Danger Music

Danger Music

Author: Eddie Ayres

Publisher: Allen & Unwin

Published: 2017-09-27

Total Pages: 277

ISBN-13: 1760639400

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Eddie Ayres has a lifetime of musical experience - from learning the viola as a child in England and playing with the Hong Kong Philharmonic for many years, to learning the cello in his thirties and landing in Australia to present an extremely successful ABC Classic FM morning radio show. But all of this time Eddie was Emma Ayres. In 2014 Emma was spiralling into a deep depression, driven by anguish about her gender. She quit the radio, travelled, and decided on a surprising path to salvation - teaching music in a war zone. Emma applied for a position at Dr Sarmast's renowned Afghanistan National Institute of Music in Kabul, teaching cello to orphans and street kids. In Danger Music, Eddie takes us through the bombs and chaos of Kabul, into the lives of the Afghan children who are transported by Bach, Abba, Beethoven and their own exhilarating Afghan music. Alongside these epic experiences, Emma determines to take the final steps to secure her own peace; she becomes the man always there inside - Eddie.


Experimental Music

Experimental Music

Author: Michael Nyman

Publisher: Cambridge University Press

Published: 1999-07-29

Total Pages: 218

ISBN-13: 9780521653831

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Composer Michael Nyman's classic 1974 account of the postwar experimental tradition in music.


A Danger to Herself and Others

A Danger to Herself and Others

Author: Alyssa Sheinmel

Publisher: Sourcebooks, Inc.

Published: 2019-02-05

Total Pages: 258

ISBN-13: 1492667250

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"A compelling and beautifully told story." —Kathleen Glasgow, New York Times bestselling author of Girl in Pieces From New York Times bestselling author Alyssa Sheinmel comes a dark psychological contemporary about a teenage girl who is institutionalized after an accident at her summer program, perfect for fans of We Were Liars and I'll Give You the Sun. Hannah knows there's been a mistake. She doesn't need to be institutionalized. What happened to her roommate at that summer program was an accident. As soon as the doctors and judge figure out that she isn't a danger to herself or others, she can go home to start her senior year. Those college applications aren't going to write themselves. Until then, she's determined to win over the staff and earn some privileges so she doesn't lose her mind to boredom. Then Lucy arrives. Lucy has her own baggage, and she's the perfect project to keep Hannah's focus off all she is missing at home. But Lucy may be the one person who can get Hannah to confront the secrets she's avoiding—and the dangerous games that landed her in confinement in the first place. Packed with intrigue and suspense, A Danger to Herself and Others is a good choice for readers who loved Suicide Notes for Beautiful Girls by Lynn Weingarten and Two Can Keep a Secret by Karen McManus A great pick for anyone who wants: emotional novels books about mental illness suspenseful reads Also by Alyssa Sheinmel: What Kind of Girl The Castle School (for Troubled Girls) Praise for A Danger to Herself and Others: "A thrilling page-turner."—School Library Journal, *STARRED REVIEW* "A tense and terrific read."—Natalie D. Richards, author of One Was Lost and Six Months Later "A great story full of mystery, heartbreak, and hope."— Jennifer Shaw Wolf, author of Dead Girls Don't Lie and Breaking Beautiful "Intense, compelling, and wholly original."—Kerry Kletter, author of The First Time She Drowned "This compelling character study begins like a thriller—the mystery of what happened to her friend Agnes draws considerable suspense... it becomes a nuanced exploration of mental illness."—Booklist "A respectful, authentic rendering of mental illness and treatment."—Kirkus


Becoming Noise Music

Becoming Noise Music

Author: Stephen Graham

Publisher: Bloomsbury Publishing USA

Published: 2023-01-12

Total Pages: 257

ISBN-13: 1501378686

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Becoming Noise Music tells the story of noise music in its first 50 years, using a focus on the music's sound and aesthetics to do so. Part One focuses on the emergence and stabilization of noise music across the 1980s and 1990s, whilst Part Two explores noise in the twenty-first century. Each chapter contextualizes – tells the story – of the music under discussion before describing and interpreting its sound and aesthetic. Stephen Graham uses the idea of 'becoming' to capture the unresolved 'dialectical' tension between 'noise' disorder and 'musical' order in the music itself; the experiences listeners often have in response; and the overarching 'story' or 'becoming' of the genre that has taken place in this first fifty or so years. The book therefore doubles up on becoming: it is about both the becoming it identifies in, and the larger, genre-making process of the becoming of, noise music. On the latter count, it is the first scholarly book to focus in such depth and breadth on the sound and story of noise music, as opposed to contextual questions of politics, history or sociology. Relevant to both musicology and noise audiences, Becoming Noise Music investigates a vital but analytically underexplored area of avant-garde musical practice.


Music of the Sirens

Music of the Sirens

Author: Linda Austern

Publisher: Indiana University Press

Published: 2006-07-21

Total Pages: 440

ISBN-13: 9780253112071

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Whether referred to as mermaid, usalka, mami wata, or by some other name, and whether considered an imaginary being or merely a person with extraordinary abilities, the siren is the remarkable creature that has inspired music and its representations from ancient Greece to present-day Africa and Latin America. This book, co-edited by a historical musicologist and an ethnomusicologist, brings together leading scholars and some talented newcomers in classics, music, media studies, literature, and cultural studies to consider the siren and her multifaceted relationships to music across human time and geography.


Whole Notes

Whole Notes

Author: Ed Ayres

Publisher: HarperCollins Australia

Published: 2021-10-01

Total Pages: 187

ISBN-13: 146071279X

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Life Lessons through Music Shortlisted for The Age Non-fiction Book of the Year; People's Choice, Queensland Books of the Year; Booksellers' Choice Non-fiction Book of the Year. How can we pause long enough to repair ourselves? How can we make space and time in our lives to know ourselves? One way is through music - learning music, listening to music, being open to music. Because music consoles and restores us. Through music, whether we are listening or playing, we know ourselves more intimately, more honestly, and more clearly with every note. And with every note, music offers us a hand to the beyond. Through music, we can say what we didn't even know we felt. This book is an ode to music, and a celebration of humanity's greatest creation. It is not a call to arms, but a call to instruments. In music, Ed Ayres finds answers to the big questions life throws at us. Using personal anecdotes - including those relating to his transition from Emma to Ed - and observations from teaching and learning music, Ed finds hope in our desire to become whole, with some simple music lessons along the way. PRAISE 'Whole Notes may appear to be about music, but really, it's simply about how to be kind and how to listen without judgement. Which is the best definition of love, no?' Jessie Tu, Sydney Morning Herald 'A truly beguiling account' Geraldine Doogue 'An almost divine presence' Rick Morton 'This is a gorgeous read. It is entertaining and educating in equal measure, and will leave its readers inspired' Celia Cobb, The Strad 'Don't miss this book - it is an ode to music, by a truly inspirational teacher' Inge Southcott, Loud Mouth, Music Trust e-zine 'Ayres communicates with joy, and clarity, inviting us to walk the journey of life with openness to others' Bishop Ian Palmer, The Melbourne Anglican 'With his collection of essayistic reflections on the beauty of music and what the process of learning it can teach us about life, Ayres has gifted his reader with something truly generous and utterly joyful' Stella Charls, Readings


Not the Other Avant-Garde

Not the Other Avant-Garde

Author: James M. Harding

Publisher: University of Michigan Press

Published: 2010-03-10

Total Pages: 313

ISBN-13: 0472025090

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Almost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first- and second-wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics-including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versényi-suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms. Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history. "Joins the growing field of critical and transnational theories on the arts. . . its grounding in live performance and its foregrounding of the performative human body presents a new theoretical paradigm that is pathbreaking." --Haiping Yan, University of California, Los Angeles James M. Harding is Associate Professor of English at Mary Washington University. He is author of Adorno and "A Writing of the Ruins": Essays on Modern Aesthetics and Anglo-American Literature and Culture and editor of Contours of the Theatrical Avant-Garde: Performance and Textuality. John Rouse is Associate Professor of Theater at the University of California, San Diego. He is author of Brecht and the West German Theatre.


The World of Scary Video Games

The World of Scary Video Games

Author: Bernard Perron

Publisher: Bloomsbury Publishing USA

Published: 2018-05-31

Total Pages: 489

ISBN-13: 1501316222

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As for film and literature, the horror genre has been very popular in the video game. The World of Scary Video Games provides a comprehensive overview of the videoludic horror, dealing with the games labelled as “survival horror” as well as the mainstream and independent works associated with the genre. It examines the ways in which video games have elicited horror, terror and fear since Haunted House (1981). Bernard Perron combines an historical account with a theoretical approach in order to offer a broad history of the genre, outline its formal singularities and explore its principal issues. It studies the most important games and game series, from Haunted House (1981) to Alone in the Dark (1992- ), Resident Evil (1996-present), Silent Hill (1999-present), Fatal Frame (2001-present), Dead Space (2008-2013), Amnesia: the Dark Descent (2010), and The Evil Within (2014). Accessibly written, The World of Scary Video Games helps the reader to trace the history of an important genre of the video game.


Heidegger and Music

Heidegger and Music

Author: Casey Rentmeester

Publisher: Rowman & Littlefield

Published: 2022-02-02

Total Pages: 337

ISBN-13: 1538154145

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Although philosophers have examined and commented on music for centuries, Martin Heidegger, one of the greatest philosophers of the 20th century, had frustratingly little to say about music—directly, at least. This volume, the first to tackle Heidegger and music, features contributions from philosophers, musicians, educators, and musicologists from many countries throughout the world, aims to utilize Heidegger’s philosophy to shed light on the place of music in different contexts and fields of practice. Heidegger’s thought is applied to a wide range of musical spheres, including improvisation, classical music, electronic music, African music, ancient Chinese music, jazz, rock n’ roll, composition, and musical performance. The volume also features a wide range of philosophical insights on the essence of music, music’s place in society, and the promise of music’s ability to open up new ways of understanding the world with the onset of the technological and digital musical age. Heidegger and Music breaks new philosophical ground by showcasing creative vignettes that not only push Heidegger’s concepts in new directions, but also get us to question the meaning of music in various contexts.