Awadh is synonymous in history with its eventful nawabi reign that lasted for over a century. Awadh’s dynasty was founded in a humble habitat on the banks of the River Saryu near Ayodhya. The place was named Faizabad and grew to become the political capital and a renowned centre of culture and prosperity under its successive nawabs. Faizabad’s tryst with its royalty lasted for over half a century before passing the baton to Lucknow, which became the new capital of Awadh. The new first city shed its old husk to adorn a fresh one. The praxis, customs, etiquettes, poetry, art and craft that its royalty fashioned remain alive to this day.
In 1528 the Mughal Sultanate conquered and formally incorporated Awadh as one of its constituent provinces. With the decline of Mughal power the nawab-vazirs of Awadh began to assert their independence. After the East India Company appropriated half of Awadh as 'indenmity', the then nawab, Asaf'ud Daulah, moved his capital to Lucknow in 1775. A move that resulted in the growth of the city and its distinctive culture known as'Lakhnavi tehzeeb'. Since then, nawabi Lucknow has undergone enormous changes. The refinement of 'pehle aap' has all but disappeared. Originally built to support a hundred thousand people, amid palaces, gardens and orchards, the city now staggers under the burden of fifty times that number. Its unchecked growth and collapsed civic amenities are slowly draining the life and beauty of this once vibrant city. The rich and flamboyant culture has faded amidst the decay that has eaten into the fabric of the city and the corruption and treachery that permeate the government. In separate pieces William Dalrymple and Barry Bearak trace the decline of Lucknow---the city, its architecture, people, politics, governance---and the sad end of the havelis and their once grandiose occupants. The elegiac Marsia tradition of the Shias strives to be heard over angry chants of 'Hulla Bol' of political rallies in Mrinal Pande's account of her visit to the city. And, in his hyperbolic saga of seven generations of the fictional Anglo-Indian Trotter family, I. Allan Sealy meanders through two hundred years of Lucknow's chequered history. However, despite the apparent disintegration, Lucknow's ineffable spirit can still be found---in the tantalizing flavours of Lakhnavi cuisine; the delicate artistry of chikankari; the legendary courtesans and the defiant voice of the rekhti; the melodious notes of the ghazaI and the thumri ... Engaging and thoughtful, Shaam-e-Awadh: Writings on Lucknow celebrates the unique character of this city of carnivals and calamities.
This Study Explodes The Myth, Created By Western Historians, Of The Nawabs Of Awadh Being Decadent And Effete. The Author Argues That The Regime Of The Nawabs Was Liberal And Gave Full Rein To The Indigenous Tradition Of Communal Amity And Folk Culture. Based On Meticulous Research, Including Oral Traditions, This Book Is A Noteworthy Contribution To The Field Of Awadh History.
In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class. The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu’s strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture.
Lined with grandeur, tragedy and fantasy, Tarana Husain Khan's odyssey maps the social, political and religious contours of 1897 Sherpur with the fascinating and strong-willed Feroza Begum at the centre of the storm. On an evening not too many evenings ago, the blue-eyed Feroza, flouting her family's orders, attended Nawab Shams Ali Khan's sawani celebrations at the Benazir Palace. Tragedy coloured the night when she found herself kidnapped and withheld in the Nawab's harem - bustling, tantalizing and rife with sinister power play. As tyranny and repression tightened their hold inside the royal walls, at the Bazaar Chowk, dastangoi Kallan Mirza enchanted his listeners with the legend of sorcerer Tareek Jaan and his chimeric city, the Tilism-e-Azam, where women were confined in underground basements. Misfortune and subjugation link eras when Ameera, Feroza's great-granddaughter, is restricted to her house and finds solace in her Dadi's retelling of Feroza's tragedy. When Ameera's circumstances begin mirroring the strife and indignities pervasive in 1897 Sherpur, she must reflect if society has shifted enough for women and their choices. Written with careful flamboyance and striking evocativeness, The Begum and the Dastan is a world imbued with love, splendour and heartbreak, only saved by the women who refuse to play by the rule book.
An absorbing, authentic and exemplary chronicle – studded with rare nuggets of information and enthralling anecdotes – of one of the most tragic figures of history who was witness to the end of a glorious dynasty First published in Urdu in 1986, this ‘labour of love’ brings alive the life and poetry of Bahadur Shah Zafar (1775 to 1862), the last Mughal Emperor. Zafar presided over a crucial period in Indian history when the country was subjugated and became a colony of the fast-expanding British Empire. Aslam Parvez’s account – with its wealth of detail – stands out in the manner in which it weaves together the strands of the political, the personal, the cultural and the literary aspects of a bygone era. This work is as much about the 1857 Rebellion as it is about Bahadur Shah Zafar, the reluctant leader of the rebels. The pages also evoke the captivating ambience of a period when formidable poets such as Mirza Ghalib, Sheikh Muhammad Ibrahim Zauq and Momin Khan Momin, apart from Zafar himself, came up with one creative gem after another. The author also provides a vivid and fascinating picture of Delhi during the last days of its cultural and literary splendour as the Mughal capital and as a custodian of Urdu literature and poetry. Finally, he recounts, in a touching manner, how Zafar spent his last days in Rangoon (where he had been exiled by the British) – a lonely and forgotten individual – far away from his beloved Delhi and from the trappings of his empire.
The cultural capital of erstwhile Awadh region, has charmed generations into writing about the city. But there is no book that captures all the aspects of Awadhi culture, history and traditions of the region. Awadh Symphony: Notes on a Cultural Interlude is an extensively detailed volume which takes you on a journey to a bygone era and gives a glimpse of everyday life in this North Indian kingdom. Revisiting Awadh, it offers almost all aspects of human activity-from culture, cuisine, craft and religious ritual to games, fairs and bazaars; from life of ordinary Muslim women to courtesans, who were a part of the famous Sham-i-Awadh; from the tradition of dastangoi to the recitation of marsiya; and much more. A staunch bibliophile and an ardent admirer of Lucknow, author Aslam Mahmud had collected every possible book on Awadh throughout his life, consulting each of these to pen the work of a lifetime-a compendium on Lucknow with rare information and an exceptional guide to the life and times of Awadh.
