Who will help the Moon Goddess with her magic potion? Follow the journey of a little one who mistakenly spills the potion and runs away in a panic. The chase that follows shows the power of magic as the child becomes different animals in an effort to escape. But will it work? Based on the Celtic tale of Taliesin and Goddess Cerridwen.
Blending theory, criticism, and ritual, reveals the foundations of the ancient tradition of "matriarchal art," and shows how that tradition flourishes in the works of major contemporary women artists and in contemporary women's spirituality.
This is a story is about the moon, the sea, and the magick of dance! Long ago, the Dancing Goddess tied her skirt into the sea and leapt to the moon, so she could always watch over those she loved. Pagans dance when the moon is full, and we never dance alone.
Nemetona is an ancient goddess whose song is heard deep within the earth and also deep within the human soul. She is the Lady of Sanctuary, of Sacred Groves and Sacred Spaces. She is present within the home, within our sacred groves, our rites and in all the spaces that we hold dear to our hearts. She also lies within, allowing us to feel at ease wherever we are in the world through her energy of holding, of transformation. She holds the stillness and quiet of a perfect day; she is the stillness at the end of it, when the blackbird sings to the dusk. She is the energy of sacred space, where we can stretch out our souls and truly come alive, to be who we wish to be, filled with the magic of potential. Rediscover this ancient goddess and dance with a Druid to the songs of Nemetona. Learn how to reconnect with this goddess in ritual, songs, chants, meditation and more. ,
Blending theory, criticism, and ritual, reveals the foundations of the ancient tradition of "matriarchal art," and shows how that tradition flourishes in the works of major contemporary women artists and in contemporary women's spirituality.
A delightful mix of folklore and fantasy follows Little Imani as she works up the courage and confidence in herself to achieve big things. Little Imani is the smallest one in her village. The other children make fun of her and tell her she's too tiny, that she's an ant, that a meerkat might stomp her, and that she'll never amount to anything. Imani begins to believe them. At bedtime, Imani's mama tells her traditional Maasai stories about the moon goddess Olapa and Anansi the spider. They accomplished the impossible. Imani's mama tells her that she is the one who needs to believe if she wants to reach new heights. So Imani sets out to touch the moon. An unforgetable story about the power of believing in ourselves that is sure to inspire young readers to reach for their own moons.
This is a story is about the moon, the sea, and the magick of dance! Long ago, the Dancing Goddess tied her skirt into the sea and leapt to the moon, so she could always watch over those she loved. Today, Pagans dance when the moon is full, and we never dance alone.
A fascinating exploration of an ancient system of beliefs and its links to the evolution of dance. From Southern Greece to northern Russia, people living in agrarian communities have long believed in “dancing goddesses,” mystical female spirits who spend their nights and days dancing in the fields and forests. In The Dancing Goddesses, archaeologist, linguist, and lifelong folkdancer Elizabeth Wayland Barber follows the trail of these spirit maidens—long associated with fertility, marriage customs, and domestic pursuits—from their early appearance in traditional folktales and harvest rituals to their more recent incarnations in fairytales and present-day dance. Illustrated with photographs, maps, and line drawings, the result is a brilliantly original work that stands at the intersection of archaeology and folk traditions—at once a rich portrait of our rich agrarian ancestry and an enchanting reminder of the human need to dance.
Illustrated with a wealth of photographs and designs for decor and costumes, most never before published, AUSTRALIA DANCES: CREATING AUSTRALIAN DANCE 1945-1965 surveys the major companies, the many smaller groups which flourished, modern dance, the beginnings of Aboriginal theatrical dance and the various teaching codes which became established. Selected works from company repertoires are discussed, making the book a rich and valuable resource for students and scholars as well as an essential addition to every dance lovers library.