjamin Britten's opera, and to other more recent creative adaptations, both in Germany and throughout the world. Ellis Shookman is associate professor of German at Dartmouth College.
It is universally recognised that Venice and its lagoon are of such value that they constitute an international public good that must be preserved for humanity as a whole. But such an ambitious task requires a diversified, sustainable set of economic activities, mostly focused on the production of services and non-material goods. This complex issue is analyzed using different approaches, with a discussion of the case of Venice as an example of some of the most relevant problems concerning the relation between the environment and development in the contemporary world: the trade-off between preserving an ecosystem and considering it as an economic resource; the evolution of different urban growth scenarios and the preservation of a physical habitat; the role of immaterial production in urban economic development; the nature of tourism as a sustainable activity, considered from both from the environmental and cultural angles; the institutional aspect of governing a process of sustainable urban development. Readership: A unique resource for environmental and urban managers, policy analysts, students of sustainable development, and anyone else interested in the social and economic implications of preserving one of the most loved and celebrated cities in the world.
Florence,1855. "The English are dying too much," the city's police chief observes. And members of the foreign community in this quaint Italian backwater, both English and American, are indeed dying at an alarming rate and in an extraordinary variety of ingenious and horrible ways. With the local authorities out of their depth, the distinguished resident Robert Browning launches his own private investigation, aided and abetted by an expatriot Robert Booth. Unfortunately, their amateur sleuthing is hampered by the fact that each of their suspects becomes the next victim in a series of murders orchestrated by a killer with a taste for poetic justice. A Rich Full Death features characters both historical and imaginary, ranging from an enticing servant girl to Mr. Browning's consumptive, world-famous wife, Elizabeth Barrett, in a tale lush with period detail, intricately plotted, and with a truly astonishing final twist.
The new Green Guide Italy eBook, completely updated with more photos and offering increased coverage, features the country's rich culture, heritage and history. Michelin's celebrated star-rating system pinpoints Italy’s highlights, from the stunning coastlines of Sardinia and Sicily to historic city centers of Rome and Florence. A new section inspires travel ideas, while Practical Information is now split into pre-departure and after arrival sections for quicker reference. See Italy's best with Michelin’s walking and driving tours, maps and trusted advice. The new Green Guide Italy eBook, completely updated with more photos and offering increased coverage, features the country's rich culture, heritage and history. Michelin's celebrated star-rating system pinpoints Italy’s highlights, from the stunning coastlines of Sardinia and Sicily to historic city centers of Rome and Florence. A new section inspires travel ideas, while Practical Information is now split into pre-departure and after arrival sections for quicker reference. See Italy's best with Michelin’s walking and driving tours, maps and trusted advice. In this eBook you’ll find: • Modern layout design, more full-color photos, and increased coverage. • New "Inspiration" section for great travel ideas. • Practical Information section, now split between "Before You Go" and "On Arrival" for quicker reference. • Attractions reviewed and rated, using Michelin's celebrated star-rating system. • Walk-throughs of major museums, galleries, churches and attractions. Illustrations and floor plans are often included. • Michelin walking and driving tours with directions, mileage and travel time. • Comprehensive, fully illustrated chapters on modern-day Italy, its history, nature, art and culture all written by experts in their fields. • Editorial features on everything from Italian film awards and Oscars, to frescoes in Orvieto’s Chapel of San Brizio. • Visitor and contact information given for every attraction, as well as suggested touring times and parking tips where relevant. • Practical advice on transportation, road regulations, distance and temperature charts, events calendar • Hotel and restaurant listings for a variety of budgets. Download onto any kind of eReader (tablet or smartphone), and you’re set to go. Use the guide to orient yourself at any time with a treasure trove of 64 detailed maps, even if you’re offline with no Wi-Fi or 3G connection. With the interactive navigation, it’s easy to move within the guide. Click from the index to a point of interest or from a sight description to its location on the map. With one touch, you can even phone an establishment directly from the page or click through to a website for more information. No matter what eReader you use, with the Green GuideItaly eBook, you’ll have the ideal reference to plan a fantastic trip in advance and return home with unforgettable memories.
