Autographic Design
Autographic Design

Author: Dietmar Offenhuber

Publisher: MIT Press

Published: 2023-12-19

Total Pages: 293

ISBN-13: 0262547023

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An ambitious vision for design based on the premise that data is material, not abstract. Data analysis and visualization are crucial tools in today's society, and digital representations have steadily become the default. Yet, more and more often, we find that citizen scientists, environmental activists, and forensic amateurs are using analog methods to present evidence of pollution, climate change, and the spread of disinformation. In this illuminating book, Dietmar Offenhuber presents a model for these practices, a model to make data generation accountable: autographic design. Autographic refers to the notion that every event inscribes itself in countless ways. Think of a sundial, for example—a perfectly autographic device that displays information on itself. Inspired by such post-digital practices of visualization and evidence construction, Offenhuber describes an approach to visualization based on the premise that data is a material entity rather than an abstract representation. Emerson wrote, “Every act of the man inscribes itself in the memories of his fellows, and in his own manners and face.” In Autographic Design, Offenhuber introduces a model for design that emphasizes traces, imprints, and self-inscriptions, turning them into sensory displays. In an age where misinformation is harder and harder to identify, Autographic Design makes an urgent and persuasive case for a different approach that calls attention to the production of data and its connection to the material world.

Energy, the Subtle Concept
Energy, the Subtle Concept

Author: Jennifer Coopersmith

Publisher: OUP Oxford

Published: 2015-05-14

Total Pages: 441

ISBN-13: 0191057509

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Energy is at the heart of physics and of huge importance to society and yet no book exists specifically to explain it, and in simple terms. In tracking the history of energy, this book is filled with the thrill of the chase, the mystery of smoke and mirrors, and presents a fascinating human-interest story. Moreover, following the history provides a crucial aid to understanding: this book explains the intellectual revolutions required to comprehend energy, revolutions as profound as those stemming from Relativity and Quantum Theory. Texts by Descartes, Leibniz, Bernoulli, d'Alembert, Lagrange, Hamilton, Boltzmann, Clausius, Carnot and others are made accessible, and the engines of Watt and Joule are explained. Many fascinating questions are covered, including: - Why just kinetic and potential energies - is one more fundamental than the other? - What are heat, temperature and action? - What is the Hamiltonian? - What have engines to do with physics? - Why did the steam-engine evolve only in England? - Why S=klogW works and why temperature is IT. Using only a minimum of mathematics, this book explains the emergence of the modern concept of energy, in all its forms: Hamilton's mechanics and how it shaped twentieth-century physics, and the meaning of kinetic energy, potential energy, temperature, action, and entropy. It is as much an explanation of fundamental physics as a history of the fascinating discoveries that lie behind our knowledge today.

Instruments in Art and Science
Instruments in Art and Science

Author: Helmar Schramm

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2014-08-29

Total Pages: 604

ISBN-13: 3110971917

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This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening of new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on what actually defines an instrument and to develop a series of basic questions to determine what an instrument is - which actions does the instrument incorporate? – which actions does the instrument make possible? - when do the objects of examination themselves become instruments? – what skills are required to use an instrument, which skills does it produce? With its combination of new theoretical models and historical case studies, its detailed demonstration of the mutual influence of art and science with the instrument as the point of intersection, this volume enters new territory. It is of great value for all those interested in the history of our perception of instruments. Besides the editors, the authors of the papers are: Jörg Jochen Berns, Olaf Breidbach, Georges Didi-Huberman, Peter Galison, Sybille Krämer, Dieter Mersch, Hans-Jörg Rheinberger, Wilhelm Schmidt-Biggemann, and Otto Sibum.