Dancing at the Edge of the World

Dancing at the Edge of the World

Author: Ursula K. Le Guin

Publisher: Open Road + Grove/Atlantic

Published: 2017-07-18

Total Pages: 361

ISBN-13: 0802165664

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“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World “I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading. “If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle


Choreography and Verbatim Theatre

Choreography and Verbatim Theatre

Author: Jess McCormack

Publisher: Springer

Published: 2018-05-31

Total Pages: 147

ISBN-13: 3319920197

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How might spoken words be translated into choreography? This book addresses the field of verbatim dance-theatre, around which there is currently limited existing scholarly writing. Grounded in extensive research, the project combines dance studies and performance studies theory, detailed analysis of professional choreographic work and examples of experimental practice to then employ the framework of translation studies in order to consider what a focus on movement and an attempt to dance/move other people’s words can offer to the field of verbatim theatre. It investigates ways to understand, articulate and engage in the process of choreographing movement as a response to verbatim spoken language. It is directed at an international audience of dance studies scholars, theatre and performance studies scholars and dance-theatre practitioners, and it would be appropriate reading material for undergraduate students seeking to develop their understanding of choreographic processes that use written/spoken text as a starting point and graduate students working in the area of adaptation, verbatim theatre, physical theatre or devised theatre.


Other People’s Words

Other People’s Words

Author: Lissa Soep

Publisher: Spiegel & Grau LLC

Published: 2024-04-16

Total Pages: 188

ISBN-13: 1954118368

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What if the great love of your life is friendship? In their twenties, Lissa Soep and her boyfriend forged deep friendships with two other couples—Mercy and Christine; and Emily and Jonnie—until, decades later, Jonnie died suddenly, in an accident, and Christine passed away after a mysterious illness. Christine had been a writer, Jonnie a storyteller. Lissa couldn’t imagine a world without their letters, postcards, texts—a world without their voices. Then she found comfort in a surprising place. As a graduate student, she had studied the philosophy of the Russian critic Mikhail Bakhtin, who wrote about the many voices that can echo through a single person’s speech. Suddenly, Bakhtin’s theory that our language is “filled to overflowing with other people’s words” came to life. Lissa began hearing Jonnie and Christine when least expected. In a conversation with Emily, a familiar phrase was spoken, and suddenly, there was Jonnie, with his riotous laugh, vibrant in her mind. Mercy recited an Adrienne Rich poem in just the way Christine used to and, for a moment, Christine was with them in the room. Other People’s Words shows us how we carry within us the language of loved ones who are gone, and how their words can be portals to other times and places. Language—as with love—is boundless, and Other People’s Words is an intimate, original, and profoundly generous look at its power to nurture life amid the wreckage of grief. Dialogues do not end when a friendship or person is gone; instead, they accrue new layers of meaning, showing how the conversations we share with those we love continue after them, and will continue after us.


Designed for Dancing

Designed for Dancing

Author: Janet Borgerson

Publisher: MIT Press

Published: 2021-10-19

Total Pages: 552

ISBN-13: 0262044331

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When Americans mamboed in the kitchen, waltzed in the living room, polkaed in the pavilion, and tangoed at the club; with glorious, full-color record cover art. In midcentury America, eager dancers mamboed in the kitchen, waltzed in the living room, Watusied at the nightclub, and polkaed in the pavilion, instructed (and inspired) by dance records. Glorious, full-color record covers encouraged them: Let’s Cha Cha Cha, Dance and Stay Young, Dancing in the Street!, Limbo Party, High Society Twist. In Designed for Dancing, vinyl record aficionados and collectors Janet Borgerson and Jonathan Schroeder examine dance records of the 1950s and 1960s as expressions of midcentury culture, identity, fantasy, and desire. Borgerson and Schroeder begin with the record covers—memorable and striking, but largely designed and created by now-forgotten photographers, scenographers, and illustrators—which were central to the way records were conceived, produced, and promoted. Dancing allowed people to sample aspirational lifestyles, whether at the Plaza or in a smoky Parisian café, and to affirm ancestral identities with Irish, Polish, or Greek folk dancing. Dance records featuring ethnic music of variable authenticity and appropriateness invited consumers to dance in the footsteps of the Other with “hot” Latin music, Afro-Caribbean rhythms, and Hawaiian hulas. Bought at a local supermarket, department store, or record shop, and listened to in the privacy of home, midcentury dance records offered instruction in how to dance, how to dress, how to date, and how to discover cool new music—lessons for harmonizing with the rest of postwar America.


Sculptum Est Prosa (Volume 1)

Sculptum Est Prosa (Volume 1)

Author: Ivan Kireevskii

Publisher: Archway Publishing

Published: 2019-06-10

Total Pages: 173

ISBN-13: 1480876992

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sculptum est prosa is a unique collection of poems that present views on the synthesis at the edge of inquiry into the world around us... the study of the simple and the complex. Drawing on the physical sciences, anthropology, psychology, religion, philosophy and the arts; Ivan Kireevskii offers a unique and disquieting perspective as he reshapes the words, thoughts and theories of some of the greatest thinkers of times past to the brightest of present day. We find ourselves in a bewildering world... we want to make sense of what we see around us. In the wave of doubt, today, there are fires both of sentimentality and skepticism... where truth can only be momentary. We comfort ourselves with an illusion of predictability. We fantasize that we can manipulate the world around us by the imaginary forces that we have invented. Astronomers peer into the heavens, mathematicians devise elaborate theories, physicists construct complex machines, and philosophers search for the ultimate answers and indeed, the ultimate questions... Kireevskii's poems are haunted by their voices... in which their words have been sculptured to harmonize.


A HISTORY OF ANCIENT CHINESE MUSIC AND DANCE

A HISTORY OF ANCIENT CHINESE MUSIC AND DANCE

Author: Wang Ningning

Publisher: American Academic Press

Published: 2019-11-04

Total Pages: 590

ISBN-13: 1631816349

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A History of Ancient Chinese Music and Dance describes the history of music and dance in ancient China in the past five thousand years in the forms of poems, music and dance. It includes court music and dance, music and dance in drama and folk music and dance. It covers historical and professional knowledge such as music, dance, poetry and drama. The book consists of eleven chapters, from ancient times to the Ming Dynasty and the Qing Dynasty. In each chapter, there are historical background, music and dance works, people, events, and related poetry and images. The Yellow Emperor created tonality for wind instruments. Emperor Yao and Emperor Shun invented musical instruments qin and se. Duke of Zhou made system of rites and music. Apart from these, music, dance and acrobatics in the Qin Dynasty and the Han Dynasty, grand compositions in the Tang Dynasty and the Song Dynasty and music and dance in drama in the Ming Dynasty and the Qing Dynasty can all lead us to the long developing process of ancient music and dance. The book was the Project of 2003 National Tenth Five-Year Plan for Art Science in China. It was co-funded by the National Publishing Fund and “China Classics International” of the General Administration of Press and Publication.


Maya Angelou

Maya Angelou

Author: Mary Jane Lupton

Publisher: Bloomsbury Publishing USA

Published: 2016-01-18

Total Pages: 269

ISBN-13:

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This book presents the extraordinary life and writings of Maya Angelou. It examines the changing viewpoints in her six autobiographies within the context of women's and African American autobiographies, with specific reference to the slave narrative and to contemporary fiction and film. Maya Angelou: The Iconic Self examines this iconic artist's work as an autobiographer, offering an up-to-date assessment of Angelou's contributions to American literature and to American and international culture. This is the only book to interpret Angelou's autobiographies as unique experiments in the history of black narrative. It attests to Angelou's creativity in transforming the typical single-volume autobiography into a six-volume personal and cultural adventure that tells the truth but reads like fiction. The narratives cover the years from the Great Depression (1941) to the days following the assassinations of Malcolm X (1965) and Martin Luther King (1968), emphasizing Angelou's roles as mother, daughter, granddaughter, wife, and friend. This revised edition also presents information about Maya Angelou's funeral and her continuing legacy since her death in 2014. The depth and scope of the book's observations regarding Angelou's autobiographies will be of great interest to readers seeking an analysis of the interconnections among Angelou's writings as well as serve students taking courses in women's studies or black culture studies.


Sport, Bodily Culture and Classical Antiquity in Modern Greece

Sport, Bodily Culture and Classical Antiquity in Modern Greece

Author: Eleni Fournaraki

Publisher: Routledge

Published: 2014-06-03

Total Pages: 205

ISBN-13: 1317979737

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Ancient Greece was the model that guided the emergence of many facets of the modern sports movement, including most notably the Olympics. Yet the process whereby aspects of the ancient world were appropriated and manipulated by sport authorities of nation-states, athletic organizations and their leaders as well as by sports enthusiasts is only very partially understood. This volume takes modern Greece as a case-study and explores, in depth, issues related to the reception and use of classical antiquity in modern sport, spectacle and bodily culture. For citizens of the Greek nation-state, classical antiquity is not merely a vague "legacy" but the cornerstone of their national identity. In the field of sport and bodily culture, since the 1830s there had been persistent attempts to establish firm and direct links between ancient Greek athletics and modern sport through the incorporation of sport in school curricula, the emergence of national sport historiographies as well as the initiatives to revive (in the 19th century) or appropriate (in the 20th) the modern Olympics. Based on fieldwork and unpublished material sources, this book dissects the use and abuse of classical antiquity and sport in constructing national, gender and class identities, and illuminate aspects of the complex modern perceptions of classicism, sport and the body. This book was previously published as a special issue of the International Journal of the History of Sport.