Dancing with Words
Dancing with Words

Author: Marilyn Daniels

Publisher: Bloomsbury Publishing USA

Published: 2000-10-30

Total Pages: 198

ISBN-13: 0313390118

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One of the foremost authorities on the use of sign language with hearing children provides a guide for teachers and parents who want to introduce signing in hearing children's language development. Marilyn Daniels provides a complete explanation for its use, a short history of sign language and its primary role within the Deaf community, an identification of the steps to reading success delineated with suggestions for incorporating sign language, and finally the results of studies and reactions of children, teachers, and parents. She shows how sign language can be used to improve hearing children's English vocabulary, reading ability, spelling proficiency, self-esteem, and comfort with expressing emotions. Signing also facilitates communication, aids teachers with classroom management, and has been shown to promote a more comfortable learning environment while initiating an interest and enthusiasm for learning on the part of students. Sign language is shown to be an effective agent to accelerate literacy in hearing children from babyhood through sixth grade. A comprehensive exploration of the physiological rationale for the educational advantage sign carries is presented. Overlapping integrated brain activities are incited by movement, vision, meaning, memory, play and the hand itself when sign language is used. Recent findings clearly indicate this bilingual approach with hearing children activates brain growth and development.

Dancing at the Edge of the World
Dancing at the Edge of the World

Author: Ursula K. Le Guin

Publisher: Open Road + Grove/Atlantic

Published: 2017-07-18

Total Pages: 361

ISBN-13: 0802165664

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“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World “I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading. “If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle

Choreography and Verbatim Theatre
Choreography and Verbatim Theatre

Author: Jess McCormack

Publisher: Springer

Published: 2018-05-31

Total Pages: 147

ISBN-13: 3319920197

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How might spoken words be translated into choreography? This book addresses the field of verbatim dance-theatre, around which there is currently limited existing scholarly writing. Grounded in extensive research, the project combines dance studies and performance studies theory, detailed analysis of professional choreographic work and examples of experimental practice to then employ the framework of translation studies in order to consider what a focus on movement and an attempt to dance/move other people’s words can offer to the field of verbatim theatre. It investigates ways to understand, articulate and engage in the process of choreographing movement as a response to verbatim spoken language. It is directed at an international audience of dance studies scholars, theatre and performance studies scholars and dance-theatre practitioners, and it would be appropriate reading material for undergraduate students seeking to develop their understanding of choreographic processes that use written/spoken text as a starting point and graduate students working in the area of adaptation, verbatim theatre, physical theatre or devised theatre.

Dancing at the Edge of the World
Dancing at the Edge of the World

Author: Ursula K. Le Guin

Publisher: Grove Press

Published: 1989

Total Pages: 314

ISBN-13: 9780802135292

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The celebrated author offers her thoughts on a broad range of subjects, including literary criticism, the state of science fiction writing today, and government and governmental policies.

Girlfriends, Ghosts, and Other Stories
Girlfriends, Ghosts, and Other Stories

Author: Robert Walser

Publisher: New York Review of Books

Published: 2016-09-13

Total Pages: 289

ISBN-13: 1681370166

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Girlfriends, Ghosts, and Other Stories brings together eighty-one brief texts spanning Robert Walser’s career, from pieces conceived amid his early triumphs to later works written at a psychiatric clinic in Bern. Many were published in the feuilleton sections of newspapers during Walser’s life; others were jotted down on slips of paper and all but forgotten. They are strung together like consciousness, idiosyncratic and vulnerable, genuine in their irony, wistful in their humor. Some dwell on childish or transient topics—carousels, the latest hairstyles, an ekphrasis of the illustrations in a picture book—others on the grand themes of nature, art, and love. But they remain conversational, almost lighter than air. Every emotion ventured takes on the weight of a sincerity that is imperiled as soon as it comes into contact with the outside world, which retains all of the novelty it had in childhood—and all of the danger.

Dancing Hands
Dancing Hands

Author: Margarita Engle

Publisher: Atheneum Books for Young Readers

Published: 2019-08-27

Total Pages: 40

ISBN-13: 148148740X

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Winner of the Pura Belpré Illustrator Award A Kirkus Reviews Best Picture Book In soaring words and stunning illustrations, Margarita Engle and Rafael López tell the story of Teresa Carreño, a child prodigy who played piano for Abraham Lincoln. As a little girl, Teresa Carreño loved to let her hands dance across the beautiful keys of the piano. If she felt sad, music cheered her up, and when she was happy, the piano helped her share that joy. Soon she was writing her own songs and performing in grand cathedrals. Then a revolution in Venezuela forced her family to flee to the United States. Teresa felt lonely in this unfamiliar place, where few of the people she met spoke Spanish. Worst of all, there was fighting in her new home, too—the Civil War. Still, Teresa kept playing, and soon she grew famous as the talented Piano Girl who could play anything from a folk song to a sonata. So famous, in fact, that President Abraham Lincoln wanted her to play at the White House! Yet with the country torn apart by war, could Teresa’s music bring comfort to those who needed it most?

Dancing Feet!
Dancing Feet!

Author: Lindsey Craig

Publisher: Knopf Books for Young Readers

Published: 2011-02-16

Total Pages: 33

ISBN-13: 0375985808

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Clickity! Clickity! Long green feet! Who is dancing that clickity beat? Lizard is dancing on clickity feet. Clickity! Clickity! Happy feet! Introducing a get-up-and-dance toddler book-so catchy and rhythmic, you'll almost want to sing it. Lindsey Craig's rollicking text features funny sound words (Tippity! Creepity! Stompity! Thumpity!), dancing animals, a singsong beat, and a guessing element just easy enough for preschoolers to anticipate. Marc Brown's artwork is bright, textured, and joyful, a collage of simple shapes for kids to find and name. So grab a partner and tap your feet to this read-aloud picture-book treat.

Dancing with My Father
Dancing with My Father

Author: Leif Anderson

Publisher: Univ. Press of Mississippi

Published: 2005

Total Pages: 182

ISBN-13: 9781578067220

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A daughter's remembrance of life with the eccentric genius and artist Walter Anderson

Dancing Lessons for the Advanced in Age
Dancing Lessons for the Advanced in Age

Author: Bohumil Hrabal

Publisher: New York Review of Books

Published: 2012-04-25

Total Pages: 85

ISBN-13: 1590175565

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Rake, drunkard, aesthete, gossip, raconteur extraordinaire: the narrator of Bohumil Hrabal’s rambling, rambunctious masterpiece Dancing Lessons for the Advanced in Age is all these and more. Speaking to a group of sunbathing women who remind him of lovers past, this elderly roué tells the story of his life—or at least unburdens himself of a lifetime’s worth of stories. Thus we learn of amatory conquests (and humiliations), of scandals both private and public, of military adventures and domestic feuds, of what things were like “in the days of the monarchy” and how they’ve changed since. As the book tumbles restlessly forward, and the comic tone takes on darker shadings, we realize we are listening to a man talking as much out of desperation as from exuberance. Hrabal, one of the great Czech writers of the twentieth century, as well as an inveterate haunter of Prague’s pubs and football stadiums, developed a unique method which he termed “palavering,” whereby characters gab and soliloquize with abandon. Part drunken boast, part soul-rending confession, part metaphysical poem on the nature of love and time, this astonishing novel (which unfolds in a single monumental sentence) shows why he has earned the admiration of such writers as Milan Kundera, John Banville, and Louise Erdrich.

Instructions for Dancing
Instructions for Dancing

Author: Nicola Yoon

Publisher: Delacorte Press

Published: 2021-06-01

Total Pages: 304

ISBN-13: 152471898X

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AN INSTANT #1 NEW YORK TIMES BESTSELLER "A charming, wholehearted love story that's sure to make readers swoon."—Entertainment Weekly "Nicola Yoon writes from the heart in this beautiful love story."—Good Morning America “It’s like an emotional gut punch—so beautiful and also heart-wrenching."—US Weekly In this romantic page-turner from the author of Everything, Everything and The Sun is Also a Star, Evie has the power to see other people’s romantic fates—what will happen when she finally sees her own? Evie Thomas doesn't believe in love anymore. Especially after the strangest thing occurs one otherwise ordinary afternoon: She witnesses a couple kiss and is overcome with a vision of how their romance began . . . and how it will end. After all, even the greatest love stories end with a broken heart, eventually. As Evie tries to understand why this is happening, she finds herself at La Brea Dance Studio, learning to waltz, fox-trot, and tango with a boy named X. X is everything that Evie is not: adventurous, passionate, daring. His philosophy is to say yes to everything--including entering a ballroom dance competition with a girl he's only just met. Falling for X is definitely not what Evie had in mind. If her visions of heartbreak have taught her anything, it's that no one escapes love unscathed. But as she and X dance around and toward each other, Evie is forced to question all she thought she knew about life and love. In the end, is love worth the risk?