Dante's Aesthetics of Being
Author: Warren Ginsberg
Publisher: University of Michigan Press
Published: 1999
Total Pages: 202
ISBN-13: 9780472109715
DOWNLOAD EBOOKExplores the domain of the aesthetic in Dante
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Author: Warren Ginsberg
Publisher: University of Michigan Press
Published: 1999
Total Pages: 202
ISBN-13: 9780472109715
DOWNLOAD EBOOKExplores the domain of the aesthetic in Dante
Author: James Miller
Publisher: Wilfrid Laurier Univ. Press
Published: 2006-01-01
Total Pages: 577
ISBN-13: 0889209278
DOWNLOAD EBOOKDuring his lifetime, Dante was condemned as corrupt and banned from Florence on pain of death. But in 1329, eight years after his death, he was again viciously condemned—this time as a heretic and false prophet—by Friar Guido Vernani. From Vernani’s inquisitorial viewpoint, the author of the Commedia “seduced” his readers by offering them “a vessel of demonic poison” mixed with poetic fantasies designed to destroy the “healthful truth” of Catholicism. Thanks to such pious vituperations, a sulphurous fume of unorthodoxy has persistently clung to the mantle of Dante’s poetic fame. The primary critical purpose of Dante & the Unorthodox is to examine the aesthetic impulses behind the theological and political reasons for Dante’s allegory of mid-life divergence from the papally prescribed “way of salvation.” Marking the septicentennial of his exile, the book’s eighteen critical essays, three excerpts from an allegorical drama, and a portfolio of fourteen contemporary artworks address the issue of the poet’s conflicted relation to orthodoxy. By bringing the unorthodox out of the realm of “secret things,” by uncensoring them at every turn, Dante dared to oppose the censorious regime of Latin Christianity with a transgressive zeal more threatening to papal authority than the demonic hostility feared by Friar Vernani.
Author: Elaine Scarry
Publisher: Princeton University Press
Published: 2013-03-21
Total Pages: 144
ISBN-13: 1400847354
DOWNLOAD EBOOKHave we become beauty-blind? For two decades or more in the humanities, various political arguments have been put forward against beauty: that it distracts us from more important issues; that it is the handmaiden of privilege; and that it masks political interests. In On Beauty and Being Just Elaine Scarry not only defends beauty from the political arguments against it but also argues that beauty does indeed press us toward a greater concern for justice. Taking inspiration from writers and thinkers as diverse as Homer, Plato, Marcel Proust, Simone Weil, and Iris Murdoch as well as her own experiences, Scarry offers up an elegant, passionate manifesto for the revival of beauty in our intellectual work as well as our homes, museums, and classrooms. Scarry argues that our responses to beauty are perceptual events of profound significance for the individual and for society. Presenting us with a rare and exceptional opportunity to witness fairness, beauty assists us in our attention to justice. The beautiful object renders fairness, an abstract concept, concrete by making it directly available to our sensory perceptions. With its direct appeal to the senses, beauty stops us, transfixes us, fills us with a "surfeit of aliveness." In so doing, it takes the individual away from the center of his or her self-preoccupation and thus prompts a distribution of attention outward toward others and, ultimately, she contends, toward ethical fairness. Scarry, author of the landmark The Body in Pain and one of our bravest and most creative thinkers, offers us here philosophical critique written with clarity and conviction as well as a passionate plea that we change the way we think about beauty.
Author: Martin Eisner
Publisher: Oxford University Press, USA
Published: 2021-03-18
Total Pages: 278
ISBN-13: 0198869630
DOWNLOAD EBOOKDante's New Life of the Book examines Dante's Vita nuova through its transformations in manuscripts, printed books, translations, and adaptations. Eisner investigates how these different material manifestations participate in the work, drawing attention to its distinctive elements.
Author: Christopher Kleinhenz
Publisher: Modern Language Association
Published: 2020-02-01
Total Pages: 212
ISBN-13: 1603294287
DOWNLOAD EBOOKDante's Divine Comedy can compel and shock readers: it combines intense emotion and psychological insight with medieval theology and philosophy. This volume will help instructors lead their students through the many dimensions--historical, literary, religious, and ethical--that make the work so rewarding and enduringly relevant yet so difficult. Part 1, "Materials," gives instructors an overview of the important scholarship on the Divine Comedy. The essays of part 2, "Approaches," describe ways to teach the work in the light of its contemporary culture and ours. Various teaching situations (a first-year seminar, a creative writing class, high school, a prison) are considered, and the many available translations are discussed.
Author: Dabney Townsend
Publisher: Scarecrow Press
Published: 2006-09-05
Total Pages: 414
ISBN-13: 0810864835
DOWNLOAD EBOOKAesthetics is not a 'factual' discipline; there are no aesthetic facts. The word itself is derived from the Greek word for 'feeling' and the discipline arises because of the need to find a place for the passions within epistemology_the branch of philosophy that investigates our beliefs. Aesthetics is more than just the study of beauty; it is a study of that which appeals to our senses, most often in connection with the classification, analysis, appreciation, and understanding of art. The Historical Dictionary of Aesthetics covers its history from Classical Greece to the present, including entries on non-western aesthetics. The book contains a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on the main concepts, terminology, important persons (philosophers, critics, and artists), and the rules and criteria we apply in making judgments on art. By providing concise information on aesthetics, this dictionary is not only accessible to students, but it provides details and facts to specialists in the field.
Author: Dabney Townsend
Publisher: Rowman & Littlefield
Published: 2010
Total Pages: 417
ISBN-13: 0810875810
DOWNLOAD EBOOKAesthetics is not a "factual" discipline; there are no aesthetic facts. The word itself is derived from the Greek word for "feeling" and the discipline arises because of the need to find a place for the passions within epistemology--the branch of philosophy that investigates our beliefs. Aesthetics is more than just the study of beauty; it is a study of that which appeals to our senses, most often in connection with the classification, analysis, appreciation, and understanding of art. The A to Z of Aesthetics covers its history from Classical Greece to the present, including entries on non-western aesthetics. The book contains a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on the main concepts, terminology, important persons (philosophers, critics, and artists), and the rules and criteria we apply in making judgments on art. By providing concise information on aesthetics, this dictionary is not only accessible to students, but it provides details and facts to specialists in the field.
Author: Christine O'Connell Baur
Publisher: University of Toronto Press
Published: 2007-01-01
Total Pages: 340
ISBN-13: 0802092063
DOWNLOAD EBOOKWidely considered one of the greatest works produced in Europe during the Middle Ages, Dante's La Divina Commedia (The Divine Comedy) has influenced countless generations of readers, yet surprisingly few books have attempted to explain the philosophical relevance of this great epic. Dante's Hermeneutics of Salvation takes on this ambitious project. Turning to Heidegger to provide a theoretical framework for her study, Christine O'Connell Baur illustrates how Dante's poem invites its readers to undertake their own existential-hermeneutic journey to freedom. As the pilgrim progresses in his journey, she argues, he moves beyond a merely literal, 'infernal' self-interpretation that is grounded on present attachments to things in the world. If we readers accompany the pilgrim in this hermeneutic conversion, we will see that our own existential commitments can help disclose the meaning of our world and our own finite freedom. A work of considerable importance both for and teachers and students of Dante studies, Dante's Hermeneutics of Salvation will also prove useful to scholars working in medieval studies, philosophy, and literary theory.
Author: Anne Isba
Publisher: Boydell & Brewer Ltd
Published: 2006
Total Pages: 176
ISBN-13: 9780861932771
DOWNLOAD EBOOKClose examination of William Gladstone's engagement with Dante, and its effect upon his political and personal life. From the point at which he first read the Commedia, at the age of twenty-four, William Gladstone was to consider Dante Alighieri one of the major influences in his life, on a par with Homer and St Augustine, and to identifyhimself strongly with the poet. Both were statesmen as well as scholars, for whom civic duty was more important than personal convenience. Both were serious theologians as well as simple spiritual pilgrims. Both idealised women. This book shows how Gladstone found in Dante an endorsement of his own beliefs as he negotiated a path through life. Isba traces the development of his enthusiasm against the background of a resurgent Italy in a new Europe, and in the context of the Victorian fashion for all things medieval. She also examines the parallels between the two men's attitudes to sex and religion in particular, and closes by analysing the quality of Gladstone's own writingon Dante (he was to become an internationally recognised Dante scholar) .
Author: Alison Cornish
Publisher: Cambridge University Press
Published: 2010-12-23
Total Pages: 287
ISBN-13: 1139495380
DOWNLOAD EBOOKTranslation and commentary are often associated with institutions and patronage; but in Italy around the time of Dante, widespread vernacular translation was mostly on the spontaneous initiative of individuals. While Dante is usually the starting point for histories of vernacular translation in Europe, this book demonstrates that The Divine Comedy places itself in opposition to a vast vernacular literature already in circulation among its readers. Alison Cornish explores the anxiety of vernacularization as expressed by translators and contemporary authors, the prevalence of translation in religious experience, the role of scribal mediation, the influence of the Italian reception of French literature on that literature, and how translating into the vernacular became a project of nation-building only after its virtual demise during the Humanist period. Vernacular translation was a phenomenon with which all authors in thirteenth- and fourteenth-century Europe - from Brunetto Latini to Giovanni Boccaccio - had to contend.