The Sculpture of David Smith
Author: Rosalind E. Krauss
Publisher: Scholarly Title
Published: 1977
Total Pages: 594
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Rosalind E. Krauss
Publisher: Scholarly Title
Published: 1977
Total Pages: 594
ISBN-13:
DOWNLOAD EBOOKAuthor: David Smith
Publisher: Thames & Hudson
Published: 1989-05
Total Pages: 184
ISBN-13:
DOWNLOAD EBOOKCleve Gray makes available for the first time many of the 10,000 documents left in the Smith estate of sculptor David Smith's own writings. They provide a unique record of this great artist's aesthetic development and his struggle for identity. 148 illustrations, 7 in color.
Author: Susan Behrends Frank
Publisher: Yale University Press
Published: 2011
Total Pages: 0
ISBN-13: 9780300169652
DOWNLOAD EBOOK"Summary discusses selected steel sculptures fabricated by the American painter-sculptor David Smith (1906-1965), as well as Smith's drawings and paintings. Emphasizes his investigation of concave/convex forms, and notes his use of painted surfaces. Includes essays on Smith's photography of his own works and on his surfaces and materials"--Provided by publisher.
Author: David J. Getsy
Publisher: Yale University Press
Published: 2015-11-03
Total Pages: 201
ISBN-13: 030019675X
DOWNLOAD EBOOKOriginal and theoretically astute, Abstract Bodies is the first book to apply the interdisciplinary field of transgender studies to the discipline of art history. It recasts debates around abstraction and figuration in 1960s art through a discussion of gender’s mutability and multiplicity. In that decade, sculpture purged representation and figuration but continued to explore the human as an implicit reference. Even as the statue and the figure were left behind, artists and critics asked how the human, and particularly gender and sexuality, related to abstract sculptural objects that refused the human form. This book examines abstract sculpture in the 1960s that came to propose unconventional and open accounts of bodies, persons, and genders. Drawing on transgender and queer theory, David J. Getsy offers innovative and archivally rich new interpretations of artworks by and critical writing about four major artists—Dan Flavin (1933–1996), Nancy Grossman (b. 1940), John Chamberlain (1927–2011), and David Smith (1906–1965). Abstract Bodies makes a case for abstraction as a resource in reconsidering gender’s multiple capacities and offers an ambitious contribution to this burgeoning interdisciplinary field.
Author: Arts Council of Great Britain
Publisher:
Published: 1966
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Marjorie B. Cohn
Publisher: Harvard Art Museums
Published: 2002
Total Pages: 387
ISBN-13: 9780300096941
DOWNLOAD EBOOKItem contains letters between collector Lois Orswell and David Smith, a history of the Orswell Collection and a checklist of the Collection, most (all?) of which is now held by Harvard University art Museums.
Author: Sarah Hamill
Publisher:
Published: 2018-01-23
Total Pages: 112
ISBN-13: 9783906915036
DOWNLOAD EBOOKThis monograph brings together works by the two artists, not only shedding light on the richness of their individual practices, but also offering an opportunity to clearly see some shared interests and how much these artists actually had to say to each other. Contributions by Sarah Hamill and Elizabeth Hutton Turner inform about these artists' paths and their encounters and collaboration with photographer Ugo Mulas. Hamill looks closely at the many photographs Mulas took of Calder' and Smith's sculpture at the 1962 Festival of the Two Worlds, in Spoleto. Turner explores how and why Calder and Smith found common ground in their shared identification with the American culture of invention. Exhibition: Hauser & Wirth, Zurich, Switzerland (12.06.-16.09.2017).
Author: Candida N. Smith
Publisher:
Published: 2008
Total Pages: 0
ISBN-13: 9780960627059
DOWNLOAD EBOOKLooks at David Smiths sculptural work
Author: David Smith
Publisher: Documents of Twentieth-Century
Published: 2018-01-11
Total Pages: 337
ISBN-13: 9780520291881
DOWNLOAD EBOOKThis comprehensive sourcebook is destined to become a lasting and definitive resource on the art and aesthetic philosophy of the American artist David Smith (1906-1965). A pioneer of twentieth-century modernism, Smith was renowned for the expansive formal and conceptual ambitions of his broadly diverse and inventive welded-steel abstractions. His groundbreaking achievements drew freely on cubism, surrealism, and constructivism, profoundly influencing later movements such as minimalism and environmental art. By radically challenging older conventions of monolithic figuration and refuting arbitrary distinctions between painters and sculptors, Smith asserted sculpture's equal role in advancing modern art. A compilation of Smith's poems, sketchbook notes, essays, lectures, letters to the editor, reviews, and interviews, these previously unpublished texts underscore the varied ways in which his writing functioned as a means to examine and articulate his private identity and to promote the social ideals that made him a key participant in contemporary discourses surrounding modernism, art and politics, and sculptural aesthetics. All the documents in David Smith: Collected Writings, Lectures, and Interviews have been newly corrected against the original manuscripts, typescripts, and audiotapes. Each text in this collection is annotated with historical and contextual information that reflects Smith's own process of continually reviewing and revising his writings in response to his evolving aspirations as a visual artist.
Author: Hal Foster
Publisher: Rizzoli Publications
Published: 2014-10-14
Total Pages: 0
ISBN-13: 0847843939
DOWNLOAD EBOOKThe Forgings, the groundbreaking series of industrially forged steel sculptures that the artist produced in 1955 and 1956, are brought together in one book for the first time, alongside complementary sketchbook drawings of the sculptures. This catalogue, documenting an exhibition at Gagosian Gallery, New York, is the first time that all ten Forgings have been on view together since 1956. The sculptures are accompanied by a series of works on paper leading up to The Forgings, as well as sketchbook drawings of the completed sculptures. With the The Forgings, David Smith translated the spontaneity of a brushed line drawing into sculptural form, manipulating thin steel bars to achieve expressive vertical abstractions. The Forgings were unprecedented as works created solely through an industrial machined process, but were perhaps even more radical as pre-Minimalist forms intended to provoke discrete responses in each viewer.