On the shortest day of the year, as the Castle is lit with candles and everyone prepares to celebrate, Wizard Apprentice Septimus Heap marks his fourteenth birthday. He has reached a new stage in his Apprenticeship: Darke Week. Awe-inspiring, terrifying, unbelievably important, Septimus's future will depend on what happens during this week. He chooses a dangerous mission to restore his good friend Alther from Banishment. But as he embarks on this trial, something Darke and terrible engulfs the Castle. Septimus and his friends are about to face their most perilous challenge yet . . .
On the shortest day of the year, as the Castle is lit with candles and everyone prepares to celebrate, Wizard Apprentice Septimus Heap marks his fourteenth birthday. He has reached a new stage in his Apprenticeship: Darke Week. Awe-inspiring, terrifying, unbelievably important, Septimus's future will depend on what happens during this week. He chooses a dangerous mission to restore his good friend Alther from Banishment. But as he embarks on this trial, something Darke and terrible engulfs the Castle. Septimus and his friends are about to face their most perilous challenge yet . . .
This first of all is a story about mountaineering, accident and paralysis. About coming to terms with losing movement and regaining the will to live. But it's also about the borderline between body and spirit. Karen is drawn into the world of faith healing and psychic surgeons in the Brazilian jungle. In testing these improbable claims she explores her own inner world and self. An incredible story that will inspire and empower anyone striving to get to the other side of a sudden change in their lives.
***WINNER OF THE COMEDY WOMEN IN PRINT PRIZE 2020*** 'Simmonds is a copper-bottomed genius... she is as brilliant a writer as Britain has' Jenny Colgan, Mail Online Cassandra Darke is an art dealer, mean, selfish, solitary by nature, living in Chelsea in a house worth £7 million. She has become a social pariah, but doesn't much care. Between one Christmas and the next, she has sullied the reputation of a West End gallery and has acquired a conviction for fraud, a suspended sentence and a bank balance drained by lawsuits. On the scale of villainy, fraud seems to Cassandra a rather paltry offence - her own crime involving 'no violence, no weapon, no dead body'. But in Cassandra's basement, her young ex-lodger, Nicki, has left a surprise, something which implies at least violence and probably a body . . . Something which forces Cassandra out of her rich enclave and onto the streets. Not those local streets paved with gold and lit with festive glitter, but grimmer, darker places, where she must make the choice between self-sacrifice and running for her life.
'Its snarky hero is a joy', a Times and Sunday Times Novel of the Year, 2020 'Clever, witty and perceptive . . . Gekoski writes movingly about love, loss and grief, while handling the difficult issue of assisted dying with considerable balance and finesse. Beautifully written, engrossing and heartbreakingly funny' Mail on Sunday 'Stylish, funny and daring . . . the clarity and energy of Darke Matter fill you with light' The Times (best summer books) 'Harrowing, funny, tender and nearly always beautifully written' Sunday Times James Darke is dreading the first family Christmas without his wife Suzy. Engulfed by grief, his grudging preparations are interrupted by a persistent knock at the door. Questions about the circumstances of his wife's death force him to confront the outside world and what really happened to her. Isolated, angry and diminished, James soon faces a crisis both legal and psychological. It will test his resolve and threaten his freedom. Darke Matter is a brilliant, mordant examination of the nature and obligations of love. Both immensely sad and extremely funny, the story wrestles with one of the great moral issues of our time. The surprising sequel to Darke . . . Praise for Darke: 'An original and bleakly funny portrait of grief' Economist 'Surprising . . . with a warmth that is genuinely and unexpectedly moving' Guardian 'A wondrous book with two fathers, Kingsley Amis and Dante' Sebastian Barry 'Makes for dark, thrilling reading . . . In James Darke, Gekoski has created a powerful, raging voice' Spectator 'I was beguiled and charmed by the vivid personality being revealed. By that, and by the fact that I couldn't stop reading. Gekoski puts words together with a sure touch and deep craftsmanship' Philip Pullman 'Rick Gekoski's impressive debut novel . . . Darke is both a tender and hard-hitting examination of grief and the slow, singular healing process . . . A brilliantly vivid creation . . . life-affirming and life-shattering' The Herald 'Staggeringly accomplished. Heartbreakingly true. A shockingly monumental first novel' John Niven 'Stuffed with more wisdom, bile, wit and tenderness than many writers create in a lifetime. In James Darke we have a hero as troubled and eternal as King Lear . . . And in Rick Gekoski we have a late-flowering genius of a novelist who proves it's never too late to start a glittering career in fiction' The Times 'An immensely enjoyable elegy . . . done with precision and patience' The Scotsman 'Debut delight . . . Just how this gleefully conjured misanthrope came to wall himself off from the world is the mystery at the heart of a singular first novel that evolves into a moving meditation on loss and redemption' Mail on Sunday
"Passionately satirical and sharply observant, he is one of the most interesting of our playwrights" (Sunday Telegraph) The Dead Monkey - "Darke has something both hilarious and horrific to say about the decay of a marriage and he compels the attention while doing so." (Sunday Telegraph) The King of Prussia - "A meaty play...seethes with life, wit and ideas. Darke give shape to a Cornish identity that feels vital and real and has nothing to do with clay pipes and clotted cream. Like Cornwall's coves, it has many unexpected depths...It also raises questions about the points where justice, conscience and the law part company" (Financial Times) The Body - "The best moments in Nick Darke's play are extremely good - and not all good in the same way...the most obvious debt is to Brecht. There are other reminiscences of Auden and Isherwood's The Dog Beneath the Skin, of Tom Stoppard's After Magritte and of T.S Eliot's verse plays." Tin Tang Mine - "A lament for an industry and a way of life; but this should not suggest anything sentimental. The writing is rugged and muscular; lyrical but not ornate; vigorous but not folksy...oddball, quirkily parochial and as authentic as a slice of rough bread." (The Times)
The Darke Chronicles introduces the aristocratic and flamboyant Victorian detective Luther Darke, who tackles mysteries that have baffled Scotland Yard and are seemingly unexplained. The cases featured here take Darke into a world of deception, murderous sleights of hand, spiritualism, vampires, curses and phantoms in fin de siècle London.This volume, a treat for all fans of vintage crime fiction, features seven of Darke’s most challenging and chilling investigations. If you like Sherlock Holmes, then you will love Luther Darke.
Welcome to Twin Oaks—the new B and B in Cooper’s Corner. Some come for pleasure, others for passion—and one to set things straight… Check-in: When small-town plumber Bonnie Cooper visited New York in search of vintage bath fixtures for the Twin Oaks B and B, her reputation as the Berkshire’s Blind Date Queen followed her. But an arranged dinner with city-bred columnist Jaron Darke went from bad to worse when they witnessed a mob hit outside the restaurant. They had no choice but to hide out at Twin Oaks. Their cover? They’re engaged! Checkout: To Jaron, she was Bonnie the Bumpkin; to Bonnie he was pretentious, pretentious, pretentious. But forced together, they did find one thing in common: passion. And as it turned out, their lives depended on it.