The spunky heroine of Romancing the Dead returns in this utterly bewitching series. Witch Garnet Lacey is ready to walk down the aisle with the super sexy vampire Sebastian. Besides the fact that he has no pulse, things couldn't be more perfect. Until plans for the wedding start falling apart, and Sebastian's zombie-slash-vampire-slash witch ex-lover decides that both of them should be six feet under. It's just a matter of time before Garnet-who's already sharing her body with a short-tempered goddess-morphs into Bridezilla.
“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."
In People Who Don't Know They're Dead, Gary Leon Hill tells a family story of how his Uncle Wally and Aunt Ruth, Wally's sister, came to counsel dead spirits who took up residence in bodies that didn?t belong to them. And in the telling, Hill elucidates much of what we know, or think we know, about life, death, consciousness, and the meaning of the universe. When people die by accident, in violence, or maybe they're drunk, stoned, or angry, they get freeze-framed. Even if they die naturally but have no clue what to expect, they might not notice they're dead. It's frustrating to see and not be seen. It's frustrating not to know what you're supposed to do next. It's especially frustrating to be in someone else's body and think it's your own. That's if you're dead. If you're alive and that spirit has attached itself to you, well that's a whole other set of frustrations. Wally Johnston, a behavioral psychologist, first started working with a medium in the 70s to help spirits move on to the next stage. Some years after that, Ruth Johnston, an academic psychiatric nurse, who'd become interested in new consciousness and alternative healing, began working with Wally to clear spirits who weren't moving on. These hitchhikers had attached themselves to the auras of living relatives or strangers in an attempt to hold on to a physical existence they no longer need. Through her pendulum, Ruth obtains permission from the higher self of both hitchhiker and host to work with them. Then Wally speaks with them, gently but firmly, to make sure they know they are no longer welcome to inhabit the bodies and wreak havoc on the lives of the living. Hill has woven this fascinating story with the history and theory of what happens at death, with particular emphasis on the last 40 years and the work of such groundbreaking thinkers as Elmer Green, Raymond Moody, William James, Aldous Huxley, Edith Fiore, Martha Rogers, Mark Macy, Elisabeth Kubler-Ross, Bruce Lipton, and a host of others, whose work helps inform our idea of what it is to live and to die. As it turns out, our best defense against hitchhikers is to live consciously. And our best chance of doing that is by paying attention and staying open to possibilities.
Dexter Morgan—blood-spatter analyst, husband, father, serial killer—knew that he couldn’t burn the candle at both ends forever, and now, his dark deeds have finally ensnared him. • The Killer Character That Inspired the Hit Showtime Series Dexter He is in prison on multiple homicide charges, although, ironically, he did not commit any of the murders of which he is accused. He’s lost everything: his wife, kids, career, and the loyalty of his sister. Now his sole, small shot at redemption may come from his brother, Brian, a homicidal maniac who makes Dexter look like the angel in the family. By helping Brian through some serious trouble of his own making, Dexter sees a potential path to proving himself innocent. But the stakes are truly deadly. And, with nothing left to hold him back, Dexter hurtles into an epic showdown ... which may be his last.
In his deadliest case yet, Detective Superintendent Roy Grace faces a complex kidnapping in Dead If You Don't, by award winning crime writer Peter James. Now a major ITV series, Grace, starring John Simm. Kipp Brown, successful businessman and compulsive gambler, is on his worst run of luck yet. Taking his teenage son, Mungo, to a football match should have given him a welcome respite – if only for a few hours. But it’s at the stadium where his nightmare begins. Within minutes of arriving at the game, Mungo suddenly disappears and Kipp receives a terrifying message: someone has his child. And, to get him back alive, Kipp will have to pay. Roy Grace is brought in to investigate what seems to be a straightforward case of kidnapping. But, very soon, Grace finds himself entering a dark, criminal underbelly of the city, where the rules are different and nothing is what it seems . . . 'Peter James is one of the best crime writers in the business' – Karin Slaughter, author of The Silent Wife Although the Roy Grace novels can be read in any order, Dead If You Don't is the fourteenth title in the bestselling series. Discover more of the Brighton detective’s investigations with Dead at First Sight and Find Them Dead.
A book with bite and “a gem of a heroine”— third in the series from the author of Dead Sexy. It’s been one heck of a week for Garnet Lacey. The Vatican witch hunters finally think she’s dead, the FBI has closed their file on her, she’s co-founding a new coven—and the gorgeous vampire she loves has just asked her to marry him. How lucky can one girl get? Then, her fiancé goes missing and Garnet’s worried sick. Has he been kidnapped? Or could he have run off with that blonde from the coven? Now Garnet will have to seek the help of her future stepson—the same brat who turned her over to the witch hunters for a brand-new Jaguar. But there’s more bad news: the Goddess Lilith, who camps out in her body, has been making embarrassing appearances. And on top of that, some killer’s on her tail...
"Things You Can do When You're Dead!" by Tricia Robertson is the long awaited book from one of Scotland's foremost psychical researchers. In this book the author shares some of her thirty-year research into mediumship, reincarnation, psychic healing, apparitions, poltergeists, and after death communications. Tricia's refreshing no-nonsense approach to the subject makes for compelling reading and should interest skeptics, believers, and anyone who wants to know what you can do when you're dead!
Based on an award-winning article published in "O, The Oprah Magazine," Latus has crafted a heart wrenching memoir about two intelligent, attractive sisters--one of whom escaped years of abuse by men--and one who did not.
It started with a haunting image: a Ford Explorer, iridescent in the moonlight and alone on a desolate stretch of beach. Its owner, Melissa Gibbons, has gone missing. Her husband says she flew the coop. But Los Angeles Deputy DA Rachel Knight is convinced otherwise: Melissa Gibbons has been murdered. So begins the confounding case that Rachel must present before a disbelieving jury. A dissatisfied heiress and her philandering husband -- what really happened? The husband has a fiendishly convincing case that Melissa faked her own death and fled. But with the support of her trusty sidekick, Detective Bailey Keller, Rachel pieces together a much more sinister truth. In this short, standalone Rachel Knight thriller, readers follow our savvy and riotously entertaining heroine through the surprising world of LA crime.
The Things We Learn When We’re Dead is about how small decisions can have profound and unintended consequences, but how we can sometimes get a second chance. On the way home from a dinner party, Lorna Love steps into the path of an oncoming car. When she wakes up she is in what appears to be a hospital – but a hospital in which her nurse looks like a young Sean Connery, she is served wine for supper, and everyone avoids her questions. It soon transpires that she is in Heaven, or on HVN, because HVN is a lost, dysfunctional spaceship, and God the aging hippy captain. She seems to be there by accident... or does God have a higher purpose after all? Despite that, The Things We Learn When We’re Dead is neither sci-fi nor fantasy. It is a book about memory and how, if we could remember things slightly differently, would we also be changed? In HVN, Lorna can at first remember nothing. But as her memories return – some good, some bad – she realises that she has decisions to make and that, maybe, she can find a way back home.
