Kate is 13 and she is finding that life is never simple. Should she go on a date with the new boy at school, Joe (cool, into music, and gorgeous ...) - or Ian (equally gorgeous and great at Maths homework!)? Or should she go on a date at all?
Captivate reluctant readers with tales of high drama and adventure! Date With Disaster Teacher's Guide contains reproducibles for reinforcement, enrichment, and vocabulary development. Teacher's Guide covers: Escape! Survivors Close Calls Nature's Wrath Disasters
This analysis of catastrophes provides a pathway for those who want to foster truthtelling in their organization and head off disasters in the making. We tend to think of disasters as uncontrollable acts of nature or inevitable accidents. But are such incidents unavoidable or ever truly accidental? The authors of this remarkable book say we actually do have the power to prevent tragedies such as the flooding from Hurricane Katrina, the death toll from dangerous medicines like Vioxx, and the explosion of the Space Shuttle Columbia. Marc Gerstein and Michael Ellsberg insist that disasters need not be inevitable if we learn from history, prepare carefully for the worst case, and speak out when we see danger looming. This revelation makes their compelling study extremely valuable for readers in business, government, medicine, academia—indeed all walks of life. Flirting with Disaster will do for catastrophe what Blink did for intuition, and The Black Swan did for probability: provide a popular audience with an engaging, in-depth view of a complex and important topic. Gerstein and Ellsberg examine the culture of institutions: why even people of good will and inside knowledge underestimate risk; feel psychologically incapable of averting tragedy and unable to pick up the pieces afterward; and don’t come forward forcefully enough to head off catastrophe. They also celebrate those who go beyond the call of duty to save others, including Dr. David Graham of the FDA who courageously stood up to reveal Vioxx’s deadly effects. One such whistleblower contributes both a foreword and an afterword: Daniel Ellsberg, renowned for releasing the Pentagon Papers.
I can’t believe I have to go home to Nebraska for my sister’s wedding. I’m gonna need a wingman and a whole lot of vodka for this level of family interaction. At least my bestie agreed he’d man up and help. Too bad he had to catch a different flight than me. Then his plane got delayed. And finally—because bad things always happen in threes—instead of my best friend, his evil twin strolls out of the airport. If you looked up doesn’t-deserve-to-be-that-confident, way-too-hot-for-his-own-good billionaire in the dictionary, you’d find a picture of Will Holt. He’s awful. Horrible. The worst—even if his butt looks phenomenal in those jeans. Ten times worse? My buffer was supposed to be there to keep me away from the million and one family events. But Satan’s spawn just grins and signs us up for every. Single. Thing. Fine. “Cutthroat” Scrabble? I’m in. I can’t wait to take this guy down a notch. But somewhere between Pictionary and the teasing glint in his eyes, our bickering starts to feel like more than just a game...
"In 2003, an independent film called The room ... made its disastrous debut in Los Angeles. Described by one reviewer as 'like getting stabbed in the head,' the six-million-dollar film earned a grand total of $1800 at the box office and closed after two weeks. Ten years later, The room is an international cult phenomenon ... In [this book], actor Greg Sestero, Tommy's costar and longtime best friend, recounts the film's long, strange journey to infamy, unraveling mysteries for fans ... as well as the question that plagues the uninitiated: how the hell did a movie this awful ever get made?"--