Dancing to the Post-modern Tune

Dancing to the Post-modern Tune

Author: Tobias O. Okoro

Publisher: Peter Lang

Published: 2010

Total Pages: 534

ISBN-13: 9783034302401

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Is post-modern society devoid of sacramentality or a sense of the sacred? This question is central to the challenges posed by revolutionary post-modern sensibilities that tend to render the rites for the celebration of the sacraments obsolete and irrelevant. To address this issue, the author applies the post-modern emphasis on plurality and radical particularity to the communal dimension of traditional societies exemplified in the worldview of the Igbo people of Southeast Nigeria to shed light on the liturgical celebration of reconciliation in the Church today. The contention is that the sacraments are multi-vocal symbols that cannot command the same meaning in different contexts. In this connection, this book provides a clear notion of the theological foundation, principle and framework of the sacrament of reconciliation and offers a practical guide for its authentic liturgical celebration in a plural context. Its argument is that all are being summoned to interpersonal encounter through dialogue, or a relationship founded on mutual recognition and respect for difference. On this basis, the book proposes possible reconciliation rites drawn from the Igbo communal existence that have the capacity to accommodate people with other faith perspectives in a common liturgical celebration of the sacrament of reconciliation.


Beyond Intolerance

Beyond Intolerance

Author: Stella Adamma Nneji

Publisher: Xlibris Corporation

Published: 2018-04-20

Total Pages: 613

ISBN-13: 1984515594

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There is no gainsaying the fact that the problem of religious intolerance has become a worldwide problem. In todays pluralistic society, the dialogical tension between openness and identity has become a major challenge for interreligious dialogue and peaceful co-existence. This tension is expressed in the question, Can one maintain ones own religious identity without one closing oneself off from the other? This question is central to the challenges posed on how religious education can contribute to sustainable peace in Nigeria and the world over. In this book Stella Nneji critically assesses the various models of religious pedagogy (mono-religious, multi-religious and inter-religious) by asking how these models relate to the dialogical tension between openness and identity in Nigeriaa nation perceivably confronted with an enduring history of post-colonial strife, religious intolerance and violence. The contention is that the mono-religious and multi-religious models, which, while dominant in current practice and in academia, nevertheless fall short of expressing the authentic challenges and opportunities religious intolerance presents in Nigerian multi-religious/cultural context. In this connection, this book provides a clear notion of the theological foundation, principles, and framework of inter-religious education and a practical guide for authentic dialogue in a plural context. She calls for a paradigm shift for confessional religious pedagogy to a model of inter-religious learning as incorporated within the hermeneutical-communicative education. On this basis, the book proposes a new model for the role of religious education in Nigeria. This model in a critical-enculturated way, attempts to recognize the tensions of authentic religious difference, presupposing a broad spectrum of difference in the classroom in a way that also incorporates genuine religious encounters and expressions of identity.


Writing Dancing in the Age of Postmodernism

Writing Dancing in the Age of Postmodernism

Author: Sally Banes

Publisher: Wesleyan University Press

Published: 2011-03-01

Total Pages: 428

ISBN-13: 0819571814

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Drawing of the postmodern perspective and concerns that informed her groundbreaking Terpsichore in Sneakers, Sally Banes’s Writing Dancing documents the background and developments of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream. Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions, and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers’ Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the “drunk dancing” of Fred Astaire. Ebook Edition Note: Ebook edition note: All images have been redacted.


The Last Post

The Last Post

Author: Simon Shaw-Miller

Publisher: Manchester University Press

Published: 1993

Total Pages: 208

ISBN-13: 9780719036095

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Postmodern Music/postmodern Thought

Postmodern Music/postmodern Thought

Author: Judith Irene Lochhead

Publisher: Taylor & Francis

Published: 2002

Total Pages: 396

ISBN-13: 9780815338208

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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.


Postmodern Music, Postmodern Listening

Postmodern Music, Postmodern Listening

Author: Jonathan D. Kramer

Publisher: Bloomsbury Publishing USA

Published: 2016-08-11

Total Pages: 401

ISBN-13: 1501306049

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Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.


Entertainment and Society

Entertainment and Society

Author: Shay Sayre

Publisher: Routledge

Published: 2010-04-05

Total Pages: 601

ISBN-13: 1135839956

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Providing an overview of the entertainment industry, this study includes entertainment economics, theories of entertainment, entertainment research, & covers different types of entertainment including media, sports, gaming, theme entertainment, travel & tourism, & live performance.


Cajun and Zydeco Dance Music in Northern California

Cajun and Zydeco Dance Music in Northern California

Author: Mark F. DeWitt

Publisher: Univ. Press of Mississippi

Published: 2010-02-17

Total Pages: 489

ISBN-13: 1628467754

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Queen Ida, Danny Poullard, documentary filmmaker Les Blank, Chris Strachwitz, and Arhoolie Records. These are names that are familiar to many fans of Cajun music and zydeco, and they have one other thing in common—-longtime residence in the San Francisco Bay Area. They are all part of a vibrant scene of dancing and live Louisiana-French music that has evolved over several decades. Cajun and Zydeco Dance Music in Northern California traces how this region of California has been able to develop and sustain dances several times a week with more than a dozen bands. Description of this active regional scene opens into a discussion of several historical trends that have affected life and music in Louisiana and the nation. The book portrays the diversity of people who have come together to adopt Cajun and Creole dance music as a way to cope with a globalized, media-saturated world. Ethnomusicologist Mark F. DeWitt innovatively weaves together interviews with musicians and dancers (some from Louisiana, some not), analysis of popular media, participant observation as a musician and dancer, and historical perspectives from wartime black migration patterns, the civil rights movement, American folk and blues revivals, California counterculture, and the rise of cultural tourism in “Cajun Country.” In so doing, he reveals the multifaceted appeal of celebrating life on the dance floor, Louisiana-French style.