The incredibly popular DC Collectibles line is brought to life in these stories that reimagine the course of history! As Word War II rages across Europe, the Allied forces issue a call to arms for the greatest heroines the world has ever known: THE BOMBSHELLS! KATE KANE, the all-American Batwoman; DIANA OF THEMYSCIRA, warrior Princess of the Amazons; KARA STARIKOV and KORTNI DUGINOVNA, defenders of Mother Russia; and MERA, royal daughter of the legendary Atlantis! With aid from their allies at home and abroad, these mighty women will turn the tide of war and defend those inviolable rights of Truth, Justice and Freedom. From writer Marguerite Bennett (BATGIRL, EARTH 2: WORLD’S END) and featuring artists including Marguerite Sauvage (HINTERKIND), Laura Braga (WITCHBLADE), Bilquis Evely (DOC SAVAGE), Mirka Andolfo (CHAOS) and Ming Doyle (CONSTANTINE: THE HELLBLAZER) comes DC COMICS: BOMBSHELLS VOL. 1: ENLISTED. Collects DC COMICS: BOMBSHELLS #1-6.
The extraordinary heroines known as the Bombshells are fighting on all fronts in an increasingly brutal war. Will the return of two long-lost alliesÑand a squad of unlikely teammatesÑbe enough to secure victory? One of those ready to rejoin the fight is SupergirlÑbut Lex Luthor and Hugo Strange have plans of their own for the Maid of Might. When Supergirl is pitted against her clone, will they find thereÕs room for more than one Kryptonian on this planet? Meanwhile, Raven stows away with Harley Quinn and Poison Ivy, but a mission of mercy becomes one of revenge when she meets Lois Lane! Plus, meet French flying ace Barbara GourdonÑalso known as Batgirl. Her search for her lost love brought her to the Louisiana bayou, where she disappeared for years. But when Bombshells commander Amanda Waller sends Lieutenant Francine Charles on a mission to recruit her, Batgirl and her friends Ravager and Enchantress will form a new kind of super-team: the Suicide Squad! From writer Marguerite Bennett (BATGIRL, EARTH 2: WORLD'S END) and astonishing artists including Laura Braga (Witchblade), Mirka Andolfo (Ms. Marvel) and Elsa Charretier (HARLEY QUINN, The Infinite Loop) comes the next adventure in the DC COMICS: BOMBSHELLS saga, bringing the incredibly popular DC Collectibles line to life in stories from issues #26-29 and DC COMICS: BOMBSHELLS ANNUAL #1!
ATTACK ON ALL FRONTS! The shadow of WWII looms ever larger as the Bombshells battle the Axis Powers across the globe. In Gotham City, a quartet of copycat BATGIRLS are doing their part to protect the home front. In Greece, WONDER WOMAN faces a battalion of the undead, led by the villainous Baroness Paula von Gunther. In London, STARGIRL and SUPERGIRL learn a shocking-and dangerous-family secret, while MERA encounters a monstrous threat from the sea that not even she can control. And in Berlin, ZATANNA attempts to thwart the evil magic that’s been released into the world, while the CATWOMAN and HUNTRESS rescue a captured BATWOMAN from the clutches of the Third Reich. But the paths of these superheroines will converge as they face their greatest challenge yet. To defeat the undead tenebrae soldiers overtaking London, they’ll have to form a Justice League of their own! Inspired by the popular DC Collectibles line, DC COMICS: BOMBSHELLS VOL. 2: ALLIES throws the world’s finest heroines into one of the greatest battles in history! Written by Marguerite Bennett (BATGIRL, EARTH 2: WORLD’S END) and featuring artists including Laura Braga (WITCHBLADE), Mirka Andolfo (CHAOS) and more, this volume collects issues #7-12.
The heroine's journey echoes throughout ancient legend. Each young woman combats her dark side and emerges stronger. This quest is also a staple of American comic books. Wonder Woman with semi-divine powers gives us a new female-centered creation story. Batgirl, Batwoman and Black Widow discover their enemy is the dark mother or shadow twin, with the savagery they've rejected in themselves. Supergirl similarly struggles but keeps harmony with her sister. From Jessica Jones and Catwoman to the new superwomen of cutting-edge webcomics, each heroine must go into the dark, to become not a warrior but a savior. Women like Captain Marvel and Storm sacrifice all to join the ranks of superheroes, while their feminine powers and dazzling costumes reflect the most ancient tales.
Finding the superhero genre in need of further investigation from philosophical standpoints that value excess as a creative drive, rather than denigrate it as a problem to be resolved, this book opens up discussions that highlight different approaches to ‘the creative excess of being’ as expressed through the genre. While superheroes are an everyday, culturally dominant phenomena, philosophical methods and investigations have a reputation for lofty superiority. Across 13 chapters, this book facilitates a collision between the superhero genre and the discipline of philosophy, resulting in a voyage of exploration where each illuminates the other. The contributions in this book range from new voices to recognized scholars, offering superhero studies a set of critical interventions that are unusual, conceptually diverse, theoretically grounded and varied in practice. These chapters consider ‘excessive’ traits of superheroes against schools of thought that have attempted to conceptualize and understand excess by analysing texts and figures across a variety of mediums, such as The Fantastic Four, Captain America, The Vision, Logan, Black Panther and Super Hero Girls. With its unique approach to the superhero genre, this book will be an invaluable read for students and scholars working on comic studies, transmedia studies, cultural studies, popular culture and superhero studies.
Contributions by Dorian L. Alexander, Janine Coleman, Gabriel Gianola, Mel Gibson, Michael Goodrum, Tim Hanley, Vanessa Hemovich, Christina Knopf, Christopher McGunnigle, Samira Nadkarni, Ryan North, Lisa Perdigao, Tara Prescott-Johnson, Philip Smith, and Maite Ucaregui The explosive popularity of San Diego’s Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix’s Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche interests. Yet just as these areas have become more openly inclusive to an audience beyond heterosexual white men, there has also been an intense backlash, most famously in 2015’s Gamergate controversy, when the tension between feminist bloggers, misogynistic gamers, and internet journalists came to a head. The place for gender in superhero narratives now represents a sort of battleground, with important changes in the industry at stake. These seismic shifts—both in the creation of superhero media and in their critical and reader reception—need reassessment not only of the role of women in comics, but also of how American society conceives of masculinity. Gender and the Superhero Narrative launches ten essays that explore the point where social justice meets the Justice League. Ranging from comics such as Ms. Marvel, Batwoman: Elegy, and Bitch Planet to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change.
Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.