To outsiders, Rikki Kasnett is a model student; co-dance head for the upcoming school production; a fun-loving friend. But on the inside, Rikki and her older sister Daniella are struggling to cope with their desperate home situation, which they must keep hidden at all costs. When their mother's mental illness reaches new depths, the facade that the two sisters have worked so hard to build is shattered. The girls valiantly attempt to keep their lives afloat, guarding their horrifying secrets from well-meaning friends and teachers who want to help. They're worn out by the deception, but can't imagine any other solution. Will Rikki and Daniella be able to transcend the secrecy that has ruled their lives and find the help they need to recover?
He tossed her into the air as if she were weightless, and just for a moment she seemed suspended there, defying gravity. I couldn't take my eyes off her. I knew what she was feeling. It was in every movement of every limb. Here was a power I had never seen before, a kind of haunting loveliness I had never imagined. Seeing it made me long for something, I didn't know what . . . Ditty was born to dance, but she was also born Jewish. When her strictly religious parents won't let her take ballet lessons, Ditty starts to dance in secret. But for how long can she keep her two worlds apart? And at what cost? A dramatic and moving story about a girl who follows her dream, and finds herself questioning everything she believes in.
'The funniest man I ever saw, and the saddest man I ever knew.' This is how W.C. Fields described Bert Williams, the highest-paid entertainer in America in his heyday and someone who counted the King of England and Buster Keaton among his fans. Born in the Bahamas, he moved to California with his family. Too poor to attend Stanford University, he took to life on the stage with his friend George Walker. Together they played lumber camps and mining towns until they eventually made the agonising decision to 'play the coon'. Off-stage, Williams was a tall, light-skinned man with marked poise and dignity; on-stage he now became a shuffling, inept 'nigger' who wore blackface make-up. As the new century dawned they were headlining on Broadway. But the mask was beginning to overwhelm Williams and he sank into bouts of melancholia and heavy drinking, unable to escape the blackface his public demanded.
The authors offer an insightful analysis of the symbiotic relationship between the popular entertainment industry and America's youth, suggest principles for evaluating popular art and entertainment, and propose strategies for rebuilding strong local cultures in the face of global media giants.
New York Times bestselling author Mary Jane Clark turns up the heat in a drop-dead frightening novel about an idyllic beach community turned killer's hunting ground Trying to mix business with pleasure, KEY News correspondent Diane Mayfield has brought her children and her sister to the New Jersey shore town of Ocean Grove to investigate a story on "girls who cry wolf" for the season premiere of Hourglass, television's highly rated news magazine. Diane lands an exclusive interview with a troubled young woman whose tale of being abducted and held against her will for three terrifying days had been disbelieved by the authorities. No sooner does Diane finish taping the interview, though, than a second victim disappears. The small community, already in the grip of a record heat wave, is now wracked by fear and terror—no one knows who could be next. With only the first victim as eyewitness, Diane and the police turn to her for clues. But it may be too late to save Diane and her loved ones from the mortal danger that lurks in Ocean Grove. Full of twists, turns, and terrifyingly real danger, Dancing in the Dark is Mary Jane Clark's most suspenseful thriller yet.
A cultural history of the 1930s explores the anxiety, despair, and optimism of the period, exploring how the period culture provided a dynamic lift to the country's morale.
EMMY"One bronze, oval button. One push. One ding, one dong.And it will all be real."I never thought it would be easy. And, yet, nothing could have prepared me for this. For them. For him.The second the black walls of the Matthews House swallow me whole, I know it's a dangerous game I'm playing. One that threatens to consume me. Taunt me. Cut, burn, and bleed me dry. Until there's nothing left to take. In the end, I will find the dark in a way I never expected.In the end . . . I will question everything.ADAM"Ash and dust. Death and murder. When you have no soul, there's no fear of losing it. And without fear . . . you're limitless."She's supposed to be a pawn. A gift. Some kind of fucked up way to screw with my head.Another doll, another day.But no one, not even my brothers, know the secrets of my past. None of us could know what the girl's presence here really means. For them. For her. Or what secrets of her own she has buried deep behind those deceptively innocent eyes.But no secret stays buried forever.And not even I can pull the strings when we're dancing in the dark.*PLEASE BE ADVISED: this book contains triggers. Dark themes, characters with questionable morals, questionable sexual situations, violence, murder, abuse (including minors), sex, and profanity.
A brilliantly compelling Liverpool saga following the lives of two women - three generations apart. Millie Cameron is not at all pleased when she finds herself obliged to sort through the belongings of her aunt Flo, who has recently died. She hardly knew her aunt and besides, she has her own career to think about. But when she arrives at Flo's basement flat, Millie's interest is awakened. As she sorts through her aunt's collection of photographs, letters and newspaper cuttings she finds herself embarking on a journey - a journey to a past which includes a lost lover and a secret child. Picking through the tangled web of Flo's life, Millie makes the startling discovery that all the threads lead to herself...
Two of America's leading relationship counselors show couples how to achieve true passion, romance, and intimacy. The Moseleys reveal specific ways to get at the root of behavioral problems that sabotage relationships.
"Romance is structured yearning. In the romantic moment, we gather and focus that yearning in order to connect with something outside ourselves, believing against all odds that such connection is possible, knowing paradoxically that romance is born in the space between our reach and our grasp." So begins Barbara Lazear Ascher's Dancing in the Dark. Offering enchantment to a disenchanted age, this mesmerizing new book explores our instinctual, ageless romantic impulse and the essential role of romance in our lives, in nature, and in the arts. Barbara Ascher's lyrical and provocative prose expands the idea of romance and reveals its powers to redeem passion in our everyday lives. Ascher seeks out the romantic and explores the connections among sex, religion, family, nature, travel, food, music, art, and architecture, offering unforgettable insights that engage the soul and mind. In her quest for what is transcendent in life, she joins intrepid birders in Central Park, who brave winter cold for a glimpse of the long-eared owl--and for a connection between man and nature. She visits Frank Lloyd Wright's Fallingwater house, and Le Cirque's kitchen to witness sensuous pastrymaking. She travels to great museums to view extraordinary paintings and to discuss romance with Sydney Pollack. She attends a Barbara Cook master class and buys a manual typewriter on which to write. Every page of this book draws us into our deepest humanity. Dancing in the Dark elevates this vital sentiment to a passion-suffused life force, available to all, composed of hope, reverence for the unattainable, and the desire for more. Friendly, humorous, informative, Dancing in the Dark connects life to art, fact to fiction, and present to past.
