Robert J. Scholes explores the spiritual side of life, from the dark places of the minds of murderers to the wonders of the mystical experiences of common folk.
Horror films revel in taking viewers into shadowy places where the evil resides, whether it is a house, a graveyard or a dark forest. These mysterious spaces foment the terror at the heart of horror movies, empowering the ghastly creatures that emerge to kill and torment. With Dark Places, Barry Curtis leads us deep inside these haunted spaces to explore them – and the monstrous antagonists who dwell there. In this wide-ranging and compelling study, Curtis demonstrates how the claustrophobic interiors of haunted spaces in films connect to the ‘dark places’ of the human psyche. He examines diverse topics such as the special effects – ranging from crude to state-of-the-art – used in movies to evoke supernatural creatures; the structures, projections and architecture of horror movie sets; and ghosts as symbols of loss, amnesia, injustice and vengeance. Dark Places also examines the reconfiguration of the haunted house in film as a motel, an apartment, a road or a spaceship, and how these re-imagined spaces thematically connect to Gothic fictions. Curtis draws his examples from numerous iconic films – including Nosferatu, Psycho, The Texas Chainsaw Massacre and The Shining – as well as lesser-known international works, which allow him to consider different cultural ideas of ‘haunting’. Japanese horror films and their Hollywood remakes – such as Ringu and The Ring, or Juon and The Grudge – come under particular scrutiny, as he explores Japanese cinema’s preoccupation with malevolent forces from the past. Whether you love the splatter of blood or prefer to hide under the couch, Dark Places cuts to the heart of why we are drawn to carnage.
Winner of the Ampersand Prize, IN THE DARK SPACES is a genre-smashing hostage drama about 14-year-old Tamara, who's faced with an impossible choice when she falls for her kidnappers. Yet this is no ordinary kidnapping. Tamara has been living on a star freighter in deep space, and her kidnappers are terrifying Crowpeople – the only aliens humanity has ever encountered. No-one has ever survived a Crowpeople attack, until now – and Tamara must use everything she has just to stay alive. But survival always comes at a price, and there’s no handbook for this hostage crisis. As Tamara comes to know the Crowpeople's way of life, and the threats they face from humanity's exploration into deep space, she realises she has an impossible choice to make. Should she stay as the only human among the Crows, knowing she'll never see her family again … or inevitably betray her new community if she wants to escape? This ground-breaking thriller won the Ampersand Prize, a stand-out entry with a blindingly original voice: raw, strange and deeply sympathetic. With its vivid and immersive world-building, this electrifying debut is The Knife of Never Letting Go meets Homeland, for the next generation of sci-fi readers. Winner of the 2015 Ampersand Prize, 2018 Aurealis Award: Best Young Adult Novel, 2018 ABDA Award: Best Designed Young Adult Cover, New Zealand Book Awards: Copyright Licensing NZ Award for Young Adult Fiction, 2018 Queensland Literary Award: Griffith University Young Adult Book Award 2018 CBCA Book of the Year for Older Readers: Honour Book Shortlisted for the 2018 Gold Inky, 2019 Ditmar Award, 2018 Ethel Turner Prize for Young People's Literature, Western Australian Young Readers' Book Awards Highly Commended in the 2018 Victorian Premier's Literary Awards
Lieutenant Shane Vansen still has nightmares about her parents' deaths at the hands of aliens, but when the past comes back to haunt her in an alien trap, she must remain cool to save the squad.
When one woman goes missing in the Colorado wilderness, another becomes bent on discovering her whereabouts in this unforgettably moving, bestselling literary debut. Driven to spend days alone in the wilderness, Amy Raye Latour, mother of two, is compelled by the quiet and the rush of nature. But this time, her venture into a remote area leaves her on the verge of the precarious edge that she’s flirted with her entire life. When Amy Raye doesn’t return to camp, ranger Pru Hathaway and her dog respond to the missing person call. After an unexpected snowfall and few leads, the operation turns into a search and recovery. As the novel follows Amy Raye and Pru in alternating threads, Breaking Wild assumes the white-knuckled pace of a thriller, laying bare Amy Raye’s ultimate reckoning with the secrets of her life and Pru’s dogged pursuit of the woman who, against all odds, she believes she can find.
This book provides a fascinating account of rooms in selected works by Virginia Woolf. Casting them as spaces which are at once material, textual and emotional, the volume shows Woolf’s rooms to be consistently connected to wider geographies of modernity and therefore central to her writing of gender, class, empire and the nation. The discussion moves “in and out of rooms,” from the focus on travel in Woolf’s debut novel, to the archival function of built space and literary heritage in Night and Day, the university as a male space of learning in Jacob’s Room, the iconic A Room of One’s Own and its historical readers, interior space as spatial history in The Years, and rooms as loci of memory in her unfinished memoir. Zink masterfully shows the spatial formation of rooms to be at the heart of Woolf’s interweaving of the political and the aesthetic, revealing an understanding of space as dynamic and relational.
This timely book is the first to explore the physical and intangible legacies of historic and contemporary dark tourism sites, and the contribution such sites make to place identity. It achieves this by critically reviewing the marketing, management and interpretation of contemporary and historic sites associated with death, disaster, atrocity and related events from a wide range of geographical locations. In doing so the book proposes a compose model for discussing place identity and dark tourism which will provide further understanding about these increasingly popular destinations.
All living creatures inscribe their activity in space. Human beings acquire knowledge of this space by traversing it, listening to verbal descriptions, and looking at maps, atlases, and digital media. We memorize routes, compare distances mentally, and retrieve our starting place after a long journey. Space and Spatial Cognition provides an up-to-date introduction to the elements of human navigation and the mental representation of our environment. This book explores the mental capacities which enable us to create shortcuts, imagine new pathways, and thus demonstrate our adaptation to the environment. Using a multidisciplinary approach which draws on psychology, neuroscience, geography, architecture and the visual arts, the author presents answers to a number of questions. Which mental capacities do people mobilize when confronted with space? Which brain functions do they implement? How do digital technologies extend these capacities? By presenting space at the crossroads of a number of disciplines, this volume reveals how each of them enhances our understanding of human behaviour in space. Space and Spatial Cognition provides a unique insight into all facets of spatial cognition, including spatial behaviour, language, and future technologies. It will be the ideal companion for all students and researchers in the field.
This version is the uncompleted version of the Book of Nortreus. The Book of Nortreus is a secret Covenant and document about five beautiful and important Biblical and Prophetic visions of God seen by Nortreus in outer space—Heaven—the Heavens. Nortreus wrote the book after he met the Most High and Celestial beings in outer space or Heaven or the Heavens.